Growing Pains

ooooooooooh this is one with bad acting. For me only the child gives a good performance. The story is okay but also the editing and sonorisation could have been done much better. Watch the part with barking dog. You see that the dog doesn't bark but you hear him bark. And he bites, but hey, they are pulling the dog away but even that is bad edited. It isn't that bloody or scary. Even the beginning of the episode is sadly acted by another child. He's dying but what the hell, he's choking, no no he's doing the Sint Vitus dance, in fact it's so bad that they explain what is going on. Anyhow, it has been aired as number 4 in the series, just enjoy it as it is....

This is by no means my favourite episode, my review of Guardian Of The Abyss mentions a couple of others I particularly liked. At the time of writing this one is at the bottom of the ratings, but I quite enjoyed it. The only thing I disliked was keeping the huge rabbits in quite small cages, but at least they were not picked up by their ears. One is not supposed to review other reviews but it's sometimes hard to avoid criticizing critics who unfairly traduce, or go to the opposite extreme of lauding to the skies because of fame or sentiment. Some comments are as bizarre as a HHH plot.

Laurie (Barbara Kellerman) and Terence (Gary Bond) have important professional jobs, live in a large country house, and sound like typical middle class folks. So why the grumbles about "posh" or "exaggerated English" accents when they are no more cut glass than the Peter Cushing character in The Silent Scream? Do I detect a hint of class resentment? Of numerous criticisms of the acting, which I thought perfectly acceptable, most puzzling is the observation that during the out of control car scene, adopted son James (Matthew Blakstad) doesn't blink an eyelid. Could it be this was to convey his abnormality?

Some early adverse reviews seem to have generated a groupthink pile on.

After the unexplained death of their son Terence and Laurie Morton adopt a boy called James . James is a strange boy , very withdrawn and unexplained occurrences start happening

This is a very obvious reworking of THE OMEN where new found surrogate parents start suffering all sorts of unfortunate events that escalate . I found THE OMEN a very enjoyable and atmospheric horror movie so despite being somewhat formulaic this type of story isn't necessarily a bad one . The problem with this episode - and it's a big one - is what has cropped up from nearly all the comments on this page and that is it suffers from really dreadful acting

First of all the cast all talk in pronounced posh middle class accents that make the Queen and her brood sound like chav scum in comparison . It's the sort of accents you rarely hear outside of film and television and draws your attention that you are watching a film or television show . Barabara Kellerman was a relative prolific actress at this time and almost always played the same type of whiny girly character and over acts in a scene where she can't gain control of a steering wheel in a car . This over acting is magnified by the opposite effect of her fellow cast member Matthew Blakstad as James who being a passenger in a car veering wildly out of control doesn't literally blink an eyelid . No matter what happens to James he goes through the entire episode with an entirely gormless inexpressive expression on his face

If there's one saving grace to the episode the opening pre title sequence contains a Hammer trade mark and that is obvious day for night filming . This involves sticking a dark lens over the camera dimming he amount of light seen . It was never that convincing but did become a traditional aspect of British horror film making , but that's hardly a reason to seek out this episode of the show

Soon after the death of their son, Scientist Terrence Morton and his busy wife Laurie adopt James from a children's. From the very moment that James enters their lives, all manner of accidents and mishaps begin.

Unfortunately, this is one of the weakest entries, it is surely one of the least memorable. It actually has some fine ideas, the thought of a scientist trying to cultivate a protein rich plant, to feed a planet is a good concept.

The main issue I had here, the characters, at no point do any of them seem realistic, they're all caricatures, even during the shocking conclusion, they all just behave in the most bizarre fashion.

There is a certain amount of atmosphere, and there are one or two decent scenes, that sequence in the car was a good one, and instantly tells us that something is up with James, but sadly it doesn't amount to much.

The scene with poor Nipper, as he goes on a doggy attack is absolutely hilarious, it's like something from a Carry on film, with the 'savage' Rotty joining in the jaunt up the garden path.

Matthew Blackstad does a decent job here, making James a little odd, a little creepy, he certainly needles his new parents, but let's get honest, he's no Damian.

Some of the acting is a little below par, there are some very experienced actors here, at times it doesn't show.

5/10.

Storywise, the fourth episode to "Hammer House of Horror", "Growing Pains" is the weakest of the first five I've seen so far. This is not to say however, that the film has no redeeming qualities. On the contrary, it does feature many creepy moments and it builds up atmosphere and a certain level of suspense. After the death of their own son, successful married couple Laurie (Barbara Kellerman), a diplomat, and Terence Morton (Gary Bond), a scientist, adopt a boy named James (Matthew Blakstad). Even tough the boy is polite and well-behaved, something seems to be wrong with him, however. Shortly after he moves in with his new parents, mysterious thing begin to happen... The child-possession theme had been made vastly popular in the 70s by films like "The Exorcist" or "The Omen", and it is therefore clear that the Hammer Studios would devote at least one episode of their short-running 1980 TV-series to a similar theme. Which is all fine, of course, but it is also obvious that this particular episode looses a lot of its impact due to sloppy writing. The episode is quite atmospheric and there are some genuinely creepy moments. Furthermore, it has to be appreciated when a child actor succeeds in playing a sinister part, and Mathew Blackstad does here, without exaggerated overacting. Yet this does not fully excuse the weak story which is full of holes and inconsistencies. You won't hear me complain that the concept, which had been used many times by 1980s, is unoriginal, but merely that it could have been thought through a little better. Yet, "Growing Pains" isn't all bad, and while it is the weakest H.H.H. episode I've seen so far, it is still entertaining enough for its approximately 50 minutes.