After she quits her lucrative job, Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends.After she quits her lucrative job, Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends.After she quits her lucrative job, Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends.
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It's true that this movie is utterly bereft of car crashes and blood, but both my husband and I enjoyed it very much. I found it very refreshing to spend time in the company of people my age whose lives are not non-stop excitement, who are not trying to escape from terrorists/having sex with an unending stream of nubile blondes/both.
Yes, this movie is dialogue-driven, and yes, many of the comments and even conversations will seem familiar. I enjoyed watching and hearing people I could genuinely relate to, discussing problems which, if not all directly paralleling my own concerns, I could at least understand. The movie deals with the role that money has in personal happiness and how it changes the dynamics of friendships, and effectively shows that while money is neither a universal panacea, neither is it the root of all evil. One of the interesting questions the movie raises is also what you focus on and contemplate when money isn't an issue for you.
I thought the movie accurately portrays many of the misgivings that women in their 40s experience, even when they're financially comfortable--dealing with Olivia's feelings of *invisibility*, Jane's quiet despair at the loss of the hopeful anticipation with which she used to view her upcoming life, Christine's external expression of her mental off-balancedness and gracelessness.
There are plenty of movies out there directed at 18-year-old skateboarding ninja-fiends--is it so wrong to make one for me?? I found the performances (especially Jason Isaacs' overbearing and emotionally heedless American husband) compelling and believable, and I enjoyed this movie a lot.
Yes, this movie is dialogue-driven, and yes, many of the comments and even conversations will seem familiar. I enjoyed watching and hearing people I could genuinely relate to, discussing problems which, if not all directly paralleling my own concerns, I could at least understand. The movie deals with the role that money has in personal happiness and how it changes the dynamics of friendships, and effectively shows that while money is neither a universal panacea, neither is it the root of all evil. One of the interesting questions the movie raises is also what you focus on and contemplate when money isn't an issue for you.
I thought the movie accurately portrays many of the misgivings that women in their 40s experience, even when they're financially comfortable--dealing with Olivia's feelings of *invisibility*, Jane's quiet despair at the loss of the hopeful anticipation with which she used to view her upcoming life, Christine's external expression of her mental off-balancedness and gracelessness.
There are plenty of movies out there directed at 18-year-old skateboarding ninja-fiends--is it so wrong to make one for me?? I found the performances (especially Jason Isaacs' overbearing and emotionally heedless American husband) compelling and believable, and I enjoyed this movie a lot.
The women were awesome however the script seemed a bit incomplete and the story ended abruptly. Frances MacDormand is amazing. A feel good movie with a sweet undertone.
"Friends with Money" is Americana the sit-com way: it is about older, (much) more monied, West Coast clones of TV's loathsome "Friends." Although it appears a slow-mo imitation of Woody Allen at his talkiest, the film does well. The reason: a quartet of actresses having a ball.
Nicole Holofcener's script and direction are merely OK: a medium-funny, not very insightful soap about three couples and a single woman (Jennifer Anniston), who is younger than her six friends, jobless, aimless, sloppy and rather annoying. Of the three husbands, only Simon McBurney is outstanding, but he really is, the English actor turning in a wonderful performance as a super-nice metrosexual.
Anniston does her best, which here works better than in any of her other roles. But "Friends with Money" is worth seeing because of - in order - Frances McDormand's huge star turn, with her unsuppressed rage turning into petty, ordinary rudeness; Catherine Keener, sleepwalking through affluence; and Joan Cusack, as a nice mega-rich woman without guilt or troubling thoughts.
The pace is glacial and steady; after a while, the film settles into a pleasant, moderately quirky flow, until a sudden and inconclusive end. Through it all, performances are to be enjoyed, and in McDormand's case, treasured. Never again will you be able go without washing your hair and not think of Frances McDormand.
Nicole Holofcener's script and direction are merely OK: a medium-funny, not very insightful soap about three couples and a single woman (Jennifer Anniston), who is younger than her six friends, jobless, aimless, sloppy and rather annoying. Of the three husbands, only Simon McBurney is outstanding, but he really is, the English actor turning in a wonderful performance as a super-nice metrosexual.
Anniston does her best, which here works better than in any of her other roles. But "Friends with Money" is worth seeing because of - in order - Frances McDormand's huge star turn, with her unsuppressed rage turning into petty, ordinary rudeness; Catherine Keener, sleepwalking through affluence; and Joan Cusack, as a nice mega-rich woman without guilt or troubling thoughts.
The pace is glacial and steady; after a while, the film settles into a pleasant, moderately quirky flow, until a sudden and inconclusive end. Through it all, performances are to be enjoyed, and in McDormand's case, treasured. Never again will you be able go without washing your hair and not think of Frances McDormand.
I would watch it weekly without fail. The characters are 3D, their lives interesting, the dialog graceful and funny...so why was I so disappointed by and frustrated with this movie? Because there just needed to be more. The short running time compacts all the problems and situations down to bare essentials, and there is too much going on for this film to skim across the surface the way it does. I guess the point is to show us a snapshot of these people at a very specific point in their lives, and then move on. The more-than-able cast certainly helps--particularly Frances McDormand, who can do more with just her eyes and mouth than most actors can with a page of script (just watch the way she looks at everything around her--especially other people). And while I am a huge fan of 70s-style non-endings, I admit that this movie's abrupt stop (after a very convenient and pat wrap-up) left me with an "Eh" kind of feeling. While it is certainly watchable and interesting AS FAR AS IT GOES, this movie is no "Walking and Talking." Have you seen that movie? "W and T" is absolutely brilliant, another small portrait of long-time female friends, but because it narrows its scope to two characters in a particular situation (one's wedding), it achieves all the depth and poignancy and hilarity that "Friends with Money" lacks. If "F w/ M" were a TV series, if it fully explored the characters' lives and situations in some depth and detail, I'd be its #1 fan. Maybe the DVD will include deleted scenes (say about 40 or 50) and the movie will finally feel complete.
2006 Sundance Film Festival I don't know if Jennifer Anniston can give a bad performance. Coming off of Friends I never would have guessed it, but she has such charming vulnerability, almost a Mary Tyler Moore or a Meg Ryan for our generation, that every character she portrays I find interesting.
Friends with Money is a study in contradictions. It's a comedy with moments of uncomfortable intensity. It's a social commentary that feels vaguely insightful while flaunting political correctness (the wealthy couple turns out to be the happiest and most well-adjusted). It's an ensemble piece that clearly features Anniston in another successful and intriguing role.
This is a well-respected cast, mainly four couples linked by the friendship of the women, including Joan Cusack, Greg Germann, Catherine Keener, Francis McDormand and Simon McBurney. Cusack departs from her more usual comedic role, leaving the plum scenes to Anniston, who is so deadpan, and so pathetic, that she becomes completely endearing.
There are plenty of reasons to reject this film. It's dialog driven, with barely enough plot to move from scene to scene. It feels like it's written for women, and maybe inaccessible to some men. And we never really get to know the characters well enough, only through intimate introduction to some of their problems.
But if you watch it like a conversation between friends you will likely find something familiar here. Along with the grins, and Jennifer Anniston, that makes Friends with Money worth the trip.
Friends with Money is a study in contradictions. It's a comedy with moments of uncomfortable intensity. It's a social commentary that feels vaguely insightful while flaunting political correctness (the wealthy couple turns out to be the happiest and most well-adjusted). It's an ensemble piece that clearly features Anniston in another successful and intriguing role.
This is a well-respected cast, mainly four couples linked by the friendship of the women, including Joan Cusack, Greg Germann, Catherine Keener, Francis McDormand and Simon McBurney. Cusack departs from her more usual comedic role, leaving the plum scenes to Anniston, who is so deadpan, and so pathetic, that she becomes completely endearing.
There are plenty of reasons to reject this film. It's dialog driven, with barely enough plot to move from scene to scene. It feels like it's written for women, and maybe inaccessible to some men. And we never really get to know the characters well enough, only through intimate introduction to some of their problems.
But if you watch it like a conversation between friends you will likely find something familiar here. Along with the grins, and Jennifer Anniston, that makes Friends with Money worth the trip.
Did you know
- TriviaThe Farmer's Market sequence was shot guerrilla style, with permits, but without extras. Most of the people are real shoppers, and many of them didn't notice that Frances McDormand and Jennifer Aniston were among them. However, members of the paparazzi still managed to slip in, trying to get shots of Aniston.
- GoofsWhen Olivia follows Mike into a restaurant, clearly visible behind her is a Grip/Gaffer Flag on a stand blocking light in front of the window. The flag is noticeable in two shots and disappears in one.
- ConnectionsReferenced in The Making of 'Friends with Money' (2006)
- SoundtracksHillbilly Song
Written by Rickie Lee Jones
Performed by Rickie Lee Jones and The X Position Group
Published by Easy Money Music (ASCAP)
Courtesy of Rickie Lee Jones
- How long is Friends with Money?Powered by Alexa
Details
Box office
- Budget
- $6,500,000 (estimated)
- Gross US & Canada
- $13,368,437
- Opening weekend US & Canada
- $637,000
- Apr 9, 2006
- Gross worldwide
- $18,245,244
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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