The Dog Problem

Oh man. The acting in this film is very good. The story would probably not look so good on paper. This film tried to take a turn into a suckfest about twenty times, and every time it tried, it failed. It was a truly touching story, and it had a wonderful, understated sense of humor that was a joy to watch.

I can understand a lot of people not getting this film. It doesn't hit you over the head with a message, but the message is there, loud and clear. It doesn't blow you away with funny scenes and gut wrenching jokes, but when it's funny, it is delightfully so.

The direction is lovely. It is straightforward enough that you don't notice it, and believe me, that is a sign that a director knows what he's doing. It's not workmanlike, or ordinary. It's quite artistic! But it's not artistic in a pretentious way. It complements the story.

The film has a message, as I said before, and I can tell you what that message is.

Of course, I'm not going to. Watch the film to see what happens, digest it, and then watch it again to enjoy its nuances.

I've always felt that Giovanni Ribisi is the most underused (along with Chiwetel Ejiofor and Zooey Deschanel) and one of the most talented actors working today. Further proof of that is his fantastic performance in this light-hearted, mediocre independent comedy directed and written by Scott Caan. The film centers around a broke, self-centered and hopelessly depressed writer named Solo (Giovanni) who after a year of seeing a therapist (Don Cheadle) five days a week decides to get a dog. Getting this dog begins a wild adventure that involves his best friend (played by Caan), a stripper whom he grows a strong affection for (Lynn Collins), her friend (the criminally underused Sarah Shahi), a gangster whom he owes money to (Kevin Corrigan) and a spoiled rich girl straight out of My Super Sweet 16 (Mena Suvari).

It's a fun film about the true wealth of finding love with some genuinely hilarious scenes scattered throughout. I've never liked Scott Caan as an actor; I always find him playing the same arrogant, dirtbag character and I really don't like his sense of humor so that didn't help me in trying to enjoy the film. Also, while the subplots with the gangster (who we never find out how he got connected to Solo or why Solo owes him money) and the spoiled girl offer some great opportunities for Giovanni to show off his comedic talent, their appearance in the film ultimately feels like pointless filler. But the film manages to succeed due to the great work by the always underrated Giovanni Ribisi who adds so much charm, quirk and hilarity to every film he's in that it's impossible not to love him and it is pretty entertaining throughout.

The Dog problem.. Have seen it twice. A nice break from serious Action flicks, or somber dramas. Its light, cleaver, fun to watch, and I felt like I'd met some of the characters in real life. Just an odd mix of misfit people stumbling through life... Incomplete closures, partial answers, and in so many ways a caricature of life.

The pseudo Rorschach inkblot test-like opening credits are brilliantly on theme, and the music from former Devo man, Mark Mothersbaugh, is icing on the cake.

Giovani Rabisi shines as an oddball self analytic writer who doesn't quite know what to do with himself, or anyone else. Don Cheadle is always fun to watch, and the dog is cool, playing his role very understated, look for him as feature player in his own movies soon.

Kudos to Scott Caan.

Solo (Giovanni Ribisi) is a broke depressed writer. His therapist (Don Cheadle) suggests a pet, and he immediately goes out to buy a dog. This makes Benny (Kevin Corrigan) angry who Solo's owes money to. His friend Casper (Scott Caan) introduces him to rich girl Jules (Mena Suvari) who must have the dog.

The whole thing with the dog makes no sense. Is this a magic dog? Scott Caan has written something that is so desperate to be quirky that it never seemed right. The best part is the sweet stripper Lola (Lynn Collins). She has great chemistry with Giovanni Ribisi. I love their conversations together. But she's not enough for me to recommend this movie.

Yes if you want to over-analyze the movie components a lot of your dis-mantling can be viewed as true...but if you just sit back and let the movie take you for it's ride, the over-all result is an enjoyable watch, which for me is what movies are about...not that they are technically sound in every category of screenplay writing technique...I enjoyed its whimsical theme, and light hearted flow it maintained throughout. I feel it was written more for steady amusement...and quirky chuckles than to to garner huge laughs...sometimes its cool to enjoy a movie from start to finish, when it keeps your attention and keeps you smiling....

~Jon