Lewis Avery Filer had been an insurance investigator forced to retire when his company was taken over by a conglomerate. The wily Filer is now pulling daring robberies at businesses either o... Read allLewis Avery Filer had been an insurance investigator forced to retire when his company was taken over by a conglomerate. The wily Filer is now pulling daring robberies at businesses either owned or insured by the conglomerate. He utilizes a variety of tactics, including disguises... Read allLewis Avery Filer had been an insurance investigator forced to retire when his company was taken over by a conglomerate. The wily Filer is now pulling daring robberies at businesses either owned or insured by the conglomerate. He utilizes a variety of tactics, including disguises. Filer also is gaining publicity as he outwits the police.
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So as an actual episode, it's 0 out of 10 for reasons listed below, but for wacky breaking through the wall of tradition, I'll give it 5 of 10.
It leaves any story behind, just to let Hume Cronyn have an episode to perform. So that's actually a good thing most of the time, but Hume blasts through the characters, makeup, and costumes here like its a vaudeville show. An his acting is painfully over the top and obvious. It's pretty much a comic book episode, which of course is why it's appealing from an energy standpoint, but that doesn't make it great.
And speaking of vaudeville show, the Morton Stevens score is not a thing of brilliance, he simply wrote up or found a few minutes of 20s ragtime, and he loops it through the wacky parts. Again, it's a contrast to the usual corporate stock music, so it rises in interest due to novelty not quality.
Lastly, although the story is not really important to the episode, it unfortunately totally discards any sense of reality, as the criminal bases his enterprise in a location that includes a massive amount of physical evidence to be caught with, rather than using a generic location - say an ordinary home. This simplifies McGarrett's job to a quick trip to the forensics lab and a casual drive. (Trying to avoid spoilers here) In summary, this episode is the typical "comedy escape" episode that producer/writers throw in when they or the cast are tired of doing the same thing over and over, or the ratings are slipping.
Not sophisticated, not complex, not deep, not unique, not that interesting. I came here to seek out any mention of Cronyn's overacting and found only goofy praise. Oh well.
Here, there are no accomplices, few other characters, except Che, an absolutely lame and unappealing set of music cues, and such a brazen type of moxie, from Hume.
No offense to anyone, but Hume seems very effeminate in both episodes, just difficult to watch.
It's hard to say why this was made, unless it was to please Hume, because this one is really not good.
Lord and others, just go through the motions.
Did you know
- TriviaThe music played when Lewis Flier (Hugh Cronyn) is being shown was originally used in the movie The List of Adrian Messenger, a movie where Kirk Douglas kept using disguises when committing crimes.
- GoofsIn scenes where the orange Monopoly "Chance" card "Go to Jail" etc. is shown, the orange card face is shown. When the camera view changes and the back of the card is shown, it is white, not the orange it should be.
- Quotes
Lewis Avery Filer: [On phone with McGarrett] Ah... There you are, McGarrett.
Det. Steve McGarrett: Yeah, this is McGarrett... What is it that can't be said to anyone but me.
Lewis Avery Filer: I want to report a robbery in progress... Kams Jewelery... Oh
[hurts himself removing his makeup]
Lewis Avery Filer: Sorry, hiccups... Kams Jewelers, The Jewelry Mart, at the corner of South and Curts.
Det. Steve McGarrett: Yeah, go on.
Lewis Avery Filer: Go on?... Isn't that enough?
Det. Steve McGarrett: Well, you said "in progress"... How do you know?... Who is this anyway?
Lewis Avery Filer: Why, the thief, of course!
- ConnectionsFeatured in The 23rd Annual Primetime Emmy Awards (1971)
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- Ilikai Hotel, 1777 Ala Moana Blvd, Waikiki, Honolulu, O'ahu, Hawaii, USA(Opening credits; The camera zoom upward at the penthouse suite where Steve watches the beaches, then turns to face the viewer as the camera zoom slightly at him)
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