Noise

This is an interesting idea for a movie, as it deals with a situation we can all relate to: who hasn't, at least every now and then, faced the frustration of being awakened by a car alarm that goes off for no obvious reason in the middle of the night? Here, David (played by Tim Robbins) decides to do something about it. He becomes "The Rectifier" - a guy who goes out and does battle against all kinds of noise - mostly car alarms, but also burglar alarms on buildings, leaf blowers, etc. He smashes cars and windows and becomes a sort of vigilante hero in the process.

This is an interesting study of obsession. David - as is pointed out in the movie - has a strange connection with noise. He both hates it and he loves it. He won't take the simple solution of moving to a quieter area, and in fact - after his obsession leads to him losing his family when his wife walks out on him - moves to a noisier neighbourhood. In that sense, this is about more than noise. He feels powerless to do anything, but as a vigilante he finds a way to give himself a sense of power. In a way there's also an interesting reflection on addiction. How many people simply can't get away from something they're addicted to even though they know there are serious consequences involved? Had the movie chosen to treat this more seriously - even if done, as it was, with a certain comic undertone to it - it would have been even better. Unfortunately, there were some problems with the story and how it was told.

Essentially it begins with David being identified as The Rectifier by a reporter who wants his story, so it mostly gets told in the increasingly cliché flashback style. The movie also weakens significantly when it introduces the petition angle - David decides to go for a petition to put an initiative on the ballot to ban car alarms. The fun of the movie was in him working outside the system, although I recognize the irony that ultimately came from this when the system was used against him to crush the ballot initiative. Still, David was far more interesting as a vigilante. There are also too many unnecessary characters who entangle David in unnecessary relationships (for example, the threesome served no plot purpose that I could discern!) and ultimately distract from the movie's basic point.

Nevertheless, this is both interesting and relevant to modern viewers - and their ears, even if the story might have been better told. 7/10

I suppose there are lots of people who believe that their lives are full, interesting, deep and would make a good movie.

I also suppose that anyone who thinks so is wrong. Here's one. Some dullard got arrested for breaking into a car to disable its alarm. He then thought he could make a meaningful movie about it and somehow got it financed, with himself as writer/director.

The backbone of the story is this guys obsession, which boils down pretty much to anger management. Tacked on are two other story lines, one about a smarmy major. They must have had more planned and possibly shot here because he is played by William Hurt. The other side story is about a woman he spends time with after his wife kicks him out of the house.

In a competent writer's hands, these three threads could have been done well. As it happens we have some charming women in weak roles. María Ballesteros has a riveting 30 seconds with a talk about bodily imperfection. Its an almost Mamet segment about inner angels. But the rest of this is a huge waste, just noise.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

Hey, this is a great film to watch on a long haul flight. The existential drama is more play than film, more essay than story, but it has its attractions. The project maybe anarchic but in the end normality is restored, the individual is better adjusted and the danger of action has been accommodated within the everyday world. It could be a mature taste is needed, it could be that the subtle attractions of an anti-hero who is struggling with Hegel, but, somewhere in this cultural density, there are views of sexuality that shift attention from the repressed to the expressed. The same goes for middle age rage. And anyway, Robbins is at his best as a Camus styled man of his time.

This film is about a man's quest to stop alarm noises that plagues his city every day.

I must say I greatly sympathise with David. I live in a flat where opening a window at any moment (even after midnight) means that I cannot hear even the TV. Noise pollution is a serious an pressing problem but little people seem to be fighting against it. David questions why everyone is putting up with noise, while there are millions of people passionately fighting for other causes. To come to think about it, I don't know why either. Simple questions often are the hardest to answer.

Tim Robbins is great in this film, as usual. He is convincing as a stressed and impulsive man. His character is well portrayed, and I feel connected to him. "Noise" is executed well throughout, possibly except the threesome scene which I find rather unrelated to the cause.

"Noise" is inspiring as it enhances awareness towards noise pollution, and calls for people to fight against it. I hope one day we can live in peace and quiet!

Noise is one of those movies we've wanted to watch for quite some time but never got a chance. It surfaced on the Xbox video marketplace, and so we thought we'd give it a rent. But while the issue of noise harassment is one that hits close to home for many, the same can't be so easily said of the movie bearing the name.

The reason for that is double standardization, and Henry Bean's Noise sins greatly in applying hypocrisy as one of its primary assets. Having expressed this sentiment, Noise is nonetheless a smart, entertaining movie doing more to promote understanding of the harm done by noise than most authorities ever could, and for that we heartily recommend it. It's also got Tim Robbins in the main role, and he's as awesome as ever.

In this one he plays David Owen, a successful professional and family man who relocates to Upper West Side Manhattan from suburban environs. Initially, the NYC apartment experience works well for Owen, his wife (Bridget Moynahan) and daughter (Gabrielle Brennan). Over time, though, he begins to get increasingly irritated with car alarms going off unattended, to the point of literally ruining his life. Precipitated by this trauma, and by the indifference to his plight offered by those around him, a transformation occurs, one in which docile David Owen becomes a rampaging anti-noise vigilante with no qualms over taking matters into his own hands.

But this is where Bean and his movie verge into hypocrisy-land. While the main character crusades against noise makers, he only seems to care about inadvertent machine-generated noise like alarms and backup beepers. Yet, his own wife is shown to be a chamber musician who regularly holds recitals in their living room. Are we certain the neighbors approve? Therefore, the overt conduct of this film is too limited in scope to a specific kind of noise, while perhaps tacitly endorsing a much more malicious form causing misery to millions.

Later the story does acknowledge the individual nature of suffering from noise – the protagonist encounters those who complain about manhole covers, drum playing neighbors, boomboxes and other problems. He also hooks up with one of the noise makers, done by lovely Margarita Levieva, who becomes an unlikely ally in struggle to get city authorities to recognize the plight of the noise-terrorized citizenry. This leads to a borderline-racist parody of Mayor Bloomberg done by an overly smug William Hurt.

In showcasing a progressive struggle, the movie does a lot of good – there's a very efficient portrayal of the uncaring legal system's impotence in enforcing noise regulations, something that needs to be shown if change is ever to materialize. Owen ends up achieving a modest victory, and the movie concludes on a positive, satisfying note.

Noise goes by quickly and says quite a bit for its modest timespan. Tim Robbins, as usual, does a wonderful job as a person suffering from torture at the hands of stupid, monolithic factors he can't control in a world that no longer bothers with traditional civilities. Anyone who's ever been in that situation will see themselves in Robbins' character right away.

The narrow scope Noise maintains most of the time, the hypocrisy and the mere token mention of the broader issue of noise, however, take away from the sense of achievement here. As it stands, the film comes too close to discussing a mere pet peeve rather than a far reaching social sickness, but even so, this is one movie you should watch.