Guilty Witness
- Episode aired Dec 11, 1955
- TV-14
- 30m
When Mr. and Mrs. Crane hear the Verbers having a violent argument in the apartment just above them, and then Mr. Verber disappears the next day, they can't help suspecting the worst.When Mr. and Mrs. Crane hear the Verbers having a violent argument in the apartment just above them, and then Mr. Verber disappears the next day, they can't help suspecting the worst.When Mr. and Mrs. Crane hear the Verbers having a violent argument in the apartment just above them, and then Mr. Verber disappears the next day, they can't help suspecting the worst.
- Director
- Writers
- Stars
- Stanley Crane
- (as Joseph Mantell)
- Sgt. Halloran
- (as Robert Simon)
- Mrs. Glavetsky
- (as Laiola Wendorff)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Did feel that "Guilty Witness" is not as good as those two and that it is not one of Stevens' best episodes (or one of his worst) or one of the best episodes of Season 1. It is though very good, though perhaps not for all tastes as some here have had issues with the story execution, and does generally very well with one of the season's most interesting sounding concepts. There is a lot to like about "Guilty Witness", almost all of them the usual good components, despite its imperfections.
Those imperfections being some suspension of disbelief needing in the final act, as some of it is on the silly and senseless side.
And that some of the character motivations came over as confused and vague, such as at the end. Can personally actually see why others were perplexed.
"Guilty Witness" has a lot of things done incredibly well. It is made with slickness and atmosphere, and manages to make a simple location interesting and not too confined. The music isn't over-powering or over-obvious and the theme tune for the series definitely haunts the mind. Hitchcock's bookending scenes have grown on me a good deal and while not among the best or most inspired they intrigue.
Much of the script does too and it doesn't ramble. The story is far from perfectly executed, but it is nicely paced and has genuine unease. Did find myself caring for finding out the truth and the final twist is a stroke of genius. The acting is very good, with a strong lead performance from Joe Mantell and a sympathetic one from Judith Evelyn.
Concluding, very good. 8/10.
The ending was mildly interesting...but otherwise the show was just okay...and the twist, though interesting, wasn't amazing either. Not a must-see episode...but one worth seeing.
Did you know
- TriviaActress Judith Evelyn also appeared in Alfred Hitchcock's film Rear Window (1954), which has a remarkably similar plot.
- Quotes
[first lines]
Himself - Host: [has a noose in his hands] Oh, good evening. I was, uh, just constructing a mobile for my living room. They tell me the four-in-hand is becoming less popular these days. I like it, though. I'm just old-fashioned, I guess. But, so much for fine art. This evening we have another in our series of plays designed especially for insomniacs. Actually, our stories don't *cure* you of insomnia. But they do take your mind off your problem by stimulating your imagination and giving you something to think about as you lie there in the dark. Tonight's story will follow after we give this wakefulness test.
- Alternate versionsIn some broadcasts, in the closing narration, Hitchcock's introduction ("For the benefit...") to the final commercial break is removed.
- SoundtracksFuneral March of a Marionette
Written by Charles Gounod
Details
- Runtime
- 30m
- Color
- Aspect ratio
- 1.33 : 1