Five Fingers

"Five Fingers" is a great psychological thriller, which takes place mainly inside a torture room. The story is about Martijn (Phillipe), a young Dutch idealist who goes to Morocco to finance a food program from money he has embezzled; his cause is encouraged by his Moroccan girlfriend, Saadia (Haoud). However, as soon as he reaches Rabat, he gets abducted by a terrorist group, led by a dark character played by Lawrence Fishburne, who believes that Martijn has come there with a sinister purpose. They interrogate him harshly, and although in the beginning he tries to explain his mission, he subsequently decides to change his story. What is the truth, then?

Malkin provides us with a carefully crafted claustrophobic setting, with the tension gradually building up as the abductors play cat and mouse with Martijn. In this theatrical atmosphere, all actors give good performances, and are even moderately successful in applying their respective accents (Dutch, Arabic).

However, the best thing of all is the clever ending, which of course I am not going to reveal here. From that alone, the film deserves an 8/10.

the line between good and evil. the war. in all its forms. the appearances. and the deep roots of the story in our contemporary every day reality. few motifs for define this film as special. for the inspired grow up of story. for performances. for ambiguity who gives, at the end, an impressive revelation. for the atmosphere of play. for the states of Matjin who reflects the fears of us. for the cold verdict. and, sure, for violence who is not more than convincing spice for a film who could be a warning or just precise reflection of reality.

This is a tense psychological drama. A Dutch banker travels to Morocco to set up a food program at the behest of his Moroccan girlfriend. He is kidnapped by a group of extremists who hold him captive and ultimately torture him for information. But who, we wind up asking, is ultimately who? And what truly are everyone's motives? It's a tough film to watch as it deals not only with terrorism and our assumptions about terrorists but also with the challenging topic of torture as a means of obtaining information.

The best parts of the film involve the intense dialogs between the three main characters of the captive, Martijn (Ryan Phillippe), the captor, Ahmat (Laurence Fishburne), and the captor's accomplice, Aicha (Gina Torres). These three actors' performances are outstandingly authentic and riveting. There's no question that if you love to see actors at the top of their game that you shouldn't miss this film. Ryan Phillippe's role as Martijn, however, is the most demanding and he never falters. As the focus character, Ryan's performance creates an incredibly intelligent and complex character.

But this, nevertheless, is a flawed film. It sometimes stumbles over itself. There seems to be some serious issues with editing and pacing. That's too bad. But this is still definitely worth watching if you can handle it's frank look at modern man's sojourn into primitive behavior.

Despite Ryan Phillipe's awful accent (as Martijn), the movie does a good job pulling you into the world they create. It is, as advertised, a "psychological thriller" and a bit of a mystery as you watch it unfold and slowly flashbacks illuminate the present situation.

Laurence Fishburne is EXCELLENT and makes the movie. Phillipe does a good job and although other characters play pivotal roles, it is really about the two of them.

Most of the film is shot in the same location, but it never gets boring or drags and keeps a lot of tension in most of the scenes. A real psychological treat if you just enjoy it! Not the best movie, but certainly a solid piece of entertainment that gets you to look at things from a slightly different perspective than most treatments of the subject of 'terrorism'.

Of course, I could watch just about anything with Lawrence Fishburne in it, but here, his performance and skill as an actor really shines.

That's not to detract from the others in this film. All of the principal actors delivered absolutely excellent, convincing character performances.

The story itself is a bit controversial, to say the least. It's not that I doubt this sort of "extreme" rendition occurs in current times, but there are various threads in this story which could be debated.

Of course, I won't explain the outcome here, you'll have to see this film for yourself for that. But it does deliver an "outside the box" outcome which is certainly different than most films of this genre'.

In a way, it does remind me a bit of the film "Unthinkable", another look into the murky world of extreme rendition, covert operations with a dark twist, and so on.

I would suggest seeing this. Even if you don't buy the implications of the story, the acting in this work is first rate.