Strange things start happening when a withdrawn girl named Lain becomes obsessed with an interconnected virtual realm known as "The Wired".Strange things start happening when a withdrawn girl named Lain becomes obsessed with an interconnected virtual realm known as "The Wired".Strange things start happening when a withdrawn girl named Lain becomes obsessed with an interconnected virtual realm known as "The Wired".
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10Mulliga
"SE: Lain" is a great anime series. It's not godly perfect or anything, but it gets up there...way up there. From the killer opening title sequence (with a great opening song, by the way) to the strange "previews" (they only consist of a girl talking and her body parts - I'm not kidding) for the next show, "Lain" certainly has a fairly unique style. But it goes beyond style and gets into substance.
The story is simple at first and seems half-predictable in these post-"Matrix" times. After a classmate seemingly commits suicide, Lain gets e-mail from the dead girl. Apparently, her consciousness is still on the net...or is it? From then on, things get weird, complicated, and interesting.
Splicing in elements of Matrix-style cyberpunk, X-Files conspiracy, and the David Lynch-esque surreal, "Lain" is, like the Wired world it portrays, a synthesis of disparate ideas and personas, all thrown into a blender for the viewer to interpret. The interpretation's the thing, and those looking for action or comedy may come away slightly disappointed. After 13 episodes, there will probably be more questions than answers, but isn't real life like that, anyway?
The story is simple at first and seems half-predictable in these post-"Matrix" times. After a classmate seemingly commits suicide, Lain gets e-mail from the dead girl. Apparently, her consciousness is still on the net...or is it? From then on, things get weird, complicated, and interesting.
Splicing in elements of Matrix-style cyberpunk, X-Files conspiracy, and the David Lynch-esque surreal, "Lain" is, like the Wired world it portrays, a synthesis of disparate ideas and personas, all thrown into a blender for the viewer to interpret. The interpretation's the thing, and those looking for action or comedy may come away slightly disappointed. After 13 episodes, there will probably be more questions than answers, but isn't real life like that, anyway?
I feel like I have to say a few things about zetes's rant. For one, it's kind of depressing when people watch 4 episodes of a show and feel like they know everything about it. To put things in perspective, this is like watching the first 35 minutes of a movie and being convinced that it's worthless. But onto his points:
1. Yeah, a lot of effort does go into making the show more mysterious, but eventually it really does touch on themes that would appeal to those looking for something intellectual, especially functionalism, descriptive materialism, and the problems with a wholly materialistic interpretation of identity. Don't expect hardcore analytic philosophy, just a nice sprinkling of references and some interesting perspectives.
2. When you first start watching the series, it makes absolutely no sense, and every episode just seems to be adding to the complexity by introducing new aspects. But by the time you finish it, I guarantee that all of these things will make perfect sense (even why Lain's family seems so shallow and undeveloped). In this sense, the series creates perfect order out of total chaos, an aspect that I particularly liked.
3. I'm not going to pretend to be a film critic, but the directing seemed pretty effective at creating the kind of atmosphere that the series needed. And many of the episodes ended with great "what the hell just happened?" moments, that forced me to revise all my theories and definitely made me want watch more.
No offense to zetes, but you shouldn't watch this anime expecting to find character portraits or traditional "slice-of-life" drama. Just like any good existentialist movie ("Donnie Darko" comes to mind here) it won't make too much sense until you've watched the whole thing and maybe even thought about it a bit. So if you feel like you won't be satisfied unless you get your moral straight-up, then this series isn't for you. It'll make you think and will only provide you with more question, not answers.
1. Yeah, a lot of effort does go into making the show more mysterious, but eventually it really does touch on themes that would appeal to those looking for something intellectual, especially functionalism, descriptive materialism, and the problems with a wholly materialistic interpretation of identity. Don't expect hardcore analytic philosophy, just a nice sprinkling of references and some interesting perspectives.
2. When you first start watching the series, it makes absolutely no sense, and every episode just seems to be adding to the complexity by introducing new aspects. But by the time you finish it, I guarantee that all of these things will make perfect sense (even why Lain's family seems so shallow and undeveloped). In this sense, the series creates perfect order out of total chaos, an aspect that I particularly liked.
3. I'm not going to pretend to be a film critic, but the directing seemed pretty effective at creating the kind of atmosphere that the series needed. And many of the episodes ended with great "what the hell just happened?" moments, that forced me to revise all my theories and definitely made me want watch more.
No offense to zetes, but you shouldn't watch this anime expecting to find character portraits or traditional "slice-of-life" drama. Just like any good existentialist movie ("Donnie Darko" comes to mind here) it won't make too much sense until you've watched the whole thing and maybe even thought about it a bit. So if you feel like you won't be satisfied unless you get your moral straight-up, then this series isn't for you. It'll make you think and will only provide you with more question, not answers.
10rushnerd
This series not only opened my eyes
it literally changed my life. I've experienced the whole series many times, always letting it probe my mind to provoke thoughts I didn't know existed. This isn't a review, if you want to know what the series is like, watch it, or rather let it watch you. After studying the series for a while I became deeply interested in computers, computer science, philosophy, mind-expansion, and theory.
I related to Lain on such a personal level that the show almost seemed to transcend the subtext of it just being a work of fiction. But then again Serial Experiments Lain blurs the thin boundary that is reality and the virtual. The concepts and information shown at parts is very much worth looking into as well (E.I. Shuman resonance (commonly)7.83Hz). The integration into the story seems entirely possible in the future. The concept of the wired is in itself one of the most intriguing and glorious things i've ever heard of. Cyberpunk nirvana I suppose would be a way of looking at it. I could write for days on this work of art, but i'll limit myself here. If you do decide to watch it, you must commit to the whole series, or you'll probably be confused or misled. The series comes full circle like i've rarely seen any other do before.
On a side note, the series is also an incredible psychonaut tool.
I related to Lain on such a personal level that the show almost seemed to transcend the subtext of it just being a work of fiction. But then again Serial Experiments Lain blurs the thin boundary that is reality and the virtual. The concepts and information shown at parts is very much worth looking into as well (E.I. Shuman resonance (commonly)7.83Hz). The integration into the story seems entirely possible in the future. The concept of the wired is in itself one of the most intriguing and glorious things i've ever heard of. Cyberpunk nirvana I suppose would be a way of looking at it. I could write for days on this work of art, but i'll limit myself here. If you do decide to watch it, you must commit to the whole series, or you'll probably be confused or misled. The series comes full circle like i've rarely seen any other do before.
On a side note, the series is also an incredible psychonaut tool.
- Don't pass this one up.
Generally speaking,Japanese anime products,as its by-product known as "otaku" culture, are full of contradictions. First of all, anime's "artistic" level has never been adequately estimated in its homeland(namely by audience, critics and mass medias) and usually "discovered" by foreigners(most sad example is "Inoccence--Ghost in the shell", Mamoru Oshii's best and probably last artistic film). Secondally, anime's highest level in dramaturgy had been achieved before it was "discovered" by world film festivals and foreign audiences(French people is said to have believed "Candy Candy"'s not a Japanese serial, because it was so sophisticated).
"Serial experiment Lain" is a accidental postmodern masterpiece,made after anime's classical achievements("accidental", because no one had intended to make a work of art). "Lain" uses plenty of postmodern devices: citation from purely historical materials,stylish eclecticism,"open" ending or circular structure and showing its own media's limitation(many scenes are openly "two dimensional" and look like rather abstract "picture").
Having been made in the time of imitation and citation of past anime "classical "serials of 80s and later 70s, "Lain" is superb in its originality and the sense of the contemporary.After seeing this serial, "Evangelion" seems to be boring and too long(experimental works must be not so long as ordinary "genre" works,it is the rule from the time of silent era).
I recommend to compare this serial with "Kairo" by Kiyoshi Kurosawa,the latter will seem to be some kind of a little out-dated remake of this serial.
"Serial experiment Lain" is a accidental postmodern masterpiece,made after anime's classical achievements("accidental", because no one had intended to make a work of art). "Lain" uses plenty of postmodern devices: citation from purely historical materials,stylish eclecticism,"open" ending or circular structure and showing its own media's limitation(many scenes are openly "two dimensional" and look like rather abstract "picture").
Having been made in the time of imitation and citation of past anime "classical "serials of 80s and later 70s, "Lain" is superb in its originality and the sense of the contemporary.After seeing this serial, "Evangelion" seems to be boring and too long(experimental works must be not so long as ordinary "genre" works,it is the rule from the time of silent era).
I recommend to compare this serial with "Kairo" by Kiyoshi Kurosawa,the latter will seem to be some kind of a little out-dated remake of this serial.
10Andy_K
As most have already pointed out, `Serial Experiments: Lain' is a rather unique Japanese anime series. Watching `Lain' is not an easy trip to take, certainly, but one that is totally engaging nonetheless. Although exactly what the show is `about' is subjective and is open to interpretation to all who see it, I believe some people are completely missing some key points. Some have complained about the lack of character development during the series. But one must understand, that's the whole essence of the series: alienation. Look at the shots in Lain's classroom when the teacher is writing on the blackboard; all the other students except Lain are grayed-out. Look at the scene where Lain shows her father the Psyche processor and look how far she stands from him. Even look at the name of the club, Cyberia (as in Siberia: a cold, desolate place of exile). It's all done to emphasize how far, how detached, how alienated Lain is from everyone else. The direction in `Lain' is brilliant in depicting this. We, the audience, exist in the real world as we watch Lain, but we hardly ever get to know her. Yet we know she has a deeper personality because of what other characters say about her (`weren't you the girl at Cyberia?' Etc). These facets, which we only get a rare glimpse of, are her `online-self'. There have been studies that have shown a paradoxical relationship between time spent on the Internet and isolation and loneliness. Japan is one of the most `online' nations in the world, with almost 40% of the population having Internet access. At the same time, Japan also has one of the highest suicide rates amongst developed nations (which brings to mind a scene early in the series of the girl who commits suicide). Many are concerned with Japan's trouble youths and the increasing difficulty many have forming meaningful relationships with others. The only meaningful relationship we, the audience, see Lain have with another person is with Arisu. Other than some brief instant messaging via a palm pilot, Lain and Arisu's relationship exists entirely in the real world, not on the Wired. So, to me, the entire series is a metaphor for this increasing isolation of Japanese youth in an ever-expanding high tech world. For those having troubling getting into this series, I say focus on the directing, the atmosphere, the metaphors used throughout. Come to your own conclusions. I highly recommend this bittersweet, highly unique series to any who want to branch out from familiar territory.
Did you know
- TriviaThere are numerous references to Macintosh and Apple Computers: The phrase "To Be Continued", with a colored "Be" is shown at the end of most of the episodes. This is a reference to BeOS, whose logo has similar coloring. The Be company was founded by Jean-Louis Guasse, a former Apple executive. The Navis use an operating system named Copeland, which was the codename for Apple's MacOS 8. Navi's operating system has a graphical user interface (GUI) similar to that of MacOS. Arisu's Navi resembles the original Apple iMac. The series slogan "Close this world. Open the NeXT" is a reference to the NeXT company, founded by Steve Jobs in the late '80s and purchased by Apple Computer in December 1996. All of the Navis shown in the series use one-button mice as Macintosh computers do. The electronic voice heard saying the episode titles is the "Whisper" voice from the MacOS Speech Control Panel, a program that permits text-to-speech. The child's Navi that Lain used to use was modeled after the 20th Anniversary Macintosh. The HandiNAVI, the handheld computers which both Lain and Arisu used was based off the Apple Newton, the first PDA. Navis and Macintoshes are both built by companies named after fruit, Tachibana (a type of orange) and Apple, respectively.
- Quotes
Lain Iwakura: No matter where you are, everyone is always connected.
- ConnectionsFeatured in AMV Hell 3: The Motion Picture (2005)
- SoundtracksDuvet
Performed by Boa
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- Експерименти Лейн
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