In a small Massachusetts town, a precocious young girl learns a secret about the crusty old man who has just moved there.In a small Massachusetts town, a precocious young girl learns a secret about the crusty old man who has just moved there.In a small Massachusetts town, a precocious young girl learns a secret about the crusty old man who has just moved there.
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Overall I liked it more than the other reviewers. If you don't want it spoiled, stop reading now.
SPOILER: Mr. Anderson notably never denies the allegations as to his true identity. And I like the way the reverend handled the revelation about Mr. Anderson's true identity.
A major criticism I have with modern society is the destruction of an individual's reputation and often profession over the one comment or one action they took that is out of lock step with the vocal minority of trolls. Respectful disagreement with others seems to have been greatly diminished. Of course, in the case of this story, murder is much more than a disagreement, but we are never given the full circumstances of that event. And, in the actions of Mr. Anderson, he proves that he does have a lot of good in him.
The main story is about how the girl befriends an older male neighbor who is new to town. Given this series, I expected dark things to cut through the super cutesy girl. I was disappointed as the ending is a dud.
Hardwicke is perfect as a new, though reclusive neighbor (Mr. Anderson) in a small New England town who catches the eye of the daughter of the local reverend, Hildegarde (Rudie). Playful yes, a bit annoying, that too, slowly getting on the old gentleman's nerves, who wants to be left alone. Thank you, and Get Lost.
The inevitable Hitch question as this riddle unfolds; Does it all come down to secrets? Murder, perhaps? You wouldn't think of anything else, right? Of course, kids jump to all kind of conclusions, however Hildegarde may be onto something, and at the same time attempting to win him over. Watching the two stars work together is marvelous, and how could you fault Sir Cedric Hardwick, who appeared in ROPE for Hitch. Fondly remembered to all us kids as Dr. Frankenstein.
Nominated for an Emmy award at the age of nine, Rudie appeared in many films and tv shows, even turning up in a BOWERY BOYS comedy. Her career peaked a few years after this episode, but for the wrong reasons, when she briefly disappeared from her parents and flew to Washington, D. C. to visit first lady Mamie Eisenhower. By the early 60s, she gave up acting, returning to school and college.
Hugh Marlowe plays her father, and to spice things up, dramatic actress Edith Barrett (known for classics like JANE EYRE), plays a spiritualist.
Written by Sarrett Tobias, one of the few female writers on tv at the time, and well received.
The fun part is guessing, and even if you've seen this episode, worth a return visit for the acting. SEASON 2 EPISODE 33 remastered CBS dvd box set. All seven seasons are now on dvd in a single box set. Released 2022.
Just wish that the execution was better and lived up to this idea. As far as Season 2 goes, "A Man Greatly Beloved" is not one of the best ("One More Mile to Go", "Conversation over a Corpse", "The Manacled") but also not one of the worst ("Wet Saturday", "Nightmare in 4D", "Mr Blanchard's Secret"). After being so impressed by the previous 'Alfred Hitchcock Presents' episode "The Hands of Mr Ottermole", another one of the season's best, it was disappointing to see an episode with the potential it had be one of the season's lesser outings.
By all means, "A Man Greatly Beloved" has things that are good. The best thing about it is Hardwicke, who is excellent. Without him actually, the episode would have been close to a series low point. Hitchcock's bookending is deliciously ironic as usual.
There is some nice atmospheric filming and lighting and the theme music is as inspired and haunting as ever.
"A Man Greatly Beloved" has a lot of things that let it down. For me Evelyn Rudie was hard to take due to her badly overdoing her character's precociousness, to the point where the character becomes irritating. With so much of her as well that alone brought down the episode quite significantly. The narration is overused and has a really annoying tendency to over explain and tell too much rather than showing, this would have benefitted without any narrating.
Plot wise, there is nothing noteworthy. The story is very slight and over-stretched to the point where the episodes drags badly at points. What there is is predictable, especially the can be seen from miles off ending, is suspense-free. The dialogue is too talky and the flow is not always natural.
Concluding, very mixed feelings here. One of Neilson's weaker episodes. 5/10.
Did you know
- TriviaHildegard Fell is reading from The Spiritualist magazine when she is helping Aggie Whiteford with her séance skills.
- Quotes
[introduction]
Alfred Hitchcock: [Hitchcock is standing at rest with a sword in front of a sword rack with a very large covered wicker basket next to him. He salutes with the sword] Good evening.
[tucks his sword under his arm, claps his hands twice and lifts up the basket cover. A page boy walks in and climbs into the basket. Hitchcock closes the top, looks at the audience, and thrusts his sword into the basket like a magician. He takes three more swords from the rack, one at a time, and with a flourish, thrusts them one by one into the basket. He stops, and claps his hands twice. When the page boy doesn't emerge, he looks at the audience, then claps his hands twice again before lifting the cover. He peers into the basket and then closes the cover again in shock]
Alfred Hitchcock: Good heavens. He looks like a toothpick holder on an hors d'oeuvre table.
[shrugs his shoulders]
Alfred Hitchcock: Oh, I guess I'll just have to practice some more. So much for the sideshow. Now, turn your attention to the center ring where you will find our main attraction.
[bows slightly]
- SoundtracksFuneral March of a Marionette
Written by Charles Gounod
Details
- Runtime
- 30m
- Color
- Aspect ratio
- 1.33 : 1