Marebito

This was just a strange movie, but not in a cool way, like Forbidden Zone, or Uzumaki. Just weird.

All I can say is that a creepy voyeur cameraman sees a guy commit suicide by stabbing himself, and wonders what he had seen that made him so terrified. Any more said would ruin it.

Sure, the acting by the guy was good, and you never know what is going to happen next, and it is well shot, but it is ultimately boring, and the ending doesn't satisfy you. I did enjoy it on some level, but by the end, I was ready to stop watching.

6/10

A strange film by Grudge writer/director Takashi Shimizu.

Shinya Tsukamoto (Ichi the Killer) is consumed with finding out the source of terror that caused a man to stab himself in the eye. He wants to experience the same terror - terror so horrible that it would cause you to want to kill yourself.

He goes underground looking for the beings that inhabit the tunnels under Tokyo and finds a naked girl, who he brings home to live with him. The girls is more animal than human and he kills to provide her blood rather than give her his own blood, which she wants.

It is not certain throughout whether he is going mad or finding what he is searching for. He even tries to escape, but resumes the search until he finally succumbs to the terror.

Despite the shaky camera work, which some like, but which distracts me, it was a fascinating look at terror and certainly a film that contains much more than available at first glance. A blend of mysticism and horror, it is a worthy view for fans of Japanese horror.

I honestly cannot say I liked this movie. I appreciate what it is, which is a genuinely creepy movie shot in 8 days on consumer-grade digital video by one of the masters of Japanese horror. However, what I cannot appreciate is the disregard for character development or practical story-telling.

Masuoka is obsessed with video. He's got his own apartment under surveillance (from within, oddly enough), he carries a small camcorder everywhere he goes, and he seems to be plugged into random cameras throughout the city. And what he's looking for in all of this video is the ultimate in fear. One day, walking in the subways, he encounters a bizarre suicide. The victim sees something that only he can which, apparently leads him to stab himself in the eye. Obsessed with finding out what this man saw, Masuoka goes underground. Literally. Underneath the city he finds a bizarre netherworld. And one naked girl chained to a wall. Who may or may not be his daughter.

Sounds weird, hunh? Well, it sure is. The use of digital video, cut with even grainier digital video makes for a creepy look, and the sound work is a constant video hum which increases the paranoia and overall strange feeling. But that's really all the movie is. Just a really creepy exercise that never builds into something coherent. Characters pass through with seemingly no rhyme or reason, but they sure are creepy. Many big ideas are pitched (like another dimension of freaky demons leaking over into ours. Ouch!), but they're never taken anywhere.

If you're a fan of Shimizu's work, you'll notice his fingerprints all over this. However, this is a departure in many ways. It is not built around the "boo" factor which pervades most of this other work. It is a much dreamier, atmospheric film than his others. It doesn't seem as concerned with scaring as it is with just creeping the hell out of people. Which it does. What is missing is who this guy is. What he's all about, why he's videotaping everything. And maybe a coherent story.

But, holy crap, a movie shot in 8 days! Kudos.

I highly suggest seeing this film if you are a fan of Shimizu's works. Apparently it was filmed before Ju-On, in only eight days. This shows what a master filmmaker can do in such a short time. This movie will make you feel very uncomfortable and extremely disturbed. It is about a camera man who wants nothing more than to feel the most extreme fear. He than finds a subterranean lair filled with eerie creatures called Deros, and he finds a girl (or a creature much like a girl) chained to a rock and takes her home to care for her. He attempts to feed her but he finds that the only thing that she'll eat is blood. The only problems I had with it were the shaky camera moves (Blair-Witch style)but since he only made it in eight days...he has an excuse, and it will go to a normal camera to give your eyes a break. Overall a masterpiece in psycho-horror.

Marebito starts out with an interesting premise, but somewhere along the way the movie falls apart.

A camera man captures a man in the subway committing suicide by stabbing himself in the eye. The camera man becomes transfixed by the death image of the man and studies the footage with the hopes of finding a clue as to why the man would commit such an act. He surmises that the man has experienced something so terrifying immediately before his death as to render him suicidal. So the camera man ventures into the subway for clues and finds a door that leads even further down into the subway. The beginning part of the film captured my interest.

Too bad.

What the main lead uncovers...actually what he finds beneath the subway...and what unfolds thereafter is incredibly dull. The rest of the film becomes a jumbled mess as the main character tries to rationalize, in his more and more irrational mind, the supernatural events that unfold. But the film looks rushed and uninspired...it does look like it was filmed in two weeks.

I thought Ju-on was creepy and fairly good as a horror film. The director's effort on this film is unfocused and meandering; he even interlaces at points in the film, clumsily I might add, with discussions of philosophy and the supernatural in the hopes, I suppose, of lending the film some gravitas. Is the director trying to be metaphorical and deliberately obtuse? I don't know and I did not care.

Because I found some parts of the film creepy and even innovative, I rate this film: Average.