In a mythical land, a man and a young boy investigate a series of unusual occurrences.In a mythical land, a man and a young boy investigate a series of unusual occurrences.In a mythical land, a man and a young boy investigate a series of unusual occurrences.
- Awards
- 3 nominations total
Timothy Dalton
- Sparrowhawk
- (English version)
- (voice)
Willem Dafoe
- Cob
- (English version)
- (voice)
Mariska Hargitay
- Tenar
- (English version)
- (voice)
Jun'ichi Okada
- Arren
- (voice)
Aoi Teshima
- Theru
- (voice)
Bunta Sugawara
- Haitaka
- (voice)
Yûko Tanaka
- Cob
- (voice)
Teruyuki Kagawa
- Hare
- (voice)
Jun Fubuki
- Tenar
- (voice)
Takashi Naitô
- Hazia Dealer
- (voice)
Mitsuko Baishô
- The Mistress
- (voice)
Yui Natsukawa
- The Queen
- (voice)
Kaoru Kobayashi
- The King
- (voice)
Matt Levin
- Arren
- (English version)
- (voice)
Cheech Marin
- Hare
- (English version)
- (voice)
Blaire Restaneo
- Therru
- (English version)
- (voice)
Jeff Bennett
- Additional Voices
- (English version)
- (voice)
Susanne Blakeslee
- The Queen
- (English version)
- (voice)
- (as Suzanne Blakeslee)
Featured reviews
Some argue that "Tales from Earthsea" only works if you're not a fan of the novels. I argue the opposite. Studio Ghibli and Goro Miyazaki took on a Herculean effort, creating a massive love letter to Ursula K. Le Guin's beloved series. They approached this film as if it were their only chance to make an Earthsea movie, leading to a final product that, while beautiful, suffers from trying to do too much.
The film struggles to find its footing, with many plot points never receiving the resolution they deserve. This results in a narrative that only makes full sense if you're already familiar with the Earthsea series. For fans like myself, this makes the movie work better as an adaptation of "The Farthest Shore." We see characters from other books making appearances, adding to the richness of the experience. However, for those unfamiliar with Earthsea, understanding the importance of the events and characters can be challenging.
A major disappointment is Sparrowhawk, who feels like a corked bottle throughout the movie. The books make it clear just how powerful and wise he is, akin to Gandalf in "The Lord of the Rings." Unfortunately, the film fails to convey this, depriving the audience of a true sense of his greatness.
Despite these criticisms, I still give "Tales from Earthsea" a 7 out of 10. The animation is stellar, capturing the dark fantasy essence of Earthsea while maintaining Studio Ghibli's recognizable style. It's perhaps the least Studio Ghibli-like film of them all, with its violence and dark tones. The voice performances, especially Willem Dafoe as Cob, are astounding.
The story, though messy, is interesting, and the world-building is incredible. There's a strong commentary on nature and man's greed, a typical Studio Ghibli theme. It's a shame the film didn't achieve the seamless finish it deserved because the potential for an incredible adaptation was there.
In conclusion, "Tales from Earthsea" is a flawed but fascinating film. It stumbles over itself and can't quite find what it truly could have been, caught between a bunch of crossroads. Nevertheless, it remains a beautiful, albeit messy, love letter to Earthsea that I appreciate as a fan of the series.
The film struggles to find its footing, with many plot points never receiving the resolution they deserve. This results in a narrative that only makes full sense if you're already familiar with the Earthsea series. For fans like myself, this makes the movie work better as an adaptation of "The Farthest Shore." We see characters from other books making appearances, adding to the richness of the experience. However, for those unfamiliar with Earthsea, understanding the importance of the events and characters can be challenging.
A major disappointment is Sparrowhawk, who feels like a corked bottle throughout the movie. The books make it clear just how powerful and wise he is, akin to Gandalf in "The Lord of the Rings." Unfortunately, the film fails to convey this, depriving the audience of a true sense of his greatness.
Despite these criticisms, I still give "Tales from Earthsea" a 7 out of 10. The animation is stellar, capturing the dark fantasy essence of Earthsea while maintaining Studio Ghibli's recognizable style. It's perhaps the least Studio Ghibli-like film of them all, with its violence and dark tones. The voice performances, especially Willem Dafoe as Cob, are astounding.
The story, though messy, is interesting, and the world-building is incredible. There's a strong commentary on nature and man's greed, a typical Studio Ghibli theme. It's a shame the film didn't achieve the seamless finish it deserved because the potential for an incredible adaptation was there.
In conclusion, "Tales from Earthsea" is a flawed but fascinating film. It stumbles over itself and can't quite find what it truly could have been, caught between a bunch of crossroads. Nevertheless, it remains a beautiful, albeit messy, love letter to Earthsea that I appreciate as a fan of the series.
I am a great fan of the LeGuin books, and when I learned that Studio Ghibli was going to be involved in making of the film I eagerly looked forward to its release. I hoped it would make up for the awful SciFi Channel-aired film. The good news in this outing is, there is genuine respect for the source material, even if it is not done genuine honor.
The plot of the film is an amalgamation of elements of several of the Earthsea books, creating a new villain and having characters interact that indeed barely met in the books. While I could not help but feel disappointed by these changes, the film is still visually enjoyable to behold. It does not compare as favorably to Howl's Moving Castle, a story drastically altered from its own source material that still manages to stand on its own as a story.
I could not help but think, as I watched the character Arren develop, why? Why, when there is such wonderful source material, that his introduction came across so muddled and poorly reasoned. I viewed the film with someone who had never read the books, and she really enjoyed it. Despite the film's shortcomings, you generally care for the cast by the end.
The plot of the film is an amalgamation of elements of several of the Earthsea books, creating a new villain and having characters interact that indeed barely met in the books. While I could not help but feel disappointed by these changes, the film is still visually enjoyable to behold. It does not compare as favorably to Howl's Moving Castle, a story drastically altered from its own source material that still manages to stand on its own as a story.
I could not help but think, as I watched the character Arren develop, why? Why, when there is such wonderful source material, that his introduction came across so muddled and poorly reasoned. I viewed the film with someone who had never read the books, and she really enjoyed it. Despite the film's shortcomings, you generally care for the cast by the end.
Eh, let's just call Tales from Earthsea a case of growing pains for Goro Miyazaki.
It's not a bad movie. It's just unremarkable in every way. It doesn't have the creativity, emotional depth, or beauty of Spirited Away, the visual wonder of Howl's Moving Castle, the scope of adventure of Castle in the Sky, the lovable characters of Kiki's Delivery Service, or the sheer delight and fun of Ponyo.
If I had to choose a defining feature for Earthsea, I honestly don't know what it would be. The music is fine, but nothing extraordinary. The character designs and artwork are dangerously close to generic, the story lacks tension and feels almost inconsequential, and the writing is bland. Where's the heart? Where's the humor, the passion, or something that would draw me into the narrative?
I found myself not caring much about what was happening, and more concerned with how much time was left until the movie was over, than anything else. My expectations for Studio Ghibli are far too high to embrace a movie like this that barely scrapes above mediocrity, and from what I've heard from fans of the Earthsea literature, this isn't the adaptation they were hoping for, either.
It's not a bad movie. It's just unremarkable in every way. It doesn't have the creativity, emotional depth, or beauty of Spirited Away, the visual wonder of Howl's Moving Castle, the scope of adventure of Castle in the Sky, the lovable characters of Kiki's Delivery Service, or the sheer delight and fun of Ponyo.
If I had to choose a defining feature for Earthsea, I honestly don't know what it would be. The music is fine, but nothing extraordinary. The character designs and artwork are dangerously close to generic, the story lacks tension and feels almost inconsequential, and the writing is bland. Where's the heart? Where's the humor, the passion, or something that would draw me into the narrative?
I found myself not caring much about what was happening, and more concerned with how much time was left until the movie was over, than anything else. My expectations for Studio Ghibli are far too high to embrace a movie like this that barely scrapes above mediocrity, and from what I've heard from fans of the Earthsea literature, this isn't the adaptation they were hoping for, either.
After watching this film I was pleased with the overall feel and look the production. Most notably I was impressed with the studio's visual creation of Earthsea. While the artistry and animation quality does not entirely measure up to other recent Ghibli studio films, I felt it did create a rich and colorful setting in which the story unfolds. A solid score also helps to shape the vibrant world that the movie conveys. However, I wouldn't consider all this to be a faithful representation of Ursula k. Le Guin's literary Earthsea, but rather something unique on to itself. One thing in particular that I think separates the film setting from that of the books' is the absence of the sea. I'm not saying its not there, just that it seems to mostly be in the background.
As for the story I don't think it stands out as anything great. It was limited from the start. The movie like the book is a single episode in a much larger tale. In no way could it possibly encompass the magnitude of the Earthsea series, let alone the main events in The Farthest Shore. It would simply be too much to present in a canvass of its length. As a result It lacks the epic feel of Princess Mononoke or the closure that comes at the end of Spirited Away. In other respects though, the film borrows heavily from Ghibli's previous works, mainly with the characters. They are shadows of former Ghibli creations, but due to their interaction and set of circumstances they retain some originality. I might also add that they come off as serious, and are far removed from the playful personalities that give other Ghibli films their charm. This said they still manage to play out their given roles and drive the story forward. From beginning to end the film holds up in large part because the setting never loses its feel.
I enjoyed this picture in spite of its flaws, again because of it's look and feel. For once I could see winged dragons clash and wizards face off in a Ghibli film. In my opinion Goro Miyazaki did a decent job bringing it all to life. At the same time, I hope he will learn from this experience and strive to do better next time. After my seeing Gedo Senki he has my support.
As for the story I don't think it stands out as anything great. It was limited from the start. The movie like the book is a single episode in a much larger tale. In no way could it possibly encompass the magnitude of the Earthsea series, let alone the main events in The Farthest Shore. It would simply be too much to present in a canvass of its length. As a result It lacks the epic feel of Princess Mononoke or the closure that comes at the end of Spirited Away. In other respects though, the film borrows heavily from Ghibli's previous works, mainly with the characters. They are shadows of former Ghibli creations, but due to their interaction and set of circumstances they retain some originality. I might also add that they come off as serious, and are far removed from the playful personalities that give other Ghibli films their charm. This said they still manage to play out their given roles and drive the story forward. From beginning to end the film holds up in large part because the setting never loses its feel.
I enjoyed this picture in spite of its flaws, again because of it's look and feel. For once I could see winged dragons clash and wizards face off in a Ghibli film. In my opinion Goro Miyazaki did a decent job bringing it all to life. At the same time, I hope he will learn from this experience and strive to do better next time. After my seeing Gedo Senki he has my support.
Watching Tales from Earthsea, I felt like I had been dropped off in the middle of a book series with no real context as to what was going on. I enjoyed the beautiful animation and ended up finding interest in the story and characters, but at the end of the film I still felt like I was missing something. Studio Ghibli probably should have set this one up better.
Did you know
- TriviaHayao Miyazaki first wrote to author Ursula K. Le Guin about adapting her book into a film. LeGuin at the time was unfamiliar with Miyazaki's work, and associated animation to be similar to Disney animation, and turned the offer down. After she saw My Neighbor Totoro (1988), she loved it, and decided to allow the movie to be made.
- Quotes
Haitaka: Now listen to me, Aaren: No man nor any living thing in this world preserves their life forever. But only to men is it given to know that we must die, and that is a precious gift. This life that is both our torment and our treasure was never meant to endure for eternity. Life is a wave on the sea. Would you force the sea to grow still to save one wave? To save yourself?
- ConnectionsFeatured in New York, I Love You (2008)
- SoundtracksSong of Time
Lyrics by Akino Arai and Gorô Miyazaki and music by Akino Arai and Hisaaki Hogari
Performed by Aoi Teshima
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Cuentos de Terramar
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $48,658
- Opening weekend US & Canada
- $20,614
- Aug 15, 2010
- Gross worldwide
- $68,725,596
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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