Hawaii, Oslo

This is a remarkably well constructed movie that is fascinating to watch yet somehow manages to fall flat. The many characters race constantly around Oslo on an atypically scorching summer day (nobody seems to walk there, regardless of the heat and sweat, or to drive slowly) on their various frantic individual quests, briefly intersecting or passing each other unknown and unknowing, until they all come together magically in the end.

As others have already said, there is much in this movie that is derivative of earlier movies, but a good movie does not have to be innovative. However, it does - for me - almost always have to make me care about the characters, and that is what this one failed almost completely to do.

I cared about only one of the dozen or so main characters scurrying and caroming around the city like pinballs, and he was the least frantic, the most unassuming of them all: little Magne, the younger (and quieter) of the younger pair of brothers, played with exquisite, tender understatement by Ferdinand Falsen Hiis.

Magne was like a small but solid rock in this swirling storm of a movie, and it would have been been crushed under the weight of its own overwrought melodrama without him. To use a contrasting metaphor, he is like the gravity that keeps the universe from spinning out into nothingness.

Erik Poppe gets one star for choreographing this frenetic dance, and Ferdinand Falsen Hiis gets four stars for holding it together just by being in it. He makes it worth watching. ALL the adults are just too frenzied to either believe or care about.

Hawaii,Oslo - Norwegian The best movie I have seen this year so far. This one was a very special , a very unique ethereal experience. I can feel my head cool and relaxed due to the blood flowing inside I guess. The movie was at the same intriguing , spiritual , hopeful , emotional.The script has as much content to extract five six movies out and I am surprised I don't see many awards linked to this movie on the DVD cover. It is about people placed in very very delicate situations and then things turning over magically. There is a father whose new-born son would die in a few hours as he is incapable of sustaining without the umbilical chord.The solution is to create an umbilical chord and fix back and the doctors have written off as impossible. The father does not give up and holds the straw of a private clinic operation at the huge cost of 900,000 Kronas that he cannot manage and he sells off everything and is about to attempt a bank robbery when another character in the movie robs the bank just before.The most joyous moment for me was when he sits dejected and one of the robber brothers, who runs away from the robbery .... edited to not reveal one of the many suspenses that the movie offers There is Leon who runs whenever he is not sure what to do next. The first scene of the movie is a dream that Jiddar(Leon's friend) sees and whatever he sees tends to be true. So he gets worried and tries to prevent the mishaps. The story goes through various situations where incident after incident, things turn positive and starts to move more and more away from the dream until the end when the first scene is repeated as it is. The movie is brilliantly engineered and has a lot of beauty to it. Lot of troubled lives trapped in cities. I would think that lot of the trouble would go off if people live together. A lady takes pills to suicide and is saved by a note message that one of her sons who has not seen each her in eleven years sends through a paper-girl. There is the plot of the robber brother who is given parole to meet Leon on his birthday.I started off by seeing this as a sweet gesture where as quickly a deep plan unfolds. The movie is rich. In story , in emotion , in acting , in direction - perfect control and an awesome awesome ride.

It is a hot summer day in Oslo, Norway and the lives of various people are heating up, too. A young couple has just welcomed a baby boy but, alas, he has a serious heart defect. It will cost a tremendous amount of money to send him to America for surgery. In another place, a mental patient is set to meet a long lost girlfriend. His mentor at the hospital is encouraging the meeting and looking out for his ward. Meanwhile, the mental patient's not-so-good brother is getting out of jail and hoping to meet up with his sibling, too, so they can travel to Hawaii for a new life. And, finally, two troubled young brothers have lost their father and are hiding from authorities who may have to separate them into different foster homes. But, isn't their mother still alive? Yes, but she has attempted suicide on two occasions. How will these lives intersect? This film is a nice glimpse into the universal and unique qualities of life in Norway. The large city is beset with problems, as all urban areas seemed to have, yes. However, the beautiful, older town is a pleasure to view. All of the actors are quite capable and compelling. Then, too, the use of the kaleidoscope as a scene changer is quite marvelous and lovely. And, above everything else, the story is a woven and intricate winner. All film enthusiasts who love the extraordinary will like this movie. It takes the viewer to a place and time most will never see in person, but, will consider familiar and welcome after the final reel.

I recently saw this film at a screening by the Desert Film Society in Palm Springs. I had wanted to see this at the 2005 Palm Springs International Film Festival where it had it's international debut outside of Norway but screenings were sold out so I was eager to see this as it had good reviews by those I know who saw it. Eric Poppe makes his directorial debut in this film. He had been a cameraman so experience in filming a movie was there but how was he going to direct this story and it's actors? Well this film had a wonderful cast of actors who although they may have not been individually great actors, collectively as an ensemble cast they played their parts with an authenticity that left the viewer as seeing these as real people not just screen characters. I like characters in a film and this has plenty. The implausibility of these stories weaving together is quickly forgotten and in place of the implausible is a wonderful story that you want to climb aboard and ride to it's conclusion. Poppe uses hand held cameras through this film's shooting so effectively that you forget that this is not a huge budget film with track and crane shots but a simple presentation that when effectively done presents the film in a straightforward manor that can be just as effective. No dependency on jerky movements and fast and stylistic camera movement but instead on honest presentation transcribed to film. The sound in this film is outstanding as well. Many films demand great acting performances to carry an other wise weak script. This film had good acting performances delivered from a balanced script. This is a psychological drama and a very good film and I would rate it a 8.0 of a possible 10 and highly recommend it.

I have seen this film at the Jameson Dublin International Film Festival and truly enjoyed it. "Hawaii, Oslo" is one of the best if not THE best film I have seen for many years. I was really moved by the honest and human story and emotions in the film. Also, the acting is superb and the story clever. I highly recommend this film. Also I spoke to Stig Henrik Hoff, what a nice guy and great actor. THANKS!!! "Hawaii, Oslo" is one of those films you need to see again and again and you will pick up more details every time you see the film. Just about everything about the film is harmonic, the acting, the story, the music, the pictures. I think what makes this film so special is the fact that there are only main characters in this film and they seem to identify 100% with their roles. Great acting by the two boys, too - they are brilliant, too!