The League of Gentlemen's Apocalypse

"Wouldn't it be funny," thought Steve Pemberton, as the League sat down to pen a film script, "if our characters came after us, wanting to know why we wanted to kill them off?" Well, as it turns out, no, not really. In this misguided, post-modern set up (three words: Last Action Hero), bestial butcher Hilary Briss, predatory German exchange-teacher Herr Lipp and broken businessman Geoff Tipps step into the 'real world' to try to prevent the apocalypse of Roysten Vasey and sabotage the Gents' new project - an 18th century romp called The King's Evil. And ironically, this film-within-a-film, featuring a terrific cameo from Warner, is easily the best thing about this. The creators obviously had a blast, but many devotees will wonder why they've tampered with a winning formula.

The film was apparently spawned from an idea one of the writers had when he 'saw' one of his creations in a supermarket. The inhabitants of Royston Vasey head into 'our' world to persuade the writers not to stop writing about them and thus destroy their world.

If that sounds a bit too serious, don't be put off. Within the first few minutes we get: Bernice (the vile female vicar) letting rip at an unfortunate penitent during confession; Chinnery (the vet who inadvertently destroys every animal he touches) attempting to collect semen from a giraffe; Mickey (thick beyond belief) being, ah, thick; and Tubbs (inbred sister-wife and local shopkeeper) being sweet as ever - but still disgusting.

Some of the regular characters are missing, but a new idea by the Gents introduces some 16th-Century characters - and we have the Gents themselves in the action too. If you're new to The League of Gentlemen, this is an easy introduction and a lot of fun. If you're a long-standing fan, this has everything you've come to expect - including the joys of Jeremy Dyson spotting.

All told, it's got the same faintly surreal humour that's the hallmark of the series, plus some moments of quite touching 'introspection'. Herr Lipp, for example, maintains a gentle dignity on learning that he's regarded by his creators as a 'one-joke character'. While most of the characters stay as they are, some develop in unexpected ways that are perfectly natural when they happen.

This film is a 'swan song' for Royston Vasey, but it's also a showcase for the Gents who prove that (gasp!) they can write other stuff - and it can be very funny. (But you knew that anyway.)

I knew nothing about the 'Royston Vasey' sketches when I watched the movie and thus, it was very confusing, messy and difficult for me to follow. However, after seeing the movie, I watched the special features which clarified a lot of things. Then, I watched the film again and this time I was able to enjoy and appreciate it to the fullest. So I would recommend that someone get a glimpse of the TV-series, 'The League of Gentlemen' before watching its movie. It's well executed with some great special effects and makeup and some hilarious cameos. Actors and writers Mark Gatiss, Steve Pemberton and Reece Shearsmith do a fine job. The humour is definitely over the top and the story is larger than life and full of comedies of errors but once you know what to expect, it's much easier to enjoy this morbidly funny ride.

This movie was the result of the fantastically darkly comic BBC TV series! It's a huge pity that this movie spin-off is let down by a poor script and by production values which are below what the TV series offered. It might have been better to take this idea and implement the best parts of it as the end of another TV series but this may not have been an option for the writers. The plot is basically two stories badly tacked together. There are some comic moments but not enough to make it necessary viewing. The audience I saw it with certainly didn't crack up laughing. As it stands it's a pretty disappointing big screen farewell to the excellent characters that have provided so many laughs on the small screen! Such a pity, I really wanted to be able to say something more positive!

For many the hit series was ten years of pitch black humour loaded with affectionate parodies of classic films and a hilarious assortment of over a hundred characters with instantly recognisable catchphrases. Few shows have survived transition from radio to TV to stage show to film but The League of Gentlemen have achieved it with suitable aplomb.

The talented writer/performers had initially envisioned a Monty Python style medieval adventure, but as soon as writing began they soon realised that the characters they have lived with had become very real and deserved better. With that, the Royston Vasey folk realise their very existence is under threat as the writers decide to disregard the fictitious town and work on a 17th Century romp instead.

With the exception of Michael Sheen playing much unseen League member Jeremy Dyson, The League play pretty unlikeable caricatures of their real life personae as well as the familiar faces of Tubbs ("I made a little brown fishy"), nightmare inducing sexual predator Herr Lipp, butcher Hilary Briss and an unlikely hero - irate businessman Geoff Tibbs. New faces appear when the third reality appears, it's here we are treated to charming and funny cameos from veteran actors and popular TV stars. For many this will be a really enjoyable 90 minutes.

'Apocalpse is not going to please everyone though. Working on this level of post modernism has been done a few times before now and may seem all too familiar to audiences raised on irony drenched teen successes kick-started by the likes of Wes Craven having a New Nightmare. It also takes a lot of confidence in an audience to keep up with a high concept story so there are moments of exposition and dialogue that serve only to confirm what most in the audience already know. Comedy as a genre is formulaic but it's now unheard of for a British film not to fall back on the huge back catalogue of TV stars to fill short amounts of screen time. It's also hard to believe the creators ever wanted their offspring killed off, which is perhaps why some of the role reversal doesn't always quite hit the mark. Would Hilary Briss have wanted to try save Royston Vasey in the series?

However, while the show's deliciously dark vein has almost all but disappeared but is arguably more accessible for it. Much will be said about the character development and efforts to humanise the likes of previously one joke incarnations like Herr Lipp. It is here an impossible level of depth can be found along with a harsh streak of biting satire and throwaway put downs. Sentiment is there with a lump in the throat but not sugar coated thickly enough to intrude on the action. The music is good, performances exemplary and the animation is wonderfully seamless; a nice throwback to Terry Gilliam and Ray Harryhausen's work. In short, there's a lot to like about the Apocalypse. Like so many TV to film transfers it was never going to be easy finding the line between preaching to the converted and introducing the uninitiated to the League's slick and distinct voice. But no matter what your preference is, this last trip to the town which 'You'll Never Leave' is oddly lined with hope and ultimately very, very touching.