Fingersmith

Skill fully evocative of Dickens, Collins and Conan Doyle this is top draw story telling. All the performers rise to the occasion and what a great twist at the end of an already serpentine plot.

According to imdb, when this originally aired in the UK it was shown as 3 hour long episodes. On Sundance Now in the US it is shown as 2 hour and a half episodes. For the first hour and a half, I honestly found it a struggle. The acting was great, but the plot looked it rehashed territory that's been covered before. I didn't expect any surprises. I was wrong. The plot twist at the end of the 1st hour and a half Sundance episode was a corker. I was riveted to the screen for the 2nd hour and a half which kept unloading surprises. Maybe a little too many because at times it felt like there were almost as many unlikely coincidences as in a novel by Edgar Rice Burroughs. It all came together in the end, though. I think I enjoyed it more the way Sundance showed it than if I'd seen it as 3 hour long episodes. The twist would have come in the middle of the 2nd episode, whereas Sundance had a clear "before twist" and "after twist" with its 2 episodes. Who knows? This is the way I saw it and I'm glad I stuck with it because ultimately I enjoyed it. Would have been 9* but for the fact that the first half dragged.

This movie was incredible!!!! I did not know the back story on it so I needed to let it unfold before me on DVD. It had many twists and turns but still kept the story fresh and exciting. The acting by Elaine Cassidy was in a word Brilliant as well as Sally Hawkins. The storyline is rich with plausible occurrences as well as fresh ideas from the present.

There is truly something about Ms. Cassidy's eyes that leaves "a mark." This movie is a refreshing look on the way in which we look at the 'victorian times' and how we view that society. A very worthwhile watch.

I had never read any of Sarah Waters' novels, or watched Tipping the Velvet. I only heard about Fingersmith when i was flipping through "The L word" websites. The storyline of Fingersmith interested me, yet i passed it away, thinking "Lesbian in Victorian period, that never ends well, i have enough of those lesbo series and movies that go no where"

However, during Christmas my local DVD store gave Fingersmith a discount, i brought the DVD, and my life has never been more colourful

This mini series deserves to be cherished and praised. The acting is so great that i call it rare. Sally Hawkins, Elaine Cassidy, Rupert Evans, Imelda Staunton, and many more that i can't name all, brought light and darkness to their characters. Just by a little gesture, a little look, a little touch, they made their characters real and as a viewer, i couldn't help it but take them home, keep them close.

Fingersmith, sets in Victorian area, is a story of Sue-a thief who loves and lives with her "Family" of pick-pockets. Little did she know that her fate is linked to Maud Lily-a somewhat shy, timid girl grows up in a Mansion miles and miles away. Maud's mother left her a fortune, but Maud herself can't touch it, unless she married. Worst of all, Maud's uncle makes sure she never will by keeping her prisoned in the house.

Enter Mr Gentlement, a charming, good-looking thief with a heart as bad as any. He wants Maud's fortune for himself, and in order to do so he sets Sue up as Maud Lily's maid, asking Sue to Persuade Maud to elope with him. as time goes by, Things would be simple, if Sue didn't fall in love with Maud.

And things would be simple, if the story was what i have just told. I do not wish to spoil, so i would like to stop there. But i can asure you that everything is twisted and turned before you can even aware of what has happened. Once it happened, you then question what would happen next. On top of that, the story is filled with passion unlike any others. There are no self-searching, sexuality questioning, "Oh my god do i like girls" moments, because the girls in Fingersmith are buried so deep in their own darkness that they barely be able to care. the story with such twisted plot moves as smooth as water, running passionately, but strangely calm.

Weeks have passed since i watched "Fingersmith", yet Maud's eyes still haunt me, and Sue's words still warm my heart "You pearl, you pearl, you pearl", she said. And such pearl it is.

Having read all of Sarah Waters books i was eagerly looking forward to a BBC adaptation of Fingersmith. Especially since Tipping the Velvet had been done so well by old familiar Andrew Davies.

I was not disappointed with the results, in fact i think this might be on a par with TTV; both romantic and entertaining. And not as so many ignorant people would have you believe, a pointless lesbian romp. Having been a fan of Elaine Cassidy's since seeing her guileless turn in Felicia's Journey i thought she embodied both hard deception and a growing fragility as Maud. Her transformation was believable and impressive to watch. I recognised Sally Hawkins as Zena Blake from Tipping the Velvet, a small role primarily so i didn't have as many expectations but she was astounding in the role of Sue Trinder. Her eyes were mesmerising conveying everything from rage to absolute despair. The two of them acting together, combining these talents made this drama unmissable. Of course Imelda Staunton was amazing as usual, she is unmistakably a national treasure and the supporting cast were all of a high standard. Even the direction from the fairly unknown Aisling Walsh used contrasting yet beautiful shades of blue for Briar and brown for London.

However as much praise must be given to Ransley the script writer. To turn a 600 page book where every line is of the highest quality into a three hour extravaganza is a huge feat. He illuminated the main revelations at a steady pace whilst giving us plenty of back-story and character development at the same time. He has my full admiration.

In conclusion, a brilliant adaptation where all involved gave 100% and making this one of the best BBC dramas i've seen.