Strange things start happening when a withdrawn girl named Lain becomes obsessed with an interconnected virtual realm known as "The Wired".Strange things start happening when a withdrawn girl named Lain becomes obsessed with an interconnected virtual realm known as "The Wired".Strange things start happening when a withdrawn girl named Lain becomes obsessed with an interconnected virtual realm known as "The Wired".
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10Andy_K
As most have already pointed out, `Serial Experiments: Lain' is a rather unique Japanese anime series. Watching `Lain' is not an easy trip to take, certainly, but one that is totally engaging nonetheless. Although exactly what the show is `about' is subjective and is open to interpretation to all who see it, I believe some people are completely missing some key points. Some have complained about the lack of character development during the series. But one must understand, that's the whole essence of the series: alienation. Look at the shots in Lain's classroom when the teacher is writing on the blackboard; all the other students except Lain are grayed-out. Look at the scene where Lain shows her father the Psyche processor and look how far she stands from him. Even look at the name of the club, Cyberia (as in Siberia: a cold, desolate place of exile). It's all done to emphasize how far, how detached, how alienated Lain is from everyone else. The direction in `Lain' is brilliant in depicting this. We, the audience, exist in the real world as we watch Lain, but we hardly ever get to know her. Yet we know she has a deeper personality because of what other characters say about her (`weren't you the girl at Cyberia?' Etc). These facets, which we only get a rare glimpse of, are her `online-self'. There have been studies that have shown a paradoxical relationship between time spent on the Internet and isolation and loneliness. Japan is one of the most `online' nations in the world, with almost 40% of the population having Internet access. At the same time, Japan also has one of the highest suicide rates amongst developed nations (which brings to mind a scene early in the series of the girl who commits suicide). Many are concerned with Japan's trouble youths and the increasing difficulty many have forming meaningful relationships with others. The only meaningful relationship we, the audience, see Lain have with another person is with Arisu. Other than some brief instant messaging via a palm pilot, Lain and Arisu's relationship exists entirely in the real world, not on the Wired. So, to me, the entire series is a metaphor for this increasing isolation of Japanese youth in an ever-expanding high tech world. For those having troubling getting into this series, I say focus on the directing, the atmosphere, the metaphors used throughout. Come to your own conclusions. I highly recommend this bittersweet, highly unique series to any who want to branch out from familiar territory.
Anime existentialism, generally speaking, is largely inaccessible to western audiences... and it's almost totally inaccessible to myself. I'm not ashamed to admit that I had to watch Akira three or four times before I fully understood it, and Ghost in the Shell had to live in my VCR for a couple weekends until I was satisfied I'd eked whatever shred of understanding out of it that I could. I grew very tired of essays on where mankind came from and where it was going. I decided, at that point, that I would never understand anime to a degree where I could be pleased with it, and abstained from watching it for a while (with the exception of the occasional Ranma1/2 episode, at the behest of my then-girlfriend).
Then, along came Lain.
I was very, very skeptical about watching Lain. Not only did it look like your typical "what is it all about" anime, but it was a thirteen-episode series, clocking in at well over five hours. I figured I'd watch the first four episodes and scrap the rest.
Lain sucked me in.
I can't stress how shocked I was when I swapped DVD #3 for DVD #4 and looked at my watch to realize I'd been sitting in one place for over four and a half hours. Serial Experiment Lain is simply incredible. There's enough mystery and enough seeds planted to keep the viewer watching from one episode to the next. The artwork is friggin' incredible... minimalist yet so rich that each shot breathes with its own life. Even the opening title sequence draws you in, with its careful attention to camera, style, and its mournful score.
Mournful, indeed. I don't make it a point to cry when I'm watching cartoons, but Lain beat the living hell out of my emotions. In very broad strokes, Serial Experiment Lain is about family, alienation, friendship and humanity. It analyzes the differences between obligation and true love, and comes down to the question of what is right and what will make you happy... and most importantly, what happens when we're forced to choose between the two?
Lain takes a lot of chances with style and presentation, and is a truly refreshing breath of fresh air from a medium that has grown far too comfortable with itself. The combination of cel animation with computer graphics and live action footage creates a world not unique to anime, but totally unique unto itself. Serial Experiment Lain rekindled my faith in anime, which is saying a lot. It is a great experience (I wouldn't be here telling you about it if it wasn't) and a great piece of film. If you've got a few hours to kill, step into Lain's world for a while, you won't be disappointed.
Then, along came Lain.
I was very, very skeptical about watching Lain. Not only did it look like your typical "what is it all about" anime, but it was a thirteen-episode series, clocking in at well over five hours. I figured I'd watch the first four episodes and scrap the rest.
Lain sucked me in.
I can't stress how shocked I was when I swapped DVD #3 for DVD #4 and looked at my watch to realize I'd been sitting in one place for over four and a half hours. Serial Experiment Lain is simply incredible. There's enough mystery and enough seeds planted to keep the viewer watching from one episode to the next. The artwork is friggin' incredible... minimalist yet so rich that each shot breathes with its own life. Even the opening title sequence draws you in, with its careful attention to camera, style, and its mournful score.
Mournful, indeed. I don't make it a point to cry when I'm watching cartoons, but Lain beat the living hell out of my emotions. In very broad strokes, Serial Experiment Lain is about family, alienation, friendship and humanity. It analyzes the differences between obligation and true love, and comes down to the question of what is right and what will make you happy... and most importantly, what happens when we're forced to choose between the two?
Lain takes a lot of chances with style and presentation, and is a truly refreshing breath of fresh air from a medium that has grown far too comfortable with itself. The combination of cel animation with computer graphics and live action footage creates a world not unique to anime, but totally unique unto itself. Serial Experiment Lain rekindled my faith in anime, which is saying a lot. It is a great experience (I wouldn't be here telling you about it if it wasn't) and a great piece of film. If you've got a few hours to kill, step into Lain's world for a while, you won't be disappointed.
Last night I finally received the last of 4 DVDs in this mind-blowing series. This series is to anime in general what films like American Beauty are to movies in general. Don't let the word anime turn you off, folks. Doing so would be like comparing Schindler's List to The Kentucky Fried Movie...
The story follows Lain, a shy, adolescent school girl. After receiving an email from a classmate who committed suicide a few days earlier, Lain begins to examine the world, society, god, self, technology, and how these concepts fit together. The fact that such an email could easily be faked is irrelevant, but instead we focus on how Lain's perspective changes as she learns to deal with life. This 13-part series, spanning 4 DVDs, is the best aspects of American Beauty, The Sixth Sense, 2001, and (to a lesser degree) The Matrix rolled into one subtle and beautiful story.
Note that this is NOT an action-packed story, nor does it lessen itself by trying to cater to the lowest common denominator. Nor does it ever come straight out and explain itself or what is going on. That's not the purpose of the story. The purpose is to make you think about your own place in life, and how you deal with it. The story is never judgemental, it simply gives you things to think about. It raises more questions than could possibly be answered given the limitations of language. The answers can only be understood, never explained.
In keeping true to the Zen Buddhist traditions of Japan, the animation style is often minimalistic, offset by the frenetic chaos of the computer animation added to it. This is an intentional counterpoint to the more natural looking animation, often consisting more of still paintings than movement, and the effect is stunning.
So if you are looking for a thought-provoking way to spend about five and a half hours of your time, I cannot recommend this more. If you understood what made American Beauty such an incredible movie, you'll love Serial Experiments: Lain.
The story follows Lain, a shy, adolescent school girl. After receiving an email from a classmate who committed suicide a few days earlier, Lain begins to examine the world, society, god, self, technology, and how these concepts fit together. The fact that such an email could easily be faked is irrelevant, but instead we focus on how Lain's perspective changes as she learns to deal with life. This 13-part series, spanning 4 DVDs, is the best aspects of American Beauty, The Sixth Sense, 2001, and (to a lesser degree) The Matrix rolled into one subtle and beautiful story.
Note that this is NOT an action-packed story, nor does it lessen itself by trying to cater to the lowest common denominator. Nor does it ever come straight out and explain itself or what is going on. That's not the purpose of the story. The purpose is to make you think about your own place in life, and how you deal with it. The story is never judgemental, it simply gives you things to think about. It raises more questions than could possibly be answered given the limitations of language. The answers can only be understood, never explained.
In keeping true to the Zen Buddhist traditions of Japan, the animation style is often minimalistic, offset by the frenetic chaos of the computer animation added to it. This is an intentional counterpoint to the more natural looking animation, often consisting more of still paintings than movement, and the effect is stunning.
So if you are looking for a thought-provoking way to spend about five and a half hours of your time, I cannot recommend this more. If you understood what made American Beauty such an incredible movie, you'll love Serial Experiments: Lain.
Boy, how I remember my first time wathing this.
I had no idea what I had just watched (I'm still not entirely sure I do), but whatever it was, I loved it.
I had no idea what I had just watched (I'm still not entirely sure I do), but whatever it was, I loved it.
Generally speaking,Japanese anime products,as its by-product known as "otaku" culture, are full of contradictions. First of all, anime's "artistic" level has never been adequately estimated in its homeland(namely by audience, critics and mass medias) and usually "discovered" by foreigners(most sad example is "Inoccence--Ghost in the shell", Mamoru Oshii's best and probably last artistic film). Secondally, anime's highest level in dramaturgy had been achieved before it was "discovered" by world film festivals and foreign audiences(French people is said to have believed "Candy Candy"'s not a Japanese serial, because it was so sophisticated).
"Serial experiment Lain" is a accidental postmodern masterpiece,made after anime's classical achievements("accidental", because no one had intended to make a work of art). "Lain" uses plenty of postmodern devices: citation from purely historical materials,stylish eclecticism,"open" ending or circular structure and showing its own media's limitation(many scenes are openly "two dimensional" and look like rather abstract "picture").
Having been made in the time of imitation and citation of past anime "classical "serials of 80s and later 70s, "Lain" is superb in its originality and the sense of the contemporary.After seeing this serial, "Evangelion" seems to be boring and too long(experimental works must be not so long as ordinary "genre" works,it is the rule from the time of silent era).
I recommend to compare this serial with "Kairo" by Kiyoshi Kurosawa,the latter will seem to be some kind of a little out-dated remake of this serial.
"Serial experiment Lain" is a accidental postmodern masterpiece,made after anime's classical achievements("accidental", because no one had intended to make a work of art). "Lain" uses plenty of postmodern devices: citation from purely historical materials,stylish eclecticism,"open" ending or circular structure and showing its own media's limitation(many scenes are openly "two dimensional" and look like rather abstract "picture").
Having been made in the time of imitation and citation of past anime "classical "serials of 80s and later 70s, "Lain" is superb in its originality and the sense of the contemporary.After seeing this serial, "Evangelion" seems to be boring and too long(experimental works must be not so long as ordinary "genre" works,it is the rule from the time of silent era).
I recommend to compare this serial with "Kairo" by Kiyoshi Kurosawa,the latter will seem to be some kind of a little out-dated remake of this serial.
Did you know
- TriviaThere are numerous references to Macintosh and Apple Computers: The phrase "To Be Continued", with a colored "Be" is shown at the end of most of the episodes. This is a reference to BeOS, whose logo has similar coloring. The Be company was founded by Jean-Louis Guasse, a former Apple executive. The Navis use an operating system named Copeland, which was the codename for Apple's MacOS 8. Navi's operating system has a graphical user interface (GUI) similar to that of MacOS. Arisu's Navi resembles the original Apple iMac. The series slogan "Close this world. Open the NeXT" is a reference to the NeXT company, founded by Steve Jobs in the late '80s and purchased by Apple Computer in December 1996. All of the Navis shown in the series use one-button mice as Macintosh computers do. The electronic voice heard saying the episode titles is the "Whisper" voice from the MacOS Speech Control Panel, a program that permits text-to-speech. The child's Navi that Lain used to use was modeled after the 20th Anniversary Macintosh. The HandiNAVI, the handheld computers which both Lain and Arisu used was based off the Apple Newton, the first PDA. Navis and Macintoshes are both built by companies named after fruit, Tachibana (a type of orange) and Apple, respectively.
- Quotes
Lain Iwakura: No matter where you are, everyone is always connected.
- ConnectionsFeatured in AMV Hell 3: The Motion Picture (2005)
- SoundtracksDuvet
Performed by Boa
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- Експерименти Лейн
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