The Company

I thought that The Company was brilliant!! I enjoyed all 6 hours of the mini series!! When was the last time a movie(series) revolved around such an event as The Bay Of Pigs?? I know I haven't, and it's probably because it was a huge flop as a tactic and made the U.S and JFK look foolish. Plus the series doesn't just focus on one aspect of U.S. and world history, it focuses on the CIA's involvement in The Cold War from just after WWII, until the early 1990's, which entails a huge portion of 20th century history. The Company involved so many important world events that it in my opinion, it far surpassed any other movie/series of its kind. These days all of the movies are about much more physical wars such as Pearl Harbor, Letters From Iwo Jima, Saving Private Ryan, etc. It's just really refreshing to see a movie/series that is not just so unique in it's composure, but also shows the opinions of the "war" from both sides.

This is no James bond.This has nothing to do with superheroes and supervillans(except the part with GOOD USA vs. EVIL SOVIET UNION).Its a gripping spy drama for the masses and the same time for the history buffs.The performances are very good on the behalf of Alfred Molina,Chris ODonnel and Rory Cochrane.Alessandro Nivola seems a bit out of pace.The real treat comes from Michael Keaton who goes stainless in his role.The action sequences and special effects are some of the best quality and i rate it just after band of brothers in the series branch.The show has a plus for the moments where the language of certain nationals is respected(the Russians speak Russian ,the Hungarians speak the Hungarian and the mobsters are so Sicilians).The big budget of the series is put to good use and the places you see in the movies are the ones where the things actually happened.There are little flaws for an epic of such proportions.I sense no TV feel in the image,sets,performances etc. so i must give this show a 10!job well done!

The miniseries went out of fashion when the networks started economizing, so it's nice to see this one from TNT. "The Company," which refers to the CIA, stars Chris O'Donnell, Alfred Molina, Michael Keaton, Rory Cochrane, Alessandro Nivola, and Natascha McElhone, along with a huge international cast.

The series purports to tell of some of the big events in which the CIA was involved throughout its history, woven in with the search for an elusive double agent, an American version of Kim Philby (who is also a character in the film, portrayed by Tom Hollander). The period covered is 40 years, from the start of the Cold War to the fall of the Soviet Union and focuses on the experiences of three fictional Yale grads, class of '54: Jack McCauliffe (O'Donnell), Leo Kritzky (Alessandro Nivola), and Yevgeny Tsipin (Rory Cochrane).

This is a very absorbing miniseries with some great, good, and blah acting, in my opinion. Though it's understood that Alfred Molina is an excellent actor, for me, his portrayal of Harvey, Jack's boss, was a little too stagy. Chris O'Donnell was okay, coming off as a lesser Leonardo di Caprio or Matt Damon. For me the two great portrayals were those of Michael Keaton as James Angleton, the real-life chief of the CIA's counterintelligence unit, and Alessandro Nivola, who is an accomplished stage actor and gives a strong performance.

Not surprisingly, this film came on the heels of the feature "The Good Shepherd," also about the CIA and starring Matt Damon. Because it has the luxury of being a miniseries, it's more detailed. Recommended.

Michael Keaton's performance is spellbinding, astounding. I couldn't believe what I was watching. When he's on screen, he lifts the piece onto a wholly different level. Unreservedly worth watching for his screen time alone. The unnerving atmosphere he creates happily offsets the unfortunate mawkishness that marrs parts of the Berlin and Budapest stories. Alfred Molina also deserves praise for a strong, gutsy performance as a permanently booze-fueled, no nonsense old time field commander. Production values are pretty high for a television series - Ridley Scott's production presence no doubt helped on that front - and the post-war look and atmosphere of the Berlin sequences is particularly well realised. But this is unmistakably Keaton's tour-de-force.

This is a compelling watch, one of the best I have ever seen on this subject, and I have seen many. The performances are wonderful, especially the three Yale friends who take divergent paths. Alfred Molina is great, as ever. I especially liked Ted Atherton as Frank Wizner.

But did anyone ever call Kim Philby "Adrian"? Maybe James Jesus Angleton: he was just weird enough. (Weird, also, to see him portrayed by Tom Hollander, who played Burgess in Cambridge Spies). And while Angleton suspected Philby, he did not send him tearing off to Moscow -- Philby returned to London, where he was interrogated by effectively cleared (by Harold MacMillan, among others) and on later to Beirut, as a journalist, which allowed him to return to working for MI6 and, presumably, the KGB. It was his MI6 friend Nicholas Elliott who finally broke him, prompting Philby to flee to Moscow in 1962. From Beirut.

But the fictional elements work well enough to make this a very watchable mini-series. And they have an artistic truth that factual manipulations do not spoil.

I dispute the comments that find the series to be anti-American. Some Americans apparently still believe that their country is without fault. There is no reasoning with such people. Having Chris O'Donnell's Jack query how "good" the "good guys" were is just realism, honesty and moral principle: it only takes two words to show that the USA is not always interested in right: Salvador Allende.

As the Hungarian revolutionary Arpad tells Jack in Budapest in 1956, revolutions are fought for three reasons: honour, fear and self-interest. He claims the first two for himself and his comrades. He shrewdly assesses the third as the principal rationale of the US. And who can honestly say otherwise? This programme, as well as Jack, endorses that view.