After the death of their son William Morton, the diplomat Laurie Morton and her husband, the scientist Terence Morton adopt a boy, James. From the moment James moves to Morton's house in the... Read allAfter the death of their son William Morton, the diplomat Laurie Morton and her husband, the scientist Terence Morton adopt a boy, James. From the moment James moves to Morton's house in the country on, weird things happen with the family.After the death of their son William Morton, the diplomat Laurie Morton and her husband, the scientist Terence Morton adopt a boy, James. From the moment James moves to Morton's house in the country on, weird things happen with the family.
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After the death of their son William Morton (Christopher Reilly), the diplomat Laurie Morton (Barbara Kellerman) and her husband, the scientist Terence Morton (Gary Bond) adopt a boy, James (Matthew Blakstadt). From the moment James moves to Morton's house in the country on, weird things happen with the family.
"Growing Pains" is a scary tale of Hammer House of Horror, and in many moments I felt nervous with the happenings in the house. Unfortunately, I found the conclusion very disappointing for such a good story. My vote is seven.
Title (Brazil): "Dor Intensa" ("Intense Pain")
Note: On 02 Aug 2020, I saw this film again.
"Growing Pains" is a scary tale of Hammer House of Horror, and in many moments I felt nervous with the happenings in the house. Unfortunately, I found the conclusion very disappointing for such a good story. My vote is seven.
Title (Brazil): "Dor Intensa" ("Intense Pain")
Note: On 02 Aug 2020, I saw this film again.
Originally broadcast fourth in the series of 'Hammer House of Horror', this episode gets off to a bad start when William Morton (Christopher Reilly) breaks into his father's lab, drinks some poison, and dies, badly. Staggering around on a lawn pretending to choke isn't horrifying, it is just funny.
Fast forward and William's parents, Laurie (Barbara Kellermann) and Terence (Gary Bond) adopt an odd boy called James (Matthew Blakstad), who stares a lot, speaks in a monotone, and is fairly unpleasant.
Once James arrives in the house, odd things start to happen. Things come to a head when Terence has a visit from some African dignitaries keen to hear more about how his plants and genetically modified rabbits can solve the food crisis in the Third World.
This story just doesn't go anywhere. The editing is quite poor, particularly the scenes involving the dog who goes berserk. From an early promising scene where James and Laurie are coming home which does have some chills, you expect the episode to take a different direction. It doesn't. And the ending is trite.
I have to defend the actors a bit though. The children, especially Reilly, probably suffered from poor direction. As the parents of this new devil child, Barbara Kellermann looks lost and Gary Bond looks embarrassed at the stuff they're given to do. Both were fine actors who would be given opportunities to do good work outside of this series.
I tried to like Growing Pains, and differently edited and cast it could well have worked, without the copout ending. As it is, it is only OK. It passes the time but has little else going for it.
Fast forward and William's parents, Laurie (Barbara Kellermann) and Terence (Gary Bond) adopt an odd boy called James (Matthew Blakstad), who stares a lot, speaks in a monotone, and is fairly unpleasant.
Once James arrives in the house, odd things start to happen. Things come to a head when Terence has a visit from some African dignitaries keen to hear more about how his plants and genetically modified rabbits can solve the food crisis in the Third World.
This story just doesn't go anywhere. The editing is quite poor, particularly the scenes involving the dog who goes berserk. From an early promising scene where James and Laurie are coming home which does have some chills, you expect the episode to take a different direction. It doesn't. And the ending is trite.
I have to defend the actors a bit though. The children, especially Reilly, probably suffered from poor direction. As the parents of this new devil child, Barbara Kellermann looks lost and Gary Bond looks embarrassed at the stuff they're given to do. Both were fine actors who would be given opportunities to do good work outside of this series.
I tried to like Growing Pains, and differently edited and cast it could well have worked, without the copout ending. As it is, it is only OK. It passes the time but has little else going for it.
This is by no means my favourite episode, my review of Guardian Of The Abyss mentions a couple of others I particularly liked. At the time of writing this one is at the bottom of the ratings, but I quite enjoyed it. The only thing I disliked was keeping the huge rabbits in quite small cages, but at least they were not picked up by their ears. One is not supposed to review other reviews but it's sometimes hard to avoid criticizing critics who unfairly traduce, or go to the opposite extreme of lauding to the skies because of fame or sentiment. Some comments are as bizarre as a HHH plot.
Laurie (Barbara Kellerman) and Terence (Gary Bond) have important professional jobs, live in a large country house, and sound like typical middle class folks. So why the grumbles about "posh" or "exaggerated English" accents when they are no more cut glass than the Peter Cushing character in The Silent Scream? Do I detect a hint of class resentment? Of numerous criticisms of the acting, which I thought perfectly acceptable, most puzzling is the observation that during the out of control car scene, adopted son James (Matthew Blakstad) doesn't blink an eyelid. Could it be this was to convey his abnormality?
Some early adverse reviews seem to have generated a groupthink pile on.
Laurie (Barbara Kellerman) and Terence (Gary Bond) have important professional jobs, live in a large country house, and sound like typical middle class folks. So why the grumbles about "posh" or "exaggerated English" accents when they are no more cut glass than the Peter Cushing character in The Silent Scream? Do I detect a hint of class resentment? Of numerous criticisms of the acting, which I thought perfectly acceptable, most puzzling is the observation that during the out of control car scene, adopted son James (Matthew Blakstad) doesn't blink an eyelid. Could it be this was to convey his abnormality?
Some early adverse reviews seem to have generated a groupthink pile on.
"Terrence and Laurie Morton" lose their son when the latter accidentally takes poison in his father's lab. Barbara Kellerman plays Laurie, a diplomat, while Gary Bond plays her scientist husband. The grieving couple wind up adopting another boy, and he is an evil one, like the kid in the movie "The Omen." Crazy things happen soon after the adopted boy reaches his new home.
Overall, I was disappointed with this episode, expecting a more tense and edgy story than what was delivered. It was a bit flat, and the ending was nothing to rave about. Some of the acting was weak. The son who died was almost laughable when he staggered around in the backyard. It looked so hokey I thought I was watching a young Curly Howard of Three Stooges doing a parody of someone slowing dying. This was early on in the episode and was kind of a omen of the cheesy story that was to follow.
The evil boy who replaced the son was too nerdy looking to be convincing. This sort of storyline has been done numerous times, and far better than this. Yes, it had a few creepy moments but they were few and far between and the 51 minutes of this program seemed more like 151.
Overall, I was disappointed with this episode, expecting a more tense and edgy story than what was delivered. It was a bit flat, and the ending was nothing to rave about. Some of the acting was weak. The son who died was almost laughable when he staggered around in the backyard. It looked so hokey I thought I was watching a young Curly Howard of Three Stooges doing a parody of someone slowing dying. This was early on in the episode and was kind of a omen of the cheesy story that was to follow.
The evil boy who replaced the son was too nerdy looking to be convincing. This sort of storyline has been done numerous times, and far better than this. Yes, it had a few creepy moments but they were few and far between and the 51 minutes of this program seemed more like 151.
ooooooooooh this is one with bad acting. For me only the child gives a good performance. The story is okay but also the editing and sonorisation could have been done much better. Watch the part with barking dog. You see that the dog doesn't bark but you hear him bark. And he bites, but hey, they are pulling the dog away but even that is bad edited. It isn't that bloody or scary. Even the beginning of the episode is sadly acted by another child. He's dying but what the hell, he's choking, no no he's doing the Sint Vitus dance, in fact it's so bad that they explain what is going on. Anyhow, it has been aired as number 4 in the series, just enjoy it as it is....
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- ConnectionsReferenced in Adjust Your Tracking (2013)
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