The League of Gentlemen's Apocalypse

I knew nothing about the 'Royston Vasey' sketches when I watched the movie and thus, it was very confusing, messy and difficult for me to follow. However, after seeing the movie, I watched the special features which clarified a lot of things. Then, I watched the film again and this time I was able to enjoy and appreciate it to the fullest. So I would recommend that someone get a glimpse of the TV-series, 'The League of Gentlemen' before watching its movie. It's well executed with some great special effects and makeup and some hilarious cameos. Actors and writers Mark Gatiss, Steve Pemberton and Reece Shearsmith do a fine job. The humour is definitely over the top and the story is larger than life and full of comedies of errors but once you know what to expect, it's much easier to enjoy this morbidly funny ride.

This movie was the result of the fantastically darkly comic BBC TV series! It's a huge pity that this movie spin-off is let down by a poor script and by production values which are below what the TV series offered. It might have been better to take this idea and implement the best parts of it as the end of another TV series but this may not have been an option for the writers. The plot is basically two stories badly tacked together. There are some comic moments but not enough to make it necessary viewing. The audience I saw it with certainly didn't crack up laughing. As it stands it's a pretty disappointing big screen farewell to the excellent characters that have provided so many laughs on the small screen! Such a pity, I really wanted to be able to say something more positive!

Based on the weird, wacky and at times wonderful sitcom, League Of Gentlemen's Apocalypse is a fans delight. I was a fan of the first two series myself, with the third still enjoyable but a little too out there for my liking. You could easily assume that with the Royston Vasey locals hitting the big screen and leaving behind TV boundaries of taste' that the movie would really push the darker aspects out. However the is nothing quite as disturbing as series three's sodomy scene. Of course many sitcoms don't translate all too well to the big screen, but LOG was a sitcom with a real movie atmosphere, from the style it was made to all the references, it truly felt like a long movie split into six segments each series. Similarly Spaced's unique style worked superbly for it's translation to the big screen in Shaun Of The Dead. This movie is very filmic thankfully with possibly the most strange plot ever to grace the silver screen. The four writers add plenty of film reference with little nods from everything from The Shining, Labyrinth to the old HarryHuasen films. This is in many ways a whacked out smacked up version of kids favourite The Neverending Story. With the imaginary colliding with the real world.

The plot opens with the scenario that the inhabitants of Royston Vasey, who are alive inside there own little world, like Fantasia in The Neverending Story. When the town of Vasey begins showing signs of the apocalypse, due to the fact that real life writers, Mark, Steve, Reece and Jeremy are not doing any more LOG, a group of the inhabitants must venture into the real world in order to make the writers continue with the LOG otherwise Royston Vasey and its inhabitants will die out. LOG has a great advantage in translating to film and that is the fact it is set in a small universe that is so demented you can do just about anything plot-wise. This film works, it doesn't feel like a half hour skit painfully stretched out. As an example a proposed Friends movie would probably end up being a run of the mill rom-com, far too thin.

As far as being a good film, this is. It's good fun, plenty of gags, while not trying to overload the film with gags. On another impressive note, the film managers to successfully incorporate some softer moments too, in the same way Shaun Of The Dead did. While this film isn't as good as Shaun, it will undoubtedly become a cult classic, even if the theatre I saw this in was shockingly sparse (it was a midday showing though).

As is the case with Brit films it is loaded with cameos including Bernard Hill, Simon Pegg, Peter Kay, and Victoria Wood. The main cast of course are all good, playing a host of their recognised characters, themselves and some new creations. Also co-starring in his Time Bandits villain style is David Warner who has already become a fans favourite amongst those who have seen it. Also the film looks very polished for a budget of only £4.2 million. They have got some great cinematography and sets as well as excellent effects and something I particularly enjoyed was the stop motion monsters, very much a loving homage to the legendary Ray Harryhausen. I personally would love to see another Harryhausen movie. I'm fed up with all the CGI we have now, as much as it is a good tool when used right but I would love to see a film go back to the basics again, and I'm sure others would too.

LOG's Apocalypse is great fun and very nuts. Fans will love this, as will movie enthusiasts. ***1/2

After three outstanding BBC television series' and a Christmas special, the bizarre and grotesque (yet perversely lovable) characters of bleak fictional town Royston Vasey make the jump to celluloid, along with their creators - The League of Gentlemen.

Mark Gatiss, Steve Pemberton and Reece Shearsmith are the more familiar three-quarters of the foursome, with the central roles shared between the trio. In an added twist, the final member of the team - Jeremy Dyson - is portrayed by actor Michael Sheen.

Where to start? Dyson (Sheen) is in conversation with his writing cohorts, when - horror of horrors - he is paid a visit by two of his grisliest characters. Both Tubbs (Pemberton) and Edward Tattsyrup (Shearsmith) are unhappy at The League's decision to kill off the Vasey inhabitants. "You're not real!" screams Dyson in vain, as the local shopkeepers from hell exact their revenge. Mayhem ensues, as reality and Vasey converge with the vast array of characters entering our world to save theirs.

Confused? You will be, as the camp, innuendo-ridden Teutonic, Herr Lipp (Pemberton) is forced to take on the daily guise of Pemberton (Pemberton), while Pemberton (Pemberton) is kidnapped by cannibalistic butcher Hillary Briss (Gatiss) and Geoff Tipps (Shearsmith).

With shades of an even more demented Misery, Briss attempts to force Pemberton to rewrite the film - thus continuing his life - but leaving Geoff in charge is never a good idea. The erstwhile comedian becomes embroiled in The League's latest, post-Vasey adventure - The King's Evil - entering a typically twisted 17th century England, complete with cameos from Victoria Wood, Peter Kay and David Warner. Known as George of Asda (due to his select line of clothing), Geoff saves the day and is treated as a hero, but for the denouement of the film, he joins characters old and new at the Church of Royston Vasey to meet with their makers.

For fans of the series, the film is a must-see. And yes, it does feature Papa Lazarou (albeit a little too fleetingly). Pen-loving Pauline, Mickey, Barbara and cursed vet Matthew Chinnery are some of the other favourites on show, and The League's portrayal of themselves (plus Sheen's as Dyson) is also a fascinating insight.

The League of Gentlemen are the Radiohead of British comedy - they are ambitious, groundbreaking (witness the excellent Series Three) and not happy to rest on their laurels. They also divide opinion accordingly.

Certainly, their macabre sense of humour is not for every palate, and while not written exclusively for 'fans', a grasp of the storyline would benefit those who have previously viewed the series. Nevertheless, Apocalypse is a film in its own right and The League will no doubt manage to attract a new breed of fan, as well as appeasing and pleasing existing ones.

Just saw 'The League of Gentlemen: Apocalypse' at a special screening in Manchester, with Mark Gatiss and Reece Shearsmith of the League in attendance.

At the back was Peter Kay (who has a brief cameo in the film) affectionately heckling at the back during the Q & A session after the film.

The film was complicated (in a good way) and very very funny. It follows Geoff Tipps, Hilary Briss and Herr Lipp as they try and save fictional Rosyton Vasey from the disinterest of their creators.

The League play a wide range of their characters and themselves (or character based on themselves) and are ably supported by the cream of British character and comedy actors such as Bernard Hill, Victoria Wood and David Warner.

Warner is a particular stand out reminding me of his smooth and cutting turn in 'Time Bandits'.

The film swims in and out of various realities and allows some of the denizen's of Rosyton Vasey some space to grow beyond their usual limits of their comedy shtick.

Steve Pemberton's Herr Lipp has a great Bretchian moment near the end of the movie and has to make a decision about his purpose and meaning in life which brings a lump to the throat at an unexpected moment and surprises you with its tender affection for the characters.

This echoes something Mark and Reece said in the Q & A afterwards, that the plot of the league being tired of their famous characters is spurious and that the whole film is really a love letter to them.

For a format that started as a radio character-based sketch show, these guys have really evolved the idea so far as to sustain a movie which takes you on a journey through fiction, 'reality', comedy, tragedy and a pleasing journey for two of the less obvious characters to carry a long form story from their 70 odd existing creations.

The fans of the show will love it. It pays off dedication and attention to detail in spades, the uninitiated may be a little lost, but the joy of the LoG was always the ability to almost instantly tune into their acutely observed characters and take the stylistic leap into farce and expressionistic movie homage.

There are homages a plenty in this one including 'The Shining' and 'La Belle et la Bete', to name but two I spotted and they ably demonstrate their love for cinema and history with a segment in 1690's England that makes perfect sense when you're engaged with the movie.

What can I say, I marvelled, boggled, emoted and snickered throughout and they have definitely pulled off what many have failed at. A successful British TV comedy to cinema translation.

If you've watched and enjoyed 'The League of Gentlemen' in the past, go see it; you will enjoy.

If you haven't, rent/buy a DVD and then go see it.

Well done guys and thanks for the charming and humorous Q & A.