In London, intense sexual encounters take place between an American college student, named Lisa, and an English scientist, named Matt, between attending rock concerts.In London, intense sexual encounters take place between an American college student, named Lisa, and an English scientist, named Matt, between attending rock concerts.In London, intense sexual encounters take place between an American college student, named Lisa, and an English scientist, named Matt, between attending rock concerts.
- Director
- Writer
- Stars
- Awards
- 1 win & 2 nominations total
Black Rebel Motorcycle Club
- Themselves
- (uncredited)
Marcie Bolen
- Self
- (uncredited)
Huw Bunford
- Self - Super Furry Animals
- (uncredited)
Cian Ciaran
- Self - Super Furry Animals
- (uncredited)
The Dandy Warhols
- Themselves
- (uncredited)
Elbow
- Themselves
- (uncredited)
Franz Ferdinand
- Themselves
- (uncredited)
Guy Garvey
- Self - Elbow
- (uncredited)
Bobby Gillespie
- Self - Primal Scream
- (uncredited)
Bob Hardy
- Self - Franz Ferdinand
- (uncredited)
Peter Hayes
- Self - Black Rebel Motorcycle Club
- (uncredited)
Dafydd Ieuan
- Self - Super Furry Animals)
- (uncredited)
Nick Jago
- Self - Black Rebel Motorcycle Club
- (uncredited)
Richard Jupp
- Self - Elbow
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
i disagree with the negative comments on nine songs.....spotted a review on the film back in October and put it in my brain diary as one to watch!....it popped up at the Jameson film festival and so an opportunity arose to see what all the fuss was about.......thoroughly enjoyed all 65 minutes!......thought the film was beautiful at times,sad at others but basically real....was blown away by the piano pieces....yeah the film did begin and end with zero character development but so what, that wasn't the aim of the film...it just lets u wonder ...(and want to go to the antarctic!!).......an artistic film well worth a watch in my opinion....enjoy!
In 'the most sexually explicit film in the history of British cinema', as the hype reads, Lisa (Margo Stilley) and Matt (Kieran O'Brien) spend their free time snorting coke, looking rather bored at rock gigs, and boning each other.
Needless to say, there are plenty of moments of graphic nookie between stars Stilley (a little too young and inexperienced to be taking on such a daring film role, maybe) and O'Brien (who, judging by his DVD commentary, seems to have had a whale of a time), lots of rough and ready music footage shot at various London gigs, and some pretentious bilge about life in the Antarctic, all accompanied by a monotonous voice-over.
Is 9 Songs a bona fide work of art, voyeuristic porn masquerading as art, a realistic study of an intimate relationship, an exploitative piece of trash, or a risqué promo for up and coming rock bands? I have no idea: it really is very hard to fathom out what Winterbottom and Co.'s intentions were for making this film, although I'm guessing the real answer is, 'it's whatever you want it to be'.
Viewers will watch 9 Songs for their own personal reasons (to become aroused; for intellectual discussion at dinner parties; as ammunition for attacking liberal types; or just to see what the fuss is about) and enjoy it accordingly. I thought it passed 66 minutes quite painlessly—the action was hot and the music was cool—but for me, perhaps the most interesting thing about 9 Songs is seeing how the film will affect the stars' careers in the long term, and guessing where this whole 'real sex in cinema' trend will end (Brad and Angelina going at it on Screen 1 at the local multiplex?!?!).
Needless to say, there are plenty of moments of graphic nookie between stars Stilley (a little too young and inexperienced to be taking on such a daring film role, maybe) and O'Brien (who, judging by his DVD commentary, seems to have had a whale of a time), lots of rough and ready music footage shot at various London gigs, and some pretentious bilge about life in the Antarctic, all accompanied by a monotonous voice-over.
Is 9 Songs a bona fide work of art, voyeuristic porn masquerading as art, a realistic study of an intimate relationship, an exploitative piece of trash, or a risqué promo for up and coming rock bands? I have no idea: it really is very hard to fathom out what Winterbottom and Co.'s intentions were for making this film, although I'm guessing the real answer is, 'it's whatever you want it to be'.
Viewers will watch 9 Songs for their own personal reasons (to become aroused; for intellectual discussion at dinner parties; as ammunition for attacking liberal types; or just to see what the fuss is about) and enjoy it accordingly. I thought it passed 66 minutes quite painlessly—the action was hot and the music was cool—but for me, perhaps the most interesting thing about 9 Songs is seeing how the film will affect the stars' careers in the long term, and guessing where this whole 'real sex in cinema' trend will end (Brad and Angelina going at it on Screen 1 at the local multiplex?!?!).
I always try to be as clean from other people's / critics opinion before I go and check out a new film.
With Nine Songs, that is a difficult task, because it is the kind of movie everyone talks about without even seen it.
The story is as simple as it can be. It concentrates on the sexual behavior of the characters to show the birth and death of their relationship. It could have all been told around their meals, or their phone conversations. But Michael
Winterbotom chose their sex life - a quite important subject to every couple's life- to tell it all.
I only want to say that it is quite beautiful. Yes, its only sex, but as real as it can be. There is no intention on making the scenes erotic or pornographic, and the honest intimacy projected, strips down the human nature of the characters to
their very basic instincts.
With Nine Songs, that is a difficult task, because it is the kind of movie everyone talks about without even seen it.
The story is as simple as it can be. It concentrates on the sexual behavior of the characters to show the birth and death of their relationship. It could have all been told around their meals, or their phone conversations. But Michael
Winterbotom chose their sex life - a quite important subject to every couple's life- to tell it all.
I only want to say that it is quite beautiful. Yes, its only sex, but as real as it can be. There is no intention on making the scenes erotic or pornographic, and the honest intimacy projected, strips down the human nature of the characters to
their very basic instincts.
I came to this Michael Winterbottom film from one of his previous efforts starring Samantha Morton and Tim Robbins. I had never heard of him as a director and when Sight and Sound (the house magazine of the BFI) did an article on him I thought he was worthy of attention.
Another reason for seeing this film was the promise of being able to watch a couple having actual sex and no merely faked orgasms and suggested oral sex either and no pornography. I quite wanted to be reminded of the reasons why two people can get together because of what they have in common.
Winterbottom's film is not pornography at all. It is merely a study of a relationship seen through the context of real sex (what nearly all of us have experienced once we are a certain age (18+ usually) and are not bound by religious considerations ie the Catholic priesthood) and popular music. That's all. And the cast are two everyday folk. They are not artificially enhanced porn actors or glossed up dolls for the benefit of the viewer. It is a very much warts and all film, although I have much admiration for Winterbottom to persuade any actor to show the camera (and thus the audience) his real erection and later orgasm.
Once the novelty of watching real adult sex wears off, however, there is little else left and that's the real disappointment of this film. Nevertheless it is an adult movie and some may enjoy it.
Another reason for seeing this film was the promise of being able to watch a couple having actual sex and no merely faked orgasms and suggested oral sex either and no pornography. I quite wanted to be reminded of the reasons why two people can get together because of what they have in common.
Winterbottom's film is not pornography at all. It is merely a study of a relationship seen through the context of real sex (what nearly all of us have experienced once we are a certain age (18+ usually) and are not bound by religious considerations ie the Catholic priesthood) and popular music. That's all. And the cast are two everyday folk. They are not artificially enhanced porn actors or glossed up dolls for the benefit of the viewer. It is a very much warts and all film, although I have much admiration for Winterbottom to persuade any actor to show the camera (and thus the audience) his real erection and later orgasm.
Once the novelty of watching real adult sex wears off, however, there is little else left and that's the real disappointment of this film. Nevertheless it is an adult movie and some may enjoy it.
Saw this 16-09-2004 at the TIFF... While I am an admitted fan of mainstream films that feature explicit sexuality, I was disappointed in this film -- as it stands now. I say "as it stands now" because, although I may be wrong, the film has the feel of an unfinished work. Clocking in at a mere hour and five minutes, however, it still manages to feel long somehow -- essentially, we are watching either one of four types of scene: The lead actor reminiscing about the now-ended affair (from his walking trip of... Antarctica!), the couple attending concerts (always, apparently, at the same venue), the couple cooking and eating, or the couple having sex. There is relatively little dialog. The film feels fragmentary, as the scenes tend to repeat without much of a contextual base; perhaps these scenes are intended to represent the lead characters' memories, implying that we only remember those things that were most important to us from a relationship. The actors are game in their roles, although Ms. Stilley -- who has the long-limbed, small-chested appearance of a runway model -- comes off a bit weaker next to Mr. O'Brien (indeed, this appears to be her first film). I give both actors a lot of credit for baring themselves so unabashedly to the material, but am a bit disappointed that, even though Ms. Stilley has supposedly been offered another role in Mr. Winterbottom's next film, she is said to be "distancing herself" from this picture, apparently especially after her mother in North Carolina was alerted to its graphic nature.
Did you know
- TriviaKieran O'Brien and Margo Stilley did not communicate with each other between filming so that their off-screen relationship would not affect the one they had on screen.
- GoofsCutaways during several different band performances, such as close up of backup guitarists, are from different parts of the shows and often don't match wide shots of the band or shots of the singers.
- Crazy creditsThe opening title and the closing credits appear to be pieces of cut film or paper placed together to form the words.
- Alternate versionsUnrated Edited Version on DVD in USA removes the explicit sex, but it still too graphic for an R rating.
- ConnectionsFeatured in Nip/Tuck: Liz Cruz (2006)
- SoundtracksWhatever Happened To My Rock and Roll
(Live)
Performed by Black Rebel Motorcycle Club (Peter Hayes, Robert Levon Been,
Nick Jago)
Composed by Peter Hayes / Robert Levon Been (as Robert Been) / Nick Jago (as Nicholas Jago)
© BRMC Music / WB Music Corp by kind permission of Warner/Chappell Music Ltd
Courtesy of Virgin Records Limited / Virgin Records America, Inc
Details
Box office
- Budget
- £1,000,000 (estimated)
- Gross US & Canada
- $66,853
- Opening weekend US & Canada
- $13,457
- Jul 24, 2005
- Gross worldwide
- $1,590,308
- Runtime
- 1h 11m(71 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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