Shaadi Karke Phas Gaya Yaar

This is what the movie exactly is a huge bore. nothing interesting ever happens. Nothing surprises you. While watching the movie you feel as if you have seen the movie several times over already. Everything right from the Dialogues to the background Score reminds you of those several "Family Drama" you have seen over the years. A very "correct" Salman doing what is right in the great Indian traditional thinking. The innocent Shilpa Shett who does not know right from wrong or does she. A typical "Modern" mother in law who drinks, smokes and wants her daughter to leave her husband and the quiet father in law who does not speak anything and tolerates everything, to the generous joint family who are willing to forgive and forget. The same old wife wants separate place away from a joint family and a lot of melodrama over a baby. This is a huge waste of time.

The title is misleading that it has some elements of comedy but IT DOES NOT. All the jokes (few and far) are pathetic and stale. I could not possibly find anything positive to say about this movie and this is when i was in a very good mood when i went to watch it - it was ruined. Please don't ruin your day by watching it.

Shaadi Karke Phas Gaya Yaar is a romantic comedy film directed by K. S. Adhiyaman. The film stars Salman Khan, Shilpa Shetty, Late Reema Lagoo, Mohnish Behl, Aasif Sheikh, Supriya Karnik and Shakti Kapoor.

Ayaan, who lives with his loving but conservative family, falls in love with Ahana, a modern woman, and marries her. Problems arises when the different lifestyle clashes.

It seems that the director and writer were stuck in 1980s while making or writing this film as this film is a cocktail of typical 80s family masala film with a self centered husband with loving yet conservative family, wife with modern thinking who do not wanted to have baby in order to keep the figure good, a mother who wants to spoil the married life of her daughter and a helpless father. The only difference that the film was made or released in 2006 where the mindset of people has changed a lot and no one is interested to watch this cringe.

The plot of the film is stale and the execution is terrible. The film has nothing new to offer which entertains you. The screenplay of the film is predictable and cringe, dialogues were straight away lifted from some 1980s films and climax was also predictable, stale and cringe.

In acting department both Salman Khan and Shilpa Shetty disappoints and Shilpa Shetty irritates in some of the scenes. Reema Lagoo and Supriya Karnik has done many such roles and they were typecast. Shakti Kapoor was bad, Aasif Sheikh was good and Mohnish Behl was wasted.

Songs of the film was average though some of the songs were hit at the time of the film's release.

If you are watching this film is current era then please avoid as this is some stale juice in new packing.

One of the worst films I've ever seen is a distortion of the image of women in society. A woman is not here to have children for you. She is human and she has life and a future. She has a dream and wants a job. How dare any human stop her ?

Terrible views represented in this movie.Shame on the director and producer. It is ethically to steal someone's personal journal but not to have freedom of speech or actions, consumption of alcohol. It is right to expect your wife to quit her career and what she likes. Just wow!!! It is a woman's choice to have or not have a child. Portraying Shilpa's role as completely negative is absolutely wrong. Salman is a complete hypocrite int his movie.

This movie begins as a romance, when Ayaan (Salman Khan) meets model Ahana (Shilpa Shetty) and falls in love with her. After finding her diary, he woos and marries her with the help of the information her diary provides. Then themovie becomes a domestic drama, with their marriage on the rocks--with the diary as the apex--and the viewer is left wondering if love will be enough to reconcile them.

The plot starts off interesting, but after a while, the arguments become tiresome. The resolution happens too quickly, and is not fully believable. Khan goes from charming to stubborn well, but the viewer will be conflicted as to whether he is in the right. Ahana's character is too spoiled and sullen to be fully likable; whether this is the fault of the actress or the writing is uncertain. There are some quite good songs, but the choreography is below average. Overall, this is an okay movie, but not one I would universally recommend.