Gargoyle

A fellow reviewer complained about continuity, BUT if he actually watched the movie and listened to the dialog he would have known WHY the priest anointed the arrow with his blood then shot the gargoyle. Special effects were not bad, but not top of the line. I thought the shots of the interior of the church were well done. I liked the beginning of the movie, which set the tone for the rest of what happened. The acting was fair to middlin as my mom would have said. This is your basic B rate movie. If you like B rate movies it is right up your ally. Not a bad way to spend some time. Michael Pare is still a good looking guy, the ladies are nice to look at according to my hubby.

I was apprehensive as it was a Sci-Fi Channel movie, which often means cheapness and bad writing and acting. But actually, for one it is actually not too bad, not good by all means but unlike others it does have redeeming qualities. The Van Helsing-prologue is rather brief but sets the tone well, the score is reasonably atmospheric, the Romanian locations are simply gorgeous and with references to past horror films(Ghost of Frankenstein, Nosferatu) and Vampire lore there is some evidence that some research was done. Some have said the acting was better than average, some have said it was really bad. I'd say it was a mixed bag. I found Michael Parre and Sandra Hess likable leads, and Tim Abell was fun as Lex, but the best was Fintan McKeown in the most sympathetic role of the film and he does well with it. However, there are some let downs, I never did find the priest character believable for a second, the (beautiful) female scientist likewise, and the teacher was annoying and does some unbelievably stupid things. Here come the bad things about Gargoyle's Revenge however. The gargoyle(s) are much too fake, the haphazard camera work completely betrays this, and they don't come across as menacing or interesting. The murders are poorly done also, again the camera work dilutes the sense of terror the scenes should do, if not enough to clearly see how artificial the decapitations, mutilations and gore look. The script is cheesy and very unnatural and aimless in its flow and structure. The story was decent in idea but falls short in execution, a couple of intriguing scenes like the prologue and the ferris wheel, but the murders and the contrived ending aren't so good, a lot of the telling is dull and predictable and overall Gargoyle's Revenge could have done with much more atmosphere. The action scenes are repetitive, while the characters are not just clichéd but either underdeveloped(the female scientist), annoying(the teacher) or both(the priest), only Father Soren properly doesn't suffer from either. Overall, not good but not terrible either. 4/10 Bethany Cox

Michael Pare brings a believable hero to this screamer.The special effects were awesome. Tim Abell as a anti-hero looks like Aragorn from LOTR.Lots of religious connotations,really it reeks of honesty in story-telling.NO SEX, on Sci-Fi Channel debut...Maybe on DVD or VHS.The women are very pretty and serve as unwilling victims,actually 2 leads are strong in personality.Think it was filmed in Romania,The church and graveyard...Why,did they let you borrow for important scenes ?

Wynorski is probably at his most potent as a director ,this time out. I throughly enjoyed this movie,and almost wish I could give Earth back to the Gargoyles.

I honestly have to say that this movie blows. The special effect look almost ten years old, the script is choppy, the acting is minimalist, the cinematography is thin, the lighting is less-than-stellar, the camera angles are amateurish and the foley editing (sound effects and sound editing in general) sounds like it was done on a Mac Power PC without a decent sound board. Lots of the dialogue has a tinny, thin sound to it, like it was almost telephoned in or the person was talking into a tin can from across the room (especially Michael Pare's voice). The music score sounds like someone tried futilely to imitate the stylings of Danny Elfman and failed miserably in the attempt.

The actresses are all fairly attractive, which makes for mediocre eye candy, but that's about the only thing this movie has going for it.

I'll say it right away: I'm a sucker for monster movies. Also for the bad ones. Yes, even the really bad ones. And technically and theoretically "Gargoyle" is a bad one. No doubt about that. Hey, Jim Wynorski directed this one, so what can one expect, right? But I've started to like this guy a lot over the recent years. He made great campy horror-flicks during the 80's ("Chopping Mall", "Return of the Swamp Thing"), and during these last years I saw some of his newer, nonsensical monster movies. And I had loads of fun with them. Great thing with his newer monster-flicks, is that he puts so many crazy ideas and subplots in them, that you never get bored. Okay, most of the time it doesn't lead to anything, but it's still fun. Plus, he often even rips-off various plot elements or characters from his own movies, to re-use them in new flicks of his. These are the mysterious Ways of Wynorski. Anyway, here we got: Ancient Gargoyles with their offspring being born from "Alien"-like cocoons, a Roumanian setting with lots of castles, two CIA detectives investigating the strange goings-on and mutilated bodies, a terrorist-kidnapping, a drug-lord running a sinister voodoo-nightclub, rival drug-dealers, a Dracula-worshiping cult (mentioned only), two competitive priests (of which one has a secret agenda), a gorgeous-looking cutie with a degree in history/folklore/archeology (or something), Michael Paré, a spectacular car-chase with continuity errors, Michael Paré cranking up a smile at the end while laughing at a joke, one final "this ain't over"-shot. And some other things. So how can you not have fun with it? The CGI used for the gargoyle is surprisingly tolerable and even reminded me at times of those good old stop-motion effects back in the old days. Thinking about it, this film is a far better movie then, for example, "Pterodactyl" (2005) - another one of those flying CGI beasts of terror movies - because in "Gargoyle" at least there's an attempt at a story. Hell, put "Gargoyles" next to the recent, utterly abominable "Harpies" (2007), and you'll see "Gargoyles" for the genuine Wynorski Masterpiece that it is. Of course it's complete nonsense. But it's Wynorski-nonsense, and that's about the same as pure fried gold.