When Clara Nash is murdered, her baby-sitter Lottie Slocum is excited to be the center of attention, and she also hopes to become closer to Clara's husband.When Clara Nash is murdered, her baby-sitter Lottie Slocum is excited to be the center of attention, and she also hopes to become closer to Clara's husband.When Clara Nash is murdered, her baby-sitter Lottie Slocum is excited to be the center of attention, and she also hopes to become closer to Clara's husband.
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What? Thelma Ritter as a "thoroughly classless mess?" As far as I'm concerned, Ritter lifts every film or TV show she's in, including this one which I just watched. Her comic timing, delivery, and poignancy can't be beat. I find her believable in every scene here. I think the previous commenter is objecting more to the script than the performance. As far as Ritter goes, I think she is one of the most underrated actresses of our time. Her performance in the opening of "All About Eve" is amazing. As is her performances in the Doris Day/Rock Hudson movies. She was also great in "Rear Window" and "The Misfits." She was nominated for six Academy Awards.
Lottie Slocum (Thelma Ritter) is the baby sitter who is questioned by the police over the killing of Clara Nash.
The murder has aroused press interest and Lottie revels in it. When she talks about the incident to friend Blanche, it becomes clear that Lottie might be a fantasist.
She disliked Clara Nash who she regarded as a floozie and was infatuated with her older husband.
It might be Lottie is covering up for something or someone.
It was well acted but for a long time it was frivolous. You know where it is going when a certain person later shows up.
Silly Lottie.
The murder has aroused press interest and Lottie revels in it. When she talks about the incident to friend Blanche, it becomes clear that Lottie might be a fantasist.
She disliked Clara Nash who she regarded as a floozie and was infatuated with her older husband.
It might be Lottie is covering up for something or someone.
It was well acted but for a long time it was frivolous. You know where it is going when a certain person later shows up.
Silly Lottie.
Thelma Ritter was an amazing actress, known better for her show stealing supporting roles and basically she was of those that indeed made everything she was in better. So seeing her being billed in the lead role raised expectations for "The Baby Sitter". As well as that it is an episode of the uneven but very interesting 'Alfred Hitchcock Presents', not to mention that it has Robert Stevens is in the director's chair. Was disappointed by Stevens' previous episode but have liked to loved plenty of his episodes.
For me though, "The Baby Sitter" doesn't reach that level and falls a little short. It is a long way from bad and has plenty that is good. It is also an uneven outing and a case of the lead performance being better than the episode itself. "The Baby Sitter" is one of the "in the middle of the pack" episodes of Season 1 and 'Alfred Hitchcock Presents' in general, rather than being on either extreme of best or worst. Stevens also did better and worse, but at least this feels more like him unlike his previous episode.
Am going to start with the good. The best thing about "The Baby Sitter" and the aspect that carries it is Ritter, who proves she can be as equally adept in lead roles as in her supporting roles. It is a riveting portrayal that tonally is also quite different from her usual roles, not to mention the character is interesting psychologically and where the story most excels. Mary Wickes is also a very strong presence. Stevens directs more than competently.
Production values are solid and suitably atmospheric, while the main theme fits the creepy and ironic tone of the series overall extremely well. Hitchcock's bookending is typically droll and doesn't ramble. The script entertains and intrigues, while the fantasy element while not one's idea of imaginative still has a wonderfully odd and at times charming atmosphere.
However, "The Baby Sitter" did have potential to be a lot more. The mystery is too on the thin side and lacks suspense, while the ending comes over as more silly and bland than anything else.
While Theodore Newton does his best, he is given virtually nothing to do and comes over as dull. The pace could have been a good deal tighter, especially in the second half where the story thins out.
Overall, above average if uneven. Ritter makes it. 6/10.
For me though, "The Baby Sitter" doesn't reach that level and falls a little short. It is a long way from bad and has plenty that is good. It is also an uneven outing and a case of the lead performance being better than the episode itself. "The Baby Sitter" is one of the "in the middle of the pack" episodes of Season 1 and 'Alfred Hitchcock Presents' in general, rather than being on either extreme of best or worst. Stevens also did better and worse, but at least this feels more like him unlike his previous episode.
Am going to start with the good. The best thing about "The Baby Sitter" and the aspect that carries it is Ritter, who proves she can be as equally adept in lead roles as in her supporting roles. It is a riveting portrayal that tonally is also quite different from her usual roles, not to mention the character is interesting psychologically and where the story most excels. Mary Wickes is also a very strong presence. Stevens directs more than competently.
Production values are solid and suitably atmospheric, while the main theme fits the creepy and ironic tone of the series overall extremely well. Hitchcock's bookending is typically droll and doesn't ramble. The script entertains and intrigues, while the fantasy element while not one's idea of imaginative still has a wonderfully odd and at times charming atmosphere.
However, "The Baby Sitter" did have potential to be a lot more. The mystery is too on the thin side and lacks suspense, while the ending comes over as more silly and bland than anything else.
While Theodore Newton does his best, he is given virtually nothing to do and comes over as dull. The pace could have been a good deal tighter, especially in the second half where the story thins out.
Overall, above average if uneven. Ritter makes it. 6/10.
This is pretty lightweight stuff. Thelma Ritter plays a babysitter who works for a pretty wealthy family where there is a lot of tension between the husband and wife. She feels that the man is getting short changed in the family and frequently pokes her nose in where it doesn't belong. She has another old maid type sidekick who is always asking questions and tormenting her. Unfortunately for her, her bad judgment really works against her. She fancies herself as a soul mate or even the next wife of this man. She crashes and bashes her way in and out of situations that would make one cringe. Of course, most of what she has is in her head. This isn't a very good episode.
Did you know
- Quotes
Lottie Slocum: The way she's been carryin' on. Since the separation, not even divorced, mind you. Running around with lounge lizards like that Mister DeMario.
- SoundtracksFuneral March of a Marionette
Written by Charles Gounod
Details
- Runtime
- 30m
- Color
- Aspect ratio
- 1.33 : 1
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