IMDb RATING
6.2/10
3.4K
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When Solo, the writer of one book, runs out of money for therapy, his therapist suggests getting a dog. Problems arise.When Solo, the writer of one book, runs out of money for therapy, his therapist suggests getting a dog. Problems arise.When Solo, the writer of one book, runs out of money for therapy, his therapist suggests getting a dog. Problems arise.
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I've always felt that Giovanni Ribisi is the most underused (along with Chiwetel Ejiofor and Zooey Deschanel) and one of the most talented actors working today. Further proof of that is his fantastic performance in this light-hearted, mediocre independent comedy directed and written by Scott Caan. The film centers around a broke, self-centered and hopelessly depressed writer named Solo (Giovanni) who after a year of seeing a therapist (Don Cheadle) five days a week decides to get a dog. Getting this dog begins a wild adventure that involves his best friend (played by Caan), a stripper whom he grows a strong affection for (Lynn Collins), her friend (the criminally underused Sarah Shahi), a gangster whom he owes money to (Kevin Corrigan) and a spoiled rich girl straight out of My Super Sweet 16 (Mena Suvari).
It's a fun film about the true wealth of finding love with some genuinely hilarious scenes scattered throughout. I've never liked Scott Caan as an actor; I always find him playing the same arrogant, dirtbag character and I really don't like his sense of humor so that didn't help me in trying to enjoy the film. Also, while the subplots with the gangster (who we never find out how he got connected to Solo or why Solo owes him money) and the spoiled girl offer some great opportunities for Giovanni to show off his comedic talent, their appearance in the film ultimately feels like pointless filler. But the film manages to succeed due to the great work by the always underrated Giovanni Ribisi who adds so much charm, quirk and hilarity to every film he's in that it's impossible not to love him and it is pretty entertaining throughout.
It's a fun film about the true wealth of finding love with some genuinely hilarious scenes scattered throughout. I've never liked Scott Caan as an actor; I always find him playing the same arrogant, dirtbag character and I really don't like his sense of humor so that didn't help me in trying to enjoy the film. Also, while the subplots with the gangster (who we never find out how he got connected to Solo or why Solo owes him money) and the spoiled girl offer some great opportunities for Giovanni to show off his comedic talent, their appearance in the film ultimately feels like pointless filler. But the film manages to succeed due to the great work by the always underrated Giovanni Ribisi who adds so much charm, quirk and hilarity to every film he's in that it's impossible not to love him and it is pretty entertaining throughout.
The Dog problem.. Have seen it twice. A nice break from serious Action flicks, or somber dramas. Its light, cleaver, fun to watch, and I felt like I'd met some of the characters in real life. Just an odd mix of misfit people stumbling through life... Incomplete closures, partial answers, and in so many ways a caricature of life.
The pseudo Rorschach inkblot test-like opening credits are brilliantly on theme, and the music from former Devo man, Mark Mothersbaugh, is icing on the cake.
Giovani Rabisi shines as an oddball self analytic writer who doesn't quite know what to do with himself, or anyone else. Don Cheadle is always fun to watch, and the dog is cool, playing his role very understated, look for him as feature player in his own movies soon.
Kudos to Scott Caan.
The pseudo Rorschach inkblot test-like opening credits are brilliantly on theme, and the music from former Devo man, Mark Mothersbaugh, is icing on the cake.
Giovani Rabisi shines as an oddball self analytic writer who doesn't quite know what to do with himself, or anyone else. Don Cheadle is always fun to watch, and the dog is cool, playing his role very understated, look for him as feature player in his own movies soon.
Kudos to Scott Caan.
Solo (Giovanni Ribisi) is a broke depressed writer. His therapist (Don Cheadle) suggests a pet, and he immediately goes out to buy a dog. This makes Benny (Kevin Corrigan) angry who Solo's owes money to. His friend Casper (Scott Caan) introduces him to rich girl Jules (Mena Suvari) who must have the dog.
The whole thing with the dog makes no sense. Is this a magic dog? Scott Caan has written something that is so desperate to be quirky that it never seemed right. The best part is the sweet stripper Lola (Lynn Collins). She has great chemistry with Giovanni Ribisi. I love their conversations together. But she's not enough for me to recommend this movie.
The whole thing with the dog makes no sense. Is this a magic dog? Scott Caan has written something that is so desperate to be quirky that it never seemed right. The best part is the sweet stripper Lola (Lynn Collins). She has great chemistry with Giovanni Ribisi. I love their conversations together. But she's not enough for me to recommend this movie.
"When a man's best friend is a dog, that dog has a problem."
(from the opening credits)
This basically unknown oddball Independent film is an entertaining dark comedy. It's rated R mainly because of off color language and some sexual situations, which are hardly graphic. Underneath, this film is ultimately good natured at its core. A shrink tells a young writer named Solo, who's troubled and lonely, to try owning a pet to aid his therapy, so he hesitantly gets a "so ugly it's cute" puppy from the pet shop at the local mall. He's totally clueless on how to care for it. However, from that day forward he is never the same again. Suddenly and unaccountably, everyone he encounters becomes smitten by his puppy, who's the real star in this feature. The themes hinge on lost hope and looking for love and connection in a confusing world. Solo happens to meet a pretty woman who, unexpectedly, is also troubled and lonely. Aside from the language, this is a surprisingly charming and quirky little film involving lost souls who meet a dog that inadvertently leads him to some answers about their plight in life. This is lighthearted fun but not exactly a family or children's movie. The ending is touching and sweet. Dog owners in particular will get a real kick out of this film.
(from the opening credits)
This basically unknown oddball Independent film is an entertaining dark comedy. It's rated R mainly because of off color language and some sexual situations, which are hardly graphic. Underneath, this film is ultimately good natured at its core. A shrink tells a young writer named Solo, who's troubled and lonely, to try owning a pet to aid his therapy, so he hesitantly gets a "so ugly it's cute" puppy from the pet shop at the local mall. He's totally clueless on how to care for it. However, from that day forward he is never the same again. Suddenly and unaccountably, everyone he encounters becomes smitten by his puppy, who's the real star in this feature. The themes hinge on lost hope and looking for love and connection in a confusing world. Solo happens to meet a pretty woman who, unexpectedly, is also troubled and lonely. Aside from the language, this is a surprisingly charming and quirky little film involving lost souls who meet a dog that inadvertently leads him to some answers about their plight in life. This is lighthearted fun but not exactly a family or children's movie. The ending is touching and sweet. Dog owners in particular will get a real kick out of this film.
Oh man. The acting in this film is very good. The story would probably not look so good on paper. This film tried to take a turn into a suckfest about twenty times, and every time it tried, it failed. It was a truly touching story, and it had a wonderful, understated sense of humor that was a joy to watch.
I can understand a lot of people not getting this film. It doesn't hit you over the head with a message, but the message is there, loud and clear. It doesn't blow you away with funny scenes and gut wrenching jokes, but when it's funny, it is delightfully so.
The direction is lovely. It is straightforward enough that you don't notice it, and believe me, that is a sign that a director knows what he's doing. It's not workmanlike, or ordinary. It's quite artistic! But it's not artistic in a pretentious way. It complements the story.
The film has a message, as I said before, and I can tell you what that message is.
Of course, I'm not going to. Watch the film to see what happens, digest it, and then watch it again to enjoy its nuances.
I can understand a lot of people not getting this film. It doesn't hit you over the head with a message, but the message is there, loud and clear. It doesn't blow you away with funny scenes and gut wrenching jokes, but when it's funny, it is delightfully so.
The direction is lovely. It is straightforward enough that you don't notice it, and believe me, that is a sign that a director knows what he's doing. It's not workmanlike, or ordinary. It's quite artistic! But it's not artistic in a pretentious way. It complements the story.
The film has a message, as I said before, and I can tell you what that message is.
Of course, I'm not going to. Watch the film to see what happens, digest it, and then watch it again to enjoy its nuances.
Did you know
- TriviaHana Mae Lee's debut.
- GoofsWhen Solo and Casper are having breakfast in the diner Solo's plate keeps switching position on the table between shots. First it is in front of him, then it's to his right, and then it switches back again.
- SoundtracksWalking in L.A.
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- How long is The Dog Problem?Powered by Alexa
Details
Box office
- Gross US & Canada
- $1,344
- Opening weekend US & Canada
- $914
- Apr 29, 2007
- Gross worldwide
- $1,344
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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