Funland

I am currently watching Funland on BBC2 after having missed it when it was originally shown on BBC3. So far I have thoroughly enjoyed it, the comedy element appeals to my sense of humour perfectly. The cast of grotesques that populate this production are uniformly excellent and the shadowy lighting / sets convey the seedy atmosphere perfectly. I love Blackpool and am a regular visitor but I must say that this programme does not serve as a very good advert for it! It does however capture the darker side/underbelly of this unique town. It is also extremely near the knuckle both visually and verbally! Anyone who enjoys comedy such as that performed by the League of Gentlemen will enjoy this series.

The grotesque world of the 'The League of Gentlemen' was a fairly standard comic creation, but Simon Ashdown, one of its writers, has surpassed himself with 'Funland' (co-written with an 'Eastenders' scriptwriter), in which they create an even more vicious, obscene and fantastic environment but moreover manage to play it straight throughout eleven episodes of tightly plotted thriller. The comedy here is so black that there's little in the way of conventional laughs, but the jarring lines between the ludicrous situations and the merciless drama make this a series like no other. The story is set in a Blackpool reduced to the grimmest of parodies (one wonders if the local burghers thought about suing), there's no affection here. If it reminds me of anything, I think of Alan Platers's 'Beiderbecke' trilogy, a series of unlikely escapades set in the ordinary landscape of northern Britain, but that was ultimately gentle whereas 'Funland' is anything but. What stops it from being great is that it's hard to relate what one sees to the reality of life in modern Britain, and the dialogue rarely rises above 'Eastenders' standards; but the same can be said for a good many more realistic dramas as well. And for savage inventiveness, it has few equals.

BBC3 has been an excellent vehicle for new ventures that, due to their 'different' approach, wouldn't be picked up by either BBC1 or BBC2. Admittedly there have been some lumps of crap and a whole load of averageness, but amongst that have been some glimpses of pure brilliance.

And Funland is one of the highlights.

Set amongst the downmarket seediness that is Blackpool, the characters are almost all deliberately grotesque exaggerations. One can't fail to see the obvious comparisons with the League of Gentlemen.

The acting is good enough to compliment the script, with some well-known faces turning up in roles - and situations - you wouldn't expect to see them in.

I loved it.

STAR RATING: ***** The Works **** Just Misses the Mark *** That Little Bit In Between ** Lagging Behind * The Pits

Carter Krantz (Daniel Mays) is a London detective who's taken a trip down to Blackpool- but he's not here to celebrate a stag party or ride the Pepsi Max. He's after the killer of his mother, who's dying words mentioned the name of a person at the popular seaside resort. But along the way, shocking twists and turns conspire to take his quest to an electrifying climax.

With this and supporting roles in films like Class of '76 and Vera Drake, Mays is shaping up a fair career for himself. He's a cockney actor with an impressive dialect and a smooth, natural presence and he has a likable personality, so I think he deserves this. He's helped by a good supporting cast, including Coronation Street favourite Roy Barraclough and a wheelchair bound old lady who provides one of the show's most pivotal roles.

Performances aside, Funland is a darkly funny, impressively voyeuristic show with an interesting premise and sound delivery. It's also helped by a foreboding opening score and an impressive and realistic use of Blackpool as the seedy backdrop for all the nefarious goings-on.

Faults-wise, there's one or two grinding, clunky clichés here and there, but I suppose it's no biggie. BBC 3 usually gets slammed as being rarely watched and full of useless programmes and repeats, but they've tuned out an admittedly rare piece of quality programming here. Kudos. ****

I totally disagree with comments slating this programme. I also stumbled across Funland - a surreal experience! It made great Sunday evening television and I could not wait for the next episode. It's dark, bizarre and certainly lends itself to a cult following. The acting from characters Lola and Carter particularly were believable and realistic. Watching it was an uncomfortable experience, which I am hoping was the intention of the writing and direction. It was this aspect that made it addictive for me. The almost cringe-worthy exposure to a sordid, sick underworld made fascinating watching. I am very pleased that it has been nominated for a Bafta.