Matt is ordered to Ridge Town to reopen the case of an army major who was murdered 12 years before, when a dying outlaw he shot swears he did not commit the crime, and it appears the whole t... Read allMatt is ordered to Ridge Town to reopen the case of an army major who was murdered 12 years before, when a dying outlaw he shot swears he did not commit the crime, and it appears the whole town is hiding something.Matt is ordered to Ridge Town to reopen the case of an army major who was murdered 12 years before, when a dying outlaw he shot swears he did not commit the crime, and it appears the whole town is hiding something.
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My biggest criticism of Marshal Dillon is that he was more devoted to "the law" than to anything else throughout his reign. He was gonna carry out his "duty" regardless extenuating circumstances. This usually meant arresting folks for trial whom he knew did not deserve it in a moral sense of justice. In this ep, he let's certain things go in a manner I don't recall ever seeing in any other ep. Giving the viewer an opportunity to contemplate the "rightness" of his decisions is the essence/genius of Manley's show.
The other striking anomaly for me was the camera work and blocking (actor's movements). This was especially jarring in a fight /brawl scene. Great Directing, imo. All Matt and his buddy could see was directly in front of them, all the while taking blows from all directions. The mob who were trying to beat them experienced largely the same. All they knew was to get into the middle of it and hit. Most of their swings missed.
The biggest problem I had was that the entire town knew of the wickedness that had occurred a dozen years before. Yet, never did the secret get out. Given how unwise most all of them showed themselves to be throughout the ep, they ALL somehow managed to keep their yaps shut. Riiiiiight.
Despite this problem, I found this to be among the greatest eps of Gunsmoke. Dillon was as rounded, not rigid, as he ever was. He still adhered to a very difficult code at great peril to himself. Exceptional.
His friend, the former town sheriff is played by James Gregory. Gregory plays a complicated character who is afraid to go to prison, and is a victim of his own vigilante justice. The sheriff's son is played by Jeremy Slate, who delivers an earnest performance as someone brought up to be honest, but conflicted by loyalties to his father and his town.
Jack Weston plays a central role as a town vagrant who has some mental issues and relies on the charity of the townspeople to survive. He makes some gutsy decisions by helping Dillon, but he also tries to help the old sheriff (Gregory) and the town. Weston does an excellent job with his divided loyalties.
Lots of tension between the good characters that have done bad things, and Matt Dillon. Dillon's instincts tell him something is fishy, but he does not want to hurt his friends. On the other side of town are some of the crudest and nastiest characters that ever appeared on Gunsmoke. The townsfolk have no scruples, and they are willing to murder again for the sake of the town and its profits. Richard X. Slattery is the main crumb. He often appeared on TV shows of this era playing a racist, a bully, a thug, or some other low-class character. In this episode, he is the main one calling for the death of Matt Dillon, even before Dillon has actually investigated much.
One thing about this story is there is no gray area. It is kind of unrealistic how fast the townies are ready to kill as soon as Dillon has interviewed a couple of people. The rabidness of the townspeople is harsh.
I was really hoping that fast-draw Dillon would have taken out at least a couple of the nasty people that were attacking him in the livery stable the first time. Later on, Dillon gets beaten up again before the old sheriff arrives. I certainly would not visit that town. It was hard to believe that it was prospering (as they all claimed), considering how meanly they treated strangers.
One humorous note is that when the townies attack the sheriff's office and are pushing Jeremy Slate around, the notice board behind him falls off the wall. Slate and a couple of others keep pushing the board up, and holding it against the wall while they are fighting. When the camera angle changes, the board is back on the wall. It was the only funny thing in this dark episode.
Did you know
- TriviaCBS lists this as the 36th episode to have aired in the tenth season on May 29 1965.
- GoofsDid anyone notice Matt wearing an adhesive Band-aid behind his ear in this episode? They weren't invented until the 1920s :-)
- Quotes
Wesley: Did you get what you come for, Marshal?
Matt Dillon: More or less, Wesley.
Matt Dillon: Sometimes you got to settle for a little less.
Details
- Release date
- Country of origin
- Language
- Filming locations
- Stage 3, CBS Studio Center - 4024 Radford Avenue, Studio City, Los Angeles, California, USA(Dodge City Western Street)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h(60 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
- 4:3