Hazaaron Khwaishein Aisi

I had no clue what the movie was about when I rented it, and I absolutely loved it. Though I felt there were a few oddities when I saw it for the first time, when I watched it for the second and third time, I was able to appreciate the excellent performances by the entire cast, and the awesome script. Especially Shiny Ahuja, who plays Vikram Malhotra to perfection - every single expression on his face throughout the movie was a 100% apt. I also loved the Indian-ness imbued in the settings - the houses, roads, cars, government buildings, sound of birds, Geeta's sarees etc. Made me feel deeply nostalgic. The music adds to the poignancy of the movie, and is used very fittingly, to create a dramatic effect in certain scenes. I highly recommend this movie to all movie buffs, because I think of it as a unique work of art from the Hindi film industry. It's entertaining to those who want light entertainment, provides food for thought to those who are keen on watching films with ideological themes, and is an absolute must-see for die-hard romantics.

In India there are only two periods which drove the youth into ideological confrontation , first during the freedom struggle and the second during 70s when the youth could not bear to see the fruits of freedom struggle being frittered away. Now this is where this movie treads.While there has been many movies on the 70s but not many has dealt with the subject as political as this.

To come to the story,this movie deals with 3 characters coming from 3 different backgrounds.Sidharth(K K Menon) coming from an influential and affluent family has seen it all .Fed up of the hypocrisy of elite he desperately wants out. Vikram(Shiny Ahuja) coming from a middle class family is uncomfortable at the elite circle but still wants a way into the circle. The third and central character is British educated south-Indian girl Geeta(Chitrangada singh) who is in the middle in love with Sidhharth but not quite comfortable with his ideology.

The story goes forward with movement of each character in its own line of ideal.The characterizations are superb .The mysterious Vikram always in love with Geeta , Sidhharth the ideologue ,and Geeta a woman torn between love,ideology,the bureaucrat husband are superbly etched. The turmoil of the 70s are almost authentic.

A must watch

If you thought that the 60's and the 70's was just about Rock and Roll, drugs, and retro clothes, think again? The 3-R's - Revolution, Rebellion, and Rock n' Roll - dominated most young minds. Rural India was subjugated. Independence was a mere farce (It's a different issue that it still is). Amidst all this chaos, the youth of India were driven towards various Ideologies. But how many of them were serious about the paths they chose? It was a fad during the 60-70's to indulge in drugs, rock n roll and college morchas. Most students entered college politics and turned into rebels, who were against the capitalist values of the society and the government in general. But not everyone was serious. Once their "wonder years" were through, these so-called socialist preachers, born with a silver spoon, backed away in testing times. But, then there were those who took this path seriously to a different level. Those who gave up luxury, and dreams of a "settled" life with wife and kids for the benefit of those Indians who suffered due to the Government's apathy.

Hazaaron Khwaishein Aisi (HKA) is the story of such turbulent times during the India of the 60's and the 70's. The Emergency, the Naxalite movement, the domination of government in every decision Indians made. It is the story of three people who lead contrasting lives, with contrasting ideologies, and how their lives are intertwined.

If Siddharth (Kay Kay Menon) gives up his luxurious ways to reside in the villages of Bihar and start the Naxalite movement, Geeta (Chitrangada Singh) decides to pursue studies, only to eventually unite with Siddharth and support him in his mission. On the other hand, Vikram (Shiney Ahuja) chooses to be a middleman, or broker, of sorts, fixing dubious deals for the government and the capitalists.

This is a movie about ambitions, of desire, of love, and politics. If Siddharth continues his undying mission to form a strong Naxalite movement; Geeta, in spite of being married to Arun (Arif Zakaria), supports Siddharth from the outside as her lover, and confidante. It is as much about Geeta's own struggle of making the right choice: marriage, ideology, love, and as much about Vikram who, in spite of being a womanizer, continues to love Geeta and willing to go to any extent only to be in Geeta's good books.

HKA is a reminder to the youth of today that there were times when young blood was idealistic and not idle-istic. It is a dark reality, and a bitter truth of the struggle, which many went through during those turbulent times. Maybe the youth should wake up to such calls, and not just work in call-centers, lest we downgrade to a society where we might again be dominated and Independence becomes a facade.

When i walked in the hall for this film, I had no idea what's its like and who were the people acting in it. Sometimes life is full of surprises and I guess this was one of it. I am not writing an actual review but my rendition of thoughts the character portrayed in the film. Though the background was 1970's, the story and more importantly the relationships between the three characters was main framework of the film which is beyond time. My interest in the film was least to explore the technical issues or social issues that form the background of the film. What came out to me was the ritualistic attitude of love and how it transforms in a deep understanding between people.

The film shows a triangle of love between three characters which was very different from the one shown in Johars and Chopras chocolate covered candy floss that we get to see routinely. Coming to the story- one pretty girl Geeta (Chitrangada Singh) and two guys - Siddharth (KayKay Menon) and Vikram (Shiny Ahuja). While Geeta is in love with Siddharth, Vikram is in love with Geeta. But the film does not start from here nor does it ends there. Geeta is an educated South Indian urban girl who loves Siddartha for his socialist ideology while Vikram comes from a middle class semi-urban semi-rural Gandhian family who wants to grow in life and does not idealize with the socialist movement. And Siddarth has one point of agenda- socialist movement. As time moves on, the love equation of 3 characters moves with time except for Geeta love for Siddarth and Vikram love for Geeta. As a result their life travels from Delhi to Bihar in peculiar situations each with their own equilibrium. Coming out from an unhappy marriage with an alcoholic IAS officer, Geeta moves to Bihar where she discovers not only her love for Siddarth but also an equal parallel love for the socialist movement. At the same time, Vikram rises in the corridors of power as a deal maker. With sudden declaration of emergency by Indira Gandhi, the situations and backdrop becomes raw and bloody. How each of these characters react in these situations perhaps defines what each of them felt what love was all about? There is a sudden twist at the end of the film which perhaps describes how each of the three characters grows as human beings. It's a life time treat and if you can watch the characters through your heart, you will find this film soul stirring. Another important highlight of this film is the music - beautiful poetry by Pratish Nandy, vocals by Shubha Mudgal, Swanand Kirkire and Shobha Joshi. Some excellent scores are "Hazaron Khwaishen Aisi", based on the famous ghazals by Mirza Ghalib and Swanand Kirkire's "Bavra Mann" which comes as a backdrop at all the significant points of the film taking the audience to even greater heights. A must watch for all the ones who would want to know what love is……..

Today is a generation obsessed with western clothes, western accent, western everything... They tend to forget that they can explore these luxuries ONLY because their homeland is a free nation and a democracy. Hazaaron Khwaishen Aisi is meant to be an eye-opener for the youth who have not seen India when she was down and a reminder for the adults of what their generation and their older generations survived.

The movie starts off as a few people just following some ideologies that are very common in the college campuses. But some of them take it too far and decide to live their lives by those ideals while others go and make money and a grand living. Both lives have meanings of their own. The movie very eloquently shows how diverse India is... it shows the cities that are flourishing in wealth and dirty politics; it also shows villages where people die because of poverty or even caste related oppression.

The movie might be perceived in another way too... It could look like the moral is to "Not follow your ideologies if they are for just the well being of others"... but then is that life really worth living?? I think the underlying message was to just follow your vision to completion even if the sacrifices required are humongous.

The casting was perfect. Kay Kay Menon proves to be a very versatile and powerful actor. Inspite of being quite new to movies, he shows a lot of maturity and intelligence in the way he acts. I cannot imagine anyone other than Shiny Ahuja in the role of Vikram. He brings in the "cool" element in the movie. He has the charisma of a fixer-upper guy and also the fiery passion of a man in love with a woman who is in love with someone else. Chitrangada Singh does a terrific portrayal of the girl born and brought up in metros but finally following her ideals (or maybe the ideals of the man she loves). She has a lot of potential to be a powerful character actress.The two songs - title track and 'bawra mann' are really haunting melodies.

I don't think the film was a commercial success... But I definitely vote it as a "must see"... worth every penny! Its nice to see Pritish Nandy putting his money into projects that have some social value...