Growing Pains

This is by no means my favourite episode, my review of Guardian Of The Abyss mentions a couple of others I particularly liked. At the time of writing this one is at the bottom of the ratings, but I quite enjoyed it. The only thing I disliked was keeping the huge rabbits in quite small cages, but at least they were not picked up by their ears. One is not supposed to review other reviews but it's sometimes hard to avoid criticizing critics who unfairly traduce, or go to the opposite extreme of lauding to the skies because of fame or sentiment. Some comments are as bizarre as a HHH plot.

Laurie (Barbara Kellerman) and Terence (Gary Bond) have important professional jobs, live in a large country house, and sound like typical middle class folks. So why the grumbles about "posh" or "exaggerated English" accents when they are no more cut glass than the Peter Cushing character in The Silent Scream? Do I detect a hint of class resentment? Of numerous criticisms of the acting, which I thought perfectly acceptable, most puzzling is the observation that during the out of control car scene, adopted son James (Matthew Blakstad) doesn't blink an eyelid. Could it be this was to convey his abnormality?

Some early adverse reviews seem to have generated a groupthink pile on.

After the death of their son William Morton (Christopher Reilly), the diplomat Laurie Morton (Barbara Kellerman) and her husband, the scientist Terence Morton (Gary Bond) adopt a boy, James (Matthew Blakstadt). From the moment James moves to Morton's house in the country on, weird things happen with the family.

"Growing Pains" is a scary tale of Hammer House of Horror, and in many moments I felt nervous with the happenings in the house. Unfortunately, I found the conclusion very disappointing for such a good story. My vote is seven.

Title (Brazil): "Dor Intensa" ("Intense Pain")

Note: On 02 Aug 2020, I saw this film again.

Originally broadcast fourth in the series of 'Hammer House of Horror', this episode gets off to a bad start when William Morton (Christopher Reilly) breaks into his father's lab, drinks some poison, and dies, badly. Staggering around on a lawn pretending to choke isn't horrifying, it is just funny.

Fast forward and William's parents, Laurie (Barbara Kellermann) and Terence (Gary Bond) adopt an odd boy called James (Matthew Blakstad), who stares a lot, speaks in a monotone, and is fairly unpleasant.

Once James arrives in the house, odd things start to happen. Things come to a head when Terence has a visit from some African dignitaries keen to hear more about how his plants and genetically modified rabbits can solve the food crisis in the Third World.

This story just doesn't go anywhere. The editing is quite poor, particularly the scenes involving the dog who goes berserk. From an early promising scene where James and Laurie are coming home which does have some chills, you expect the episode to take a different direction. It doesn't. And the ending is trite.

I have to defend the actors a bit though. The children, especially Reilly, probably suffered from poor direction. As the parents of this new devil child, Barbara Kellermann looks lost and Gary Bond looks embarrassed at the stuff they're given to do. Both were fine actors who would be given opportunities to do good work outside of this series.

I tried to like Growing Pains, and differently edited and cast it could well have worked, without the copout ending. As it is, it is only OK. It passes the time but has little else going for it.

After the unexplained death of their son Terence and Laurie Morton adopt a boy called James . James is a strange boy , very withdrawn and unexplained occurrences start happening

This is a very obvious reworking of THE OMEN where new found surrogate parents start suffering all sorts of unfortunate events that escalate . I found THE OMEN a very enjoyable and atmospheric horror movie so despite being somewhat formulaic this type of story isn't necessarily a bad one . The problem with this episode - and it's a big one - is what has cropped up from nearly all the comments on this page and that is it suffers from really dreadful acting

First of all the cast all talk in pronounced posh middle class accents that make the Queen and her brood sound like chav scum in comparison . It's the sort of accents you rarely hear outside of film and television and draws your attention that you are watching a film or television show . Barabara Kellerman was a relative prolific actress at this time and almost always played the same type of whiny girly character and over acts in a scene where she can't gain control of a steering wheel in a car . This over acting is magnified by the opposite effect of her fellow cast member Matthew Blakstad as James who being a passenger in a car veering wildly out of control doesn't literally blink an eyelid . No matter what happens to James he goes through the entire episode with an entirely gormless inexpressive expression on his face

If there's one saving grace to the episode the opening pre title sequence contains a Hammer trade mark and that is obvious day for night filming . This involves sticking a dark lens over the camera dimming he amount of light seen . It was never that convincing but did become a traditional aspect of British horror film making , but that's hardly a reason to seek out this episode of the show

Barbara Kellerman ("The Monster Club") and Gary Bond ("Wake in Fright") play Laurie & Terence Morton, a diplomat & scientist (he's determinedly trying to solve the problem of world hunger). They lose their son William (Christopher Reilly, 'The Story of the Treasure Seekers') under tragic but bizarre circumstances. They end up adopting another son, James (Matthew Blakstad, "Young Sherlock Holmes"), who has an uncanny ability to sense when people or things are unhappy.

James starts out subtly creepy, and his character keeps getting creepier, in this so-so episode, which is absolutely no great shakes in the entire "evil kid(s)" horror sub-genre. The acting isn't so hot (especially from the child actors), and the horror content pretty mild, even though we have some amusingly gross moments and a formerly docile dog who starts getting bloodthirsty.

More political than other 'Hammer House of Horror' episodes, this still doesn't add up to much, and *is* a comedown from the first three that were aired. Even the ending lacks real punch.

Five out of 10.