A young Italian woman inherits from her deceased lover an enigmatic modern house in the New York country side, and goes to see it for the first time. When she arrives she meets the caretaker... Read allA young Italian woman inherits from her deceased lover an enigmatic modern house in the New York country side, and goes to see it for the first time. When she arrives she meets the caretaker of the house...A young Italian woman inherits from her deceased lover an enigmatic modern house in the New York country side, and goes to see it for the first time. When she arrives she meets the caretaker of the house...
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This title seems more like a filming exercise than a film that should have been released to be seen by the public. For Dafoe and his wife it must have been fun working together in a film for the first time, without taking into consideration that people might actually watch it. I felt like it was 90mins wasted as I waited anxiously for a plot to develop, or even begin.
Try to fit this film into a genre and you won't, because it lacks a beginning, middle or ending. I've seen 'arty' movies before and this doesn't even come close to being arty, abstract or original, it just seems to me to be completely pointless.
I think it speaks for itself when the only persons that rated this film a 10 were the under 18 age group. No doubt for the constant pointless erotic scenes that the film was insistent on throwing at us. That is if you can call it erotic. It certainly didn't have taste.
Try to fit this film into a genre and you won't, because it lacks a beginning, middle or ending. I've seen 'arty' movies before and this doesn't even come close to being arty, abstract or original, it just seems to me to be completely pointless.
I think it speaks for itself when the only persons that rated this film a 10 were the under 18 age group. No doubt for the constant pointless erotic scenes that the film was insistent on throwing at us. That is if you can call it erotic. It certainly didn't have taste.
I own 2 home entertainment stores and I've seen a lot of bad movies in my time but this one was so bad it compelled me to register here and comment on it. How bad was it? Let's just say that Sofia Coppola deserved an Oscar for her performance in Godfather III when compared to Giada Colagrande's in this movie.
It was robotic and uninspired. Her lover has just died one month prior to her arrival at the 'Rubber House' he had given her. Once there, she discovers he has cheated on her throughout her relationship but none of it seems to register with her. Within a day, she starts a relationship with Leslie, (Dafoe) the caretaker of the house. Even though she is married to Dafoe off screen, her scenes with him were cold and unemotional.
If there was a plot, I missed it. Not even Willem Dafoe could save this movie from the amateur, cinematic train wreck that it is.
It was robotic and uninspired. Her lover has just died one month prior to her arrival at the 'Rubber House' he had given her. Once there, she discovers he has cheated on her throughout her relationship but none of it seems to register with her. Within a day, she starts a relationship with Leslie, (Dafoe) the caretaker of the house. Even though she is married to Dafoe off screen, her scenes with him were cold and unemotional.
If there was a plot, I missed it. Not even Willem Dafoe could save this movie from the amateur, cinematic train wreck that it is.
The photography on the DVD is so dark I thought the screen had died. I think I missed seeing half of the movie. Still, it was poorly crafted and not interesting. I did not find the story related to the title "The Black Widow". I was hoping for a mystery or a thriller but did not get involved enough to care after the first few frames. I rented the movie especially for Willem Dafoe and was sad it wasted his talent. I do not believe Giada Colagrande has studied movie making long enough to develop a major motion picture. She is attractive and might develop into an actor but she took on too many tasks in this movie. Although they are married in real life, they lack chemistry on the screen. Their relationships did not seem believable. I do not understand why the other characters were even introduced into the plot.
I understand wanting to make a movie that is edgy and different. I understand the previous reviewer comments that this is a miss-understood movie. My point is as soon as this movie ended my first comment was: " this is what happens when a rich princess wants to be a movie star and has no talent".....she uses daddy's' money to make a movie she wrote, directs, and pays for.....obviously to close to the movie to realize there was no character development and no directions such as a beginning, middle and ending.....the voyeur part was good and edgy but what was the point? I saw a women go to a house, find some pictures, screw the caretaker, come out side on a very cold night (not believable) to check on noise and runs over her caretaker lover....movie ends......some one educate my ignorant arss?? I really want to know what the point is....what was the directors' vision.....why no development of the dead lover? Why no background on the caretaker? What is the point of the night vision? What is the point of the lipstick on the car? Why a dead caretaker? Why tell us about an escaped mental patient/peeping tom? What's with the urn? Oh and the lamp is that suppose to signify whose' house this is? Territorial? Why? Why would the caretaker feel like it's his house? that aspect was never pursued......as for William Defoe...I rented this movie because he was in it and known for edgy characters.....write back and do tell me what I need to learn....I am just a mom in middle America who loves movies....Chris....
Predictable, told a thousand times story with the usual drama in between, a couple of pretty raunchy sex scenes intermingled with some character paranoia, 70's style incidental violin horror music that is comical at times, i couldn't help chuckling to myself.
I usually like Defoe, and it has to be said that the acting is not all that bad, the "plot" develops at a reasonable pace and does keep you guessing from time to time. Its just that it's all too predictable, i felt like i was watching a made for TV drama instead of a new movie. Maybe thats the style the directors wanted, but it has to be said that the review i read on here before i saw the movie could only have been written by someone involved in its production.
Don't expect too much, and if i could wind the clock back i wouldn't have gone to see it at the cinema. I would wait for the bargain bins at your video shop, I'm sure it wont take long.
I usually like Defoe, and it has to be said that the acting is not all that bad, the "plot" develops at a reasonable pace and does keep you guessing from time to time. Its just that it's all too predictable, i felt like i was watching a made for TV drama instead of a new movie. Maybe thats the style the directors wanted, but it has to be said that the review i read on here before i saw the movie could only have been written by someone involved in its production.
Don't expect too much, and if i could wind the clock back i wouldn't have gone to see it at the cinema. I would wait for the bargain bins at your video shop, I'm sure it wont take long.
Did you know
- TriviaBen Van Hoei wrote: "With its narrow focus on two people in a passionate relationship and its abundant use of metaphors, the film certainly has more in common with the intimate auteur dramas of the old continent than with new American cinema . . . Whatever the reaction of American audiences will be, Before It Had a Name (2005) is certainly amongst the most pleasing --- and decidedly auteur --- surprises of the Venice Days."
- ConnectionsFeatures This American Life (1995)
- SoundtracksDomani e un Altro Giorno (The Wonders you Perform)
Written by Jerry Chesnut (as Jerry Chesnut)
Performed by Ornella Vanoni
Published by Sony/ATV Tree Publishing (BMI)
Details
Box office
- Budget
- $450,000 (estimated)
- Runtime
- 1h 30m(90 min)
- Color
- Aspect ratio
- 1.85 : 1
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