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The Method

Original title: El método
  • 2005
  • 1h 55m
IMDb RATING
7.1/10
13K
YOUR RATING
Ernesto Alterio, Pablo Echarri, Eduard Fernández, Carmelo Gómez, Najwa Nimri, Eduardo Noriega, Adriana Ozores, and Natalia Verbeke in The Method (2005)
Theatrical Trailer from Palm Pictures
Play trailer1:22
1 Video
8 Photos
SpanishDramaThriller

7 Spanish top corporate job candidates are left in a room and informed on computer screens about their tasks and that one of them is an observer. Let the psyching begin.7 Spanish top corporate job candidates are left in a room and informed on computer screens about their tasks and that one of them is an observer. Let the psyching begin.7 Spanish top corporate job candidates are left in a room and informed on computer screens about their tasks and that one of them is an observer. Let the psyching begin.

  • Director
    • Marcelo Piñeyro
  • Writers
    • Jordi Galceran
    • Mateo Gil
    • Marcelo Piñeyro
  • Stars
    • Eduardo Noriega
    • Najwa Nimri
    • Eduard Fernández
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    13K
    YOUR RATING
    • Director
      • Marcelo Piñeyro
    • Writers
      • Jordi Galceran
      • Mateo Gil
      • Marcelo Piñeyro
    • Stars
      • Eduardo Noriega
      • Najwa Nimri
      • Eduard Fernández
    • 40User reviews
    • 34Critic reviews
    • 68Metascore
  • See production info at IMDbPro
    • Awards
      • 11 wins & 14 nominations total

    Videos1

    The Method
    Trailer 1:22
    The Method

    Photos7

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    Top Cast8

    Edit
    Eduardo Noriega
    Eduardo Noriega
    • Carlos de Aristegui Santos
    Najwa Nimri
    Najwa Nimri
    • Nieves
    Eduard Fernández
    Eduard Fernández
    • Fernando
    Pablo Echarri
    Pablo Echarri
    • Ricardo
    Ernesto Alterio
    Ernesto Alterio
    • Enrique
    Carmelo Gómez
    Carmelo Gómez
    • Julio
    Adriana Ozores
    Adriana Ozores
    • Ana
    Natalia Verbeke
    Natalia Verbeke
    • Montse
    • Director
      • Marcelo Piñeyro
    • Writers
      • Jordi Galceran
      • Mateo Gil
      • Marcelo Piñeyro
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews40

    7.112.7K
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    Featured reviews

    5krigler

    Excellent premise marred by lazy characterization

    The absurdity and grotesque one-upmanship of an executive job interview is sometimes perfectly captured in El Metodo, with an anti-capitalist demonstration used as an invisible backdrop with subtle symbolism. Directing is handled with confidence, and there is some memorable acting, although towards the end the ugly head of melodramatic overacting rears, destroying the atmosphere.

    Also demolishing is the flawed characterization. One huge problem of the basic concept is that people interviewing for a high level managerial position have very rarely got anything to lose. Failure only gets the applicants back to other well paid, plush jobs. Such is a case with these people too; apart from their dignity and self-respect, there is nothing much at stake. Bigger problem is that even those they could easily keep were it not for their conveniently convoluted behaviour. From the writer's perspective it's simply a matter of bad characterization choices and some silly plotting. The competing interviewees behave with enormous stupidity sometimes to conveniently fit the dramatic wishes of the storyteller. One of the protagonists, a woman is rendered a victim about halfway through the film, a weak character unable to resist the sexual advances of a fellow male participant. This completely stupid and unrealistic plot development alone almost makes everything that follows implausible and shallow. (I mean, who in the world has sex in his mind during a supposedly important job interview? Come on, even the most macho males can control their animal urges - if they can't, there's no way they get to an executive position.) It's a pity the filmmakers could not muster up more courage to let the situation play itself out without sensationalist, melodramatic actions and resort to such cheap moves. What started out very well and tense, derails because of increasingly melodramatic plot solutions from the midpoint on.

    It's a pity also that apart from a nicely symbolic final image and some subtly added subtext the storytellers did not make more of the anti-capitalist protests apparently going on simultaneously. It's a device completely wasted.

    All in all, a film worth watching once for some nice psychodrama elements, but ultimately a terribly missed opportunity. For a similar premise, but a much more thrilling story watch "The Killing Room".
    8gatomorto2

    Casting is the scent of this movie.

    If you want to see a movie with the best special effects,explosions, gunfigths and other exciting sequences, you are in the wrong lounge. But if you like movies with interesting argument, funny dialogs and very good performances, without any doubt, you'll enjoy with this movie. The first called my attention was the very high quality casting of this film,probably five of ten best actors of Spain are in this movie (Javier Bardem was busy in other productions). The actors are impressive, specially Eduard Fernandez and Pablo echarri. The argument is very curious and it will captivate you from the beginning.Finally the director do a good job giving the film the right rhythm. topnotch!!!
    7claudio_carvalho

    A Brief View of the Contemporary Wild Capitalism

    On a troubled day in Madrid, with strike and protest against the World Bank and the IMF on the streets, seven candidates are put together in a meeting room in front of notebooks by a secretary as part of a selection process for one important position in a Spanish corporation. They fulfill another application form informing that they would be submitted to the Grönholm Test. While speculating about the possible existence of hidden cameras and microphones, the test begins and they read a message on the screen telling that one of them is not a candidate but an employee from the HR analyzing their attitudes. Along the day, the group is submitted to tests that eliminate each candidate until the final dispute between the two last ones.

    "El Método" is a very well acted movie shot basically in one set like in "Twelve Angry Men" with a brief view of the contemporary wild capitalism through the dispute of qualified applicants to a direction position in a corporation. My only remark against the screenplay is relative to the unnecessary and quite stupid sex scene in the restroom. The author could have built the tension between the characters without the need of exposing them to a ridiculous situation that gives no credibility to the plot. The open end with an ambiguous conclusion is a plus in the story. My vote is seven.

    Title (Brazil): "O Que Você Faria?" ("What Would You Do?")
    6demonskull-1

    Excellent movie

    This movie tells us about a group of people that are gathered at the premises of a company in order to take part in a selection process for an executive job. Soon they will realise that they're not attending a conventional group-interview.

    One of the assets of this movie is the cast, with a bunch of the best actors and actresses of the moment in Spain and Argentina. They had a good movie to show their talents, and they have done it. Particularly surprising was the acting of Eduard Fernández. Although with a good acting record, he was a complete unknown to me. However, his incarnation of the disgusting 'macho ibérico' was extremely realistic and natural. Ernesto Alterio shows us once more that he's able to convincingly play any role. One just have to compare his Antonio in 'Días de Fútbol' (Football Days) with the nervous Enrique of this movie. Outstanding, I think. On the other hand, I dislike Noriega and Verbeke.

    The movie as a whole is developed coherently and in a dynamic line, it will catch your interest from the beginning. Only two negative points, however. Although I'm not a puritan at all, I think that the sex scenes were unnecessary. I also disliked the final sight of the street, I think it was completely exaggerated, but that's just a detail.
    Disk-Breaker

    Perfect psychologically intense examination of the job application process

    This is one of the best films I've seen all year! If you've ever been to a job interview with multiple applicants or even to one of those assessment centres big companies have you will recognize a lot of things in this movie.

    "The Method" starts off with an engaging split-screen title sequence reminiscent of the TV series 24 which introduces the characters and the events around them: The story takes place on the day of the annual IMF & World Bank meetings and a huge anti-globalization protest is mounting that is threatening to shut down the city. This however belies what will follow in the next two hours.

    Seven applicants for an executive position at a large company are more or less locked up inside a room and put through a novel mysterious selection process called "The Grönholm Method" which is supposed to determine the one applicant who is most fit for the job. The limited setting of the movie works perfectly and allows the audience to concentrate on and engage with the characters and the clever dialogue. Adapted from a theatre play the script takes the characters through little insidious games aimed at eliminating one applicant after the other. The movie quickly gets into a state of heightened reality, amping up the tension as everything gets more and more psychologically violent. Without giving anything away all I can say is that there's no backing down, it gets pretty hardcore and you can expect quite a few twists! After a particularly intense round in The Grönholm Method the audience is suddenly assaulted by the sound of the violent riots going on in the streets below while the camera remains focused on the actors. This moment is pure Haneke and through the contrast of non-diegetic sound perfectly illustrates the violence behind the ruthless shoot-first-or-be-shot modern day job world.

    Watching this movie carefully while giving it your full attention pays off since the plot twists are carefully build up and you can have a lot of fun and gratification in correctly predicting them. Also, if you're a cynical bastard like me, you will find a lot of laughs in the dialogue.

    Highly recommended!

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    Related interests

    Ana Torrent in The Spirit of the Beehive (1973)
    Spanish
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight (2016)
    Drama
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Jordi Galceran, the author of the play in which this film is based, was deeply upset by the changes director Marcelo Piñeyro introduced in the film.
    • Goofs
      When Julio ask others if they have the same message in their computer screens, they answer no. In the next take its clearly seen that the message appears in all computer screens.
    • Quotes

      Carlos de Aristegui Santos: Nothing, Peeping Tom, mind your own business, get back to your peep hole.

    • Connections
      Referenced in Rewind This! (2013)

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    FAQ19

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    Details

    Edit
    • Release date
      • September 23, 2005 (Spain)
    • Countries of origin
      • Spain
      • Argentina
      • Italy
    • Official site
      • Director's Official Site
    • Languages
      • Spanish
      • English
      • French
    • Also known as
      • The Grönholm Method
    • Filming locations
      • Madrid, Spain
    • Production companies
      • Tornasol Films
      • Arena Films
      • Cattleya
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $3,000,000 (estimated)
    • Gross US & Canada
      • $7,017
    • Opening weekend US & Canada
      • $3,407
      • Jul 8, 2007
    • Gross worldwide
      • $3,470,651
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 55m(115 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 2.35 : 1

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