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A Russian ex-Spetsnaz working as a mechanic in LA accepts a job freeing a kidnapped woman in Saint Petersburg, as the mob boss also killed his wife and son 7 years ago. The body count begins... Read allA Russian ex-Spetsnaz working as a mechanic in LA accepts a job freeing a kidnapped woman in Saint Petersburg, as the mob boss also killed his wife and son 7 years ago. The body count begins.A Russian ex-Spetsnaz working as a mechanic in LA accepts a job freeing a kidnapped woman in Saint Petersburg, as the mob boss also killed his wife and son 7 years ago. The body count begins.
- Director
- Writers
- Stars
Raicho Vasilev
- Achmed
- (as Raicho Vassilev)
Anthony Arguirov
- Serie
- (as Antony Argirov)
Ivaylo Geraskov
- Leo
- (as Ivailo Geraskov)
Atanas Srebrev
- John Ridley
- (as Nasko Srebrev)
Mariana Stansheva
- Alla
- (as Marianne Stanicheva)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I've never been much of a Lundgren fan, with my preferred viewing being Norris and Seagal, with also Van Damme too. But to my surprise, during a DTV rampage of these guys (The Hard Corps, Shadow Man and also the Cutter too) Dolph's film the Mechanik was by a long, long, way the best of the bunch. I've fallen by the wayside a little in recent years, and haven't kept up to much with the action boys, but when your in the mood, your in the mood. Anyway The Mechanik was fantastic. It's a simple storyline, and a simply delivered film, but it promises something, and delivers. The result is a violent, dirty and damn fun action movie. It's a great little regression to 70's and 80's action films. I also understand it was shot on a fraciton of the budgets of Chuck's, Stevens and Jean Claudes, movies and still manages to look the most expensive too.
Lundgren too gives a solid performance and looks in great shape. In fact dare I say it the other guys like either old, tired or overweight (all three in Seagal's case). Lundgren looks fresh and in great shape. Ben Cross was really good. That guy should have been a bigger star, a really good actor if anyone's seen his earlier work.
On the negative side, the girl in the movie seems little more than a pointless inclusion to aid the bloodshed, and the bad guy is a little too "hey look at me I'm the bad guy!" After all though, it's expected from this sort of film so it's not a big problem. I also wasn't too sure what was with all the dissolves either, but on the most part this film is directed with assurance and a great sense of pace, and of course directed by Dolph himself! This film really acts as a showcase for Dolph Lundgren. It's the Dolph show, and it's a good show. It brought back fond memories of cool Peckinpah movies. Good work Dolph!
Lundgren too gives a solid performance and looks in great shape. In fact dare I say it the other guys like either old, tired or overweight (all three in Seagal's case). Lundgren looks fresh and in great shape. Ben Cross was really good. That guy should have been a bigger star, a really good actor if anyone's seen his earlier work.
On the negative side, the girl in the movie seems little more than a pointless inclusion to aid the bloodshed, and the bad guy is a little too "hey look at me I'm the bad guy!" After all though, it's expected from this sort of film so it's not a big problem. I also wasn't too sure what was with all the dissolves either, but on the most part this film is directed with assurance and a great sense of pace, and of course directed by Dolph himself! This film really acts as a showcase for Dolph Lundgren. It's the Dolph show, and it's a good show. It brought back fond memories of cool Peckinpah movies. Good work Dolph!
Dolph Lundgren stars as Nick Cherinko, a former Russian super soldier (I think it is the same character in Red Scorpion!) who this time uses his special skills for vengeance when his family is wiped out by Russian mobsters however this is just the first fifteen minutes as Lundgren wastes literally no time in delivering payback and it is when he finds out that the mobster lived that it becomes apparent that he must return back to Russia and even the score. Rescuing a girl in the process is just secondary to satisfying his blood thirsty rage. I must admit that I enjoy a certain style of actioner, mainly the type in which the action is big, brutal and solid. Of course I was mildly surprised by Lundgren's last movie The Defender due to it's good action and solid story however I generally don't rent straight to video movies because I got burned way too many times, however when this came on TV I saw it and was VERY impressed with it. The Russian Specialist is a throw back to the Charles Bronson days when the heroes dispensed ruthless justice and walked away with an ending that was happy for everyone but them. Certainly there are some minor flaws and the main one being that Lundgren has softened his accent so much he no longer can pull off that great of a Russian accent. Also Ben Cross (Best known from Chariots Of Fire) is somewhat out of place in this movie but i'd be lying if I didn't enjoy this brutal throwback to the classic revenge actioner. So this one is worthy of a rental. In fact I may go onto Amazon and see if I can find a cheap DVD of this to add in my collection. (The last Lundgren movie I bought on DVD was Bridge Of Dragons)
* * * out of 4-(Good)
* * * out of 4-(Good)
I saw this film for rent and although it's not the sort of film I'd usually go for, being a Dolph Lundgren movie, I was intrigued by the cool looking front cover. I read up some reviews, courtesy of IMDb, the only ones I could find. It did seem a popular movie.
Anyways I hired it and I must say the IMDb rating doesn't do this film justice. It is really a surprise because it has some great little moments in it. Also it packs a punch in the more violent scenes and doesn't hold back, and I mean I was really wincing in some moments.
It didn't occur to me until the film opened and credited Lundgren himself as director. He did a fantastic job and his portrayal of violence really hits home like my favorite director Mr Paul Verhoeven. Lundgren I know is someone critics always mock, like Schwarzenegger, but Lundgren really shows talent as a director. I will have to watch his other film the Defender. In regards to the acting, Lundgren also did a good job. Ben Cross is a good actor too and he does well in this film.
This is overall a quality piece, well worth watching.
Anyways I hired it and I must say the IMDb rating doesn't do this film justice. It is really a surprise because it has some great little moments in it. Also it packs a punch in the more violent scenes and doesn't hold back, and I mean I was really wincing in some moments.
It didn't occur to me until the film opened and credited Lundgren himself as director. He did a fantastic job and his portrayal of violence really hits home like my favorite director Mr Paul Verhoeven. Lundgren I know is someone critics always mock, like Schwarzenegger, but Lundgren really shows talent as a director. I will have to watch his other film the Defender. In regards to the acting, Lundgren also did a good job. Ben Cross is a good actor too and he does well in this film.
This is overall a quality piece, well worth watching.
Dolph Lundgren made his directorial debut with the Defender. A great little action movie that was really what his fans could have hoped for, a triumphant return to his best. Now his second film shows that it wasn't merely a flash in the pan, or a fluke. Yes people Dolph Lundgren, never considered much kop in the acting department has now proved he is a more than capable director, even suggesting that his new role deserves him a shot at the big time.
The Mechanik's plot is thus: Nick Cherenko (Lundgren) is an ex-spetznaz, parachutist, who served in Afghanistan. He now lives in his homeland of Russia, with his wife and son working as a mechanic (hence the title.). During a drug deal involving Russian mobster Sasha, his wife and child are killed in the crossfire, Sasha gunning down Nick's wife. Nick later hunts down Sasha and his men, wiping them out and leaving Sasha assumed dead, with a nasty bullet hole in the face. Seven years later Nick is working in LA, illegally, as a mechanic when he is approached to do a job. He is to retrieve the kidnapped Julia, daughter of a wealthy businesswoman. Nick refuse until he discovers who kidnapped her, Sasha. He travels to Russia and meets with Burton (Ben Cross) who will supply him with weapon's and assembles a team of mercs to help Nick get back Julia, while at the same time finishing what he did 7 years previously, killing Sasha. The plot is simple yet writer Bryan Hill allows more focus on characters, clearly in the style of directors like Michael Mann. There are great character moments here, and some superbly played out scenes in amongst the action scenes focusing on character. it's the sort of quiet moments never seen in DTV action films, including a great dinner sequence where Nick and his men relax and unwind, a kind of calm before the storm. The dialogue is also engaging.
The film looks fantastic. The washed out colours, make this reminiscent of brutal 70's revenge flicks like Death Wish and Get Carter. Cinematographer Ross Clarkson has made sure this looks far beyond it's small budget. Similarly Dolph's visual style has developed even more since his exciting debut. He shoots the film with conviction, stylistically picking little apples from different orchards, not simply, as many directors do, picking from merely John Woo's orchard (that guy has no apples left on his trees I can tell you), but Dolph gives reference to a varied group, from Woo, to Mann, to Peter Yates and to modern indie directors like the Bourne films' Doug Liman and Peter Greengrass.
The action is excellent, a step up from the Defender. Again it's plentiful, yet the action is different in style. This time as opposed to a siege movie, this is an ass battering revenge flick so the action consists of bloody and violent shootouts, where like so rarely in his previous movies, every bullet has it's own bullet hole. Windows shatter, splinters fly, chest cavities burst open and things blow up. The fights scenes are brilliantly paced and use martial arts realistically. it's all done in one or two moves. No flashy Van Damme kicks, it's arm breaks, shoulder tosses and neck breaks. Also the film has some vehicular chases that impress too.
The music from Elia Cmirel is atmospheric, and delightfully reminiscent of his work in Ronin, simple, low key and effective. He doesn't go through the motions here, he creates a score, as if proud to be scoring this movie. This is possibly Dolph's best score, particularly in the context of it being a genuinely good little film. In terms of the sound mix, this, like Defender, is pure class. The use of sound is excellent, while the general editing of the film is slick, well paced and never goes overboard.
The cast are good. Dolph Lundgren gives probably his best performance. He doesn't over-stretch himself as many action stars have been prone too, yet he raises his level of performance and does well. Olivia Lee is a rising up and comer who does well as Julia. The remainder of the cast are also excellent. Real class is also added by Ben Cross. He is given a good role as drunk Brit, Burton. Burton is in love with a hooker, who helps get them into Sasha's club to retrieve Julia. Cross is excellent in a role more significant than I thought it would be. He is comical and shows conviction in the dramatic scenes and his presence is a real bonus to an already quality piece.
This film really does show the future to be bright for Lundgren, should he carry on directing his own movies. His cash cow power allows him to get his way on how he wants to film his action, meaning every last penny is spent, and time is taken for more elaborate set-ups. Lundgren shows himself worthy of another shot at the big time in a film Van Damme and Seagal could only dream of having on their CV's. In a generally great year for films, Dolph has produced that rare thing, a decent, well made, DTV movie. Not only that but he has done it twice! This is Lundgren's best by some way! ****
The Mechanik's plot is thus: Nick Cherenko (Lundgren) is an ex-spetznaz, parachutist, who served in Afghanistan. He now lives in his homeland of Russia, with his wife and son working as a mechanic (hence the title.). During a drug deal involving Russian mobster Sasha, his wife and child are killed in the crossfire, Sasha gunning down Nick's wife. Nick later hunts down Sasha and his men, wiping them out and leaving Sasha assumed dead, with a nasty bullet hole in the face. Seven years later Nick is working in LA, illegally, as a mechanic when he is approached to do a job. He is to retrieve the kidnapped Julia, daughter of a wealthy businesswoman. Nick refuse until he discovers who kidnapped her, Sasha. He travels to Russia and meets with Burton (Ben Cross) who will supply him with weapon's and assembles a team of mercs to help Nick get back Julia, while at the same time finishing what he did 7 years previously, killing Sasha. The plot is simple yet writer Bryan Hill allows more focus on characters, clearly in the style of directors like Michael Mann. There are great character moments here, and some superbly played out scenes in amongst the action scenes focusing on character. it's the sort of quiet moments never seen in DTV action films, including a great dinner sequence where Nick and his men relax and unwind, a kind of calm before the storm. The dialogue is also engaging.
The film looks fantastic. The washed out colours, make this reminiscent of brutal 70's revenge flicks like Death Wish and Get Carter. Cinematographer Ross Clarkson has made sure this looks far beyond it's small budget. Similarly Dolph's visual style has developed even more since his exciting debut. He shoots the film with conviction, stylistically picking little apples from different orchards, not simply, as many directors do, picking from merely John Woo's orchard (that guy has no apples left on his trees I can tell you), but Dolph gives reference to a varied group, from Woo, to Mann, to Peter Yates and to modern indie directors like the Bourne films' Doug Liman and Peter Greengrass.
The action is excellent, a step up from the Defender. Again it's plentiful, yet the action is different in style. This time as opposed to a siege movie, this is an ass battering revenge flick so the action consists of bloody and violent shootouts, where like so rarely in his previous movies, every bullet has it's own bullet hole. Windows shatter, splinters fly, chest cavities burst open and things blow up. The fights scenes are brilliantly paced and use martial arts realistically. it's all done in one or two moves. No flashy Van Damme kicks, it's arm breaks, shoulder tosses and neck breaks. Also the film has some vehicular chases that impress too.
The music from Elia Cmirel is atmospheric, and delightfully reminiscent of his work in Ronin, simple, low key and effective. He doesn't go through the motions here, he creates a score, as if proud to be scoring this movie. This is possibly Dolph's best score, particularly in the context of it being a genuinely good little film. In terms of the sound mix, this, like Defender, is pure class. The use of sound is excellent, while the general editing of the film is slick, well paced and never goes overboard.
The cast are good. Dolph Lundgren gives probably his best performance. He doesn't over-stretch himself as many action stars have been prone too, yet he raises his level of performance and does well. Olivia Lee is a rising up and comer who does well as Julia. The remainder of the cast are also excellent. Real class is also added by Ben Cross. He is given a good role as drunk Brit, Burton. Burton is in love with a hooker, who helps get them into Sasha's club to retrieve Julia. Cross is excellent in a role more significant than I thought it would be. He is comical and shows conviction in the dramatic scenes and his presence is a real bonus to an already quality piece.
This film really does show the future to be bright for Lundgren, should he carry on directing his own movies. His cash cow power allows him to get his way on how he wants to film his action, meaning every last penny is spent, and time is taken for more elaborate set-ups. Lundgren shows himself worthy of another shot at the big time in a film Van Damme and Seagal could only dream of having on their CV's. In a generally great year for films, Dolph has produced that rare thing, a decent, well made, DTV movie. Not only that but he has done it twice! This is Lundgren's best by some way! ****
Dolph Lundgren stars as Nikolai a Russian special forces officer who takes vengeance on the (russian) mobsters who killed his family, assuming that the killer is dead, he works as a mechanic however when he is asked to help a European heiress, Nikolai needs little convincing when he finds out that the man who took her is the same man who killed his family in this fairly engaging straight to DVD release.
Dolph Lundgren has always been one of the more engaging action stars in the market and he certainly crafts excellent action scenes (Especially the climax) but where as The Defender had more twists and satisfying punch,this one is let down by a screenplay that is too mediocre to really work.
Still this is above average for the genre and despite a few silly moments, The Russian Specialist works fairly well. Also fans of Lundgren who wanted a sequel to Red Scorpion, here you go.
Matt Bronson 2.5/5
Dolph Lundgren has always been one of the more engaging action stars in the market and he certainly crafts excellent action scenes (Especially the climax) but where as The Defender had more twists and satisfying punch,this one is let down by a screenplay that is too mediocre to really work.
Still this is above average for the genre and despite a few silly moments, The Russian Specialist works fairly well. Also fans of Lundgren who wanted a sequel to Red Scorpion, here you go.
Matt Bronson 2.5/5
Did you know
- TriviaWhen Dolph Lundgren approached Nu Image films with the wish of directing a second movie, Nu Image agreed, as long as two rules were followed: Lundgren must play the leading man, and the movie must incorporate locations under ownership of Nu image. This second rule meant Lundgren had to write the entire script based fully on the locations given to him by Nu image.
- GoofsWhen Nikolai escaped with the bike, he escapes alongside a canal. In the next shot he is clearly driving that same road in reverse, only the camera's point of view is different. All the buildings are the same.
- ConnectionsReferenced in Making of 'the Mechanik' (2006)
- How long is The Russian Specialist?Powered by Alexa
Details
Box office
- Budget
- $5,000,000 (estimated)
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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