Breakdown
- Episode aired Nov 13, 1955
- TV-14
- 26m
William Callew is involved in a bad traffic accident on a rural road, that leaves him so paralyzed he appears lifeless, and when help arrives they think he's really dead.William Callew is involved in a bad traffic accident on a rural road, that leaves him so paralyzed he appears lifeless, and when help arrives they think he's really dead.William Callew is involved in a bad traffic accident on a rural road, that leaves him so paralyzed he appears lifeless, and when help arrives they think he's really dead.
- Guard
- (as Jim Weldon)
Featured reviews
The beginning of the whole story has got a special meaning: a heartless businessman on holiday has just given one of his oldest employees the sack without any warning, and the desperate man calls him on the phone, begging him and crying - and yet, all he does is make fun of his 'childish' behavior, remarking that there was no need for him to cry like a baby... BUT a little while later, he finds himself in a VERY desperate situation as well: after an accident, he's stuck behind the wheel of his luxury limousine, looking like he was dead - and he can't move, he can't talk, he can't give a sign of life; and so they take him to the morgue...
This has DEFINITELY got a touch of Edgar Allan Poe, and it's REALLY chilling to 'live' those dreadful hours (even 'crammed' into a 30-minute TV episode); but it also contains a PRETTY clear social and moral lesson... Joseph Cotten is simply EXCELLENT in a quite unusual role; and Hitch's directing is, to say the least, more breathtaking than in many of his most famous movies!
Really off-beat and well-thought-out premise with fine ironical ending. Don't overlook the first five minutes even though it's an uneventful set-up for what follows. Because there we understand that Cotton really does deserve to suffer some poetic justice, extreme though it is. If you think about it, there's a moral here. Anyway this is one of the initial episodes that really put the series on the TV map and continues to pack a wallop fifty years later.
Did you know
- TriviaThis won Edward W. Williams the 1956 Primetime Emmy for Best Editing of a Television Film.
- GoofsWhen watching current film-transferred versions on a modern definition television, one can see William Callew (Joseph Cotton) blinking his eyes even though it was established earlier that he could not move anything, including his eyelids. This is especially noticeable when the two escaped convicts are moving his body and disrobing him in the car. This would not have been noticeable at the time of first broadcast due to the poor resolution of the televisions.
- Quotes
[last lines]
Alfred Hitchcock: Well, that was a bit of a near thing. He reminded me of my own situation. Imagine, if you can, the terror of being inside a television set, knowing that any moment, the viewer may shut you off, and being powerless to prevent it. And I go through this every week. My only consolation is that some portions of our program are so fascinating, that they hold the viewer spellbound. Such an episode follows immediately. And then I'll be back again.
[commercial break]
Alfred Hitchcock: There, now, that really held you in suspense, didn't it? For more of the same, I recommend you tune in next week at this time. I shall see you, then. Bonsoir.
- ConnectionsFeatured in Nightmares & Dreamscapes: From the Stories of Stephen King (2006)
- SoundtracksFuneral March of a Marionette
Written by Charles Gounod
Details
- Runtime
- 26m
- Color
- Aspect ratio
- 1.33 : 1