Spearhead from Space: Episode 1

Other than the fact that the CGI is bad compared to 2020 doctor who, this episode was pretty good. The doctor is great - and underused. Wasn't the best episode ever, but it was a satisfying start to a new doctor.

(Note: This is a review of all four episodes of the story.)

January 1970 found the start of a new era of Doctor Who and the stage was set for a new beginning. Spearhead From Space, the first story of the 1970 season, proved to be just that and more. It was a story of many firsts from the first appearance of the third Doctor (played by Jon Pertwee), to the first episodes made in color to the first appearance of the Autons, Spearhead From Space set the standard for which the Pertwee era would be judged.

The story finds the Doctor exiled to late twentieth century Earth (it's hard to get much more specific but we fans do try) by his own race as punishment for interfering in the affairs of others (the final Patrick Troughton story The War Games) in the midst of a meteor shower. With the United Nations Intelligence Taskforce (UNIT) investigating, the newly regenerated Doctor comes back into contact with its leader Brigadier Lethbridge-Stewart and the newly recruited scientist Liz Shaw. Together they investigate the meteors, the strange orbs they left behind, and their apparent connection to a factor making plastic mannequins. It all leads to an invasion by the collective mind of the Nestene.

Jon Pertwee slips in the role of the Doctor with so much ease that, like Tom Baker in 1974's Robot, it is sometimes hard to believe this is his first story. All the hallmarks of his Doctor are here from the classic combination of shirts and capes to gadgetry and classic cars. Backing him is the ever impressive Nicholas Courtney as the Brigadier for the third time (having played the role in the Troughton story's The Web Of Fear and The Invasion) and Caroline John as Liz Shaw. John plays Liz well and makes a very believable scientist and it's a shame she was only in the four stories of this season. The supporting cast of Hugh Burden and John Woodnut as the men who run the factory plus Hamilton Dyce as General Scobie and Neil Wilson as a trapper make for as fine a cast as the show ever had. Robert Holmes' script plus the direction of Derek Martinus and the music of Dudley Simpson helps to create a taught and suspenseful opening for the Pertwee era. The Autons are one of the series' best creations one of the worst nightmares come true: shop window mannequins that come not just to life but kill you as well. While their controller, the Nestene creature, looks very unconvincing, the Autons and the other elements of this story make it one of the very best stories of the series.

With strong performances from the cast backed by Robert Holmes' script, the direction of Derek Martinus and the music of Dudley Simpson, Spearhead From Space is more then just Jon Pertwee's debut story. It is a taught and suspenseful science fiction yarn that nightmares are made of.

Review of the Complete Story:

SPEARHEAD FROM SPACE is a well-remembered and classic DOCTOR WHO story, and for good reason. It contains one of the entire series' most frightening pieces of imagery ever, in the form of shop mannequins coming to life and wreaking havoc on the high street.

Of course, the said dummies are part of a sinister alien plan to invade earth, but a newly-regenerated Jon Pertwee is on hand to thwart them. SPEARHEAD FROM SPACE isn't perfect - it is quite slow and it takes a while to get to the action, partly because a lot of it's about Pertwee "discovering" himself - but it has a timeless charm that makes it irresistible to this viewer.

The entire alien invasion plot is familiar but workable, and the story is enlivened by the dedicated performances from the supporting cast. Nicholas Courtney's Brigadier is on particular top form here, but here's merely a highlight of a generally well-made and inventive story overall. When it comes to DOCTOR WHO, SPEARHEAD FROM SPACE is one of the very best.

Review of all 4 episodes:

Spearhead From Space marks perhaps the biggest combination of changes in Doctor Who history:

• the change from the Patrick Troughton era to the Jon Pertwee era.

• the change from black and white to colour.

• the change from constant time and space travelling to an exile leaving The Doctor stranded in contemporary Earth.

• the change from two or three traditional companions to a whole organisation (UNIT) regularly working with The Doctor.

These changes are made even more striking by the fact that Pertwee's Doctor, having been forced to regenerate as a punishment from the Time Lords and subsequently getting injured, spends much of the early part of the story inactive in a hospital bed. Yet the story manages to be interesting enough and contains enough action, humour and thrills to make this big transition go very successfully.

The story involves the new Doctor finding himself stranded on Earth and suffering from his regeneration then having to deal with an invasion attempt by the Nestene Consciousness using their power to control plastic and creating armies of shop dummies.

The production is a peach with a superb look (recorded beautifully on film rather than the usual video), excellent direction by Derek Martinus and thrilling special effects (shop dummies coming to life and attacking through shop windows etc.) believably and excitingly executed.

The story is brilliantly written by Robert Holmes with superb plotting and dialogue. The acting from Pertwee and the whole cast is impeccable. Nicholas Courtney (Brigadier Lethbridge Stewart) and Caroline John (Liz Shaw) do fantastically well in their roles beginning already to get audiences to strongly sympathise and relate to them.

It is not absolutely perfect but it is perfectly entertaining and interesting with thrilling, scary moments. All 4 Episodes 10/10.

Although my earliest recollections of first watching Dr Who are of Patrick Troughton, Jon Pertwee's was the first I watched regularly and so I consider him "my Dr Who". Although almost as eccentric as the memorable Troughton, he brought more stylishness, scientific nous, physicality (his famous karate chops would develop in time) and, through his travels in his vintage car "Bessie", sheer mobility to the part. I was so disappointed when he left in 1973 (plus I was incidentally growing up at the time), that I never watched a single Tom Baker episode and still haven't to this day, only catching up again for the Peter Davison regeneration.

This first Pertwee adventure made for a great introduction with the memorable menace of the Autons, it's little wonder that their breaking out of shop windows as activated mannequins rates so highly in the list of scariest scenes in the whole history of the show. At 10 years of age, it scared me and obviously resonated with Steven Moffat who since has created danger out of other inanimate "human" objects, such as statues and most recently, snowmen.

It would have been nice to see an actual regeneration scene between the two Docs, plus it takes a while for Pertwee to appear and dominate scenes, but given that this afforded us time to get reacquainted with the redoubtable Brigadier Lethbridge Stewart and new assistant Liz Shaw, it's not a great loss.

The story is well-paced and the idea of replacing politicians in power with alien copies is one that would be used again in the Moffat era. Yes, the climax with Pertwee engaging (I'm being polite) with a rubber octopus is about as realistic as Adam Batman West's similar encounter with a shark in the 1966 movie, but everything else is good and boded well for the new Doctor's more earthbound adventures for the next few years at least.