Married couple Jocelyn and Mort Barnhardt are business partners on the verge of a hostile split. When a burglar slips into their house, their contentious relationship takes an unusual turn a... Read allMarried couple Jocelyn and Mort Barnhardt are business partners on the verge of a hostile split. When a burglar slips into their house, their contentious relationship takes an unusual turn as Mort concocts a deadly scheme with the burglar.Married couple Jocelyn and Mort Barnhardt are business partners on the verge of a hostile split. When a burglar slips into their house, their contentious relationship takes an unusual turn as Mort concocts a deadly scheme with the burglar.
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Set in the kind of upper middle class New York suburb that John Cheever made his literary home, so to speak, for decades, it with a begins as a presentation of a comically dysfunctional middle aged couple of the postwar era; a husband and wife business team who bicker constantly, and even sleep in separate beds (the norm for television couples of the time anyway).
When they finally get to the bedroom for an (apparently sexless, but no matter) good night's sleep, the husband is awakened by sounds downstairs, where he is confronted by a genial looking burglar who holds a gun on him and proceeds to have the man of the house find objects of value for him to abscond with. That there appears to be less real friction between the perp and his prey cleverly foreshadows what is to occur in the story's second half.
As it becomes increasingly clear that there's little of real value in this nicely furnished home; and after wifey's calling downstairs and wondering what was happening (the husband said it was the radio), the plot thickens: the husband now wants to hire the burglar to work for him, as he wants the man to commit that has probably been on his mind for some time: the murder of his bossy, shrewish wife.
As there was never any real edge to this episode, and the major players. Allyn Joslyn and, especially, Eddie Foy, Jr., were known for "light" roles in film, one could see the comedy coming early. Foy was particularly good as a surprisingly laid bad crook; while Joslyn came across as more put upon than frightened.
What transpires in the end is a nicely done twist which I think it's fair to say most viewer wouldn't have seen coming when the show was first broadcast. I certainly didn't. As the set up was vaguely comical, and that Eddie Foy, Jr. had an easygoing, friendly way about him,
As Joslyn, or rather his character, has a genteel, Cheeveresque disposition, Foy comes across as a character out of the Broadway musical Guys & Dolls. He never seems to take anything too seriously; and this includes murder. Neither actor, or rather the characters these men play, seems out of his league or way too off his turf, and this tips the perceptive off as to the ending, which I see no reason t give away.
The Right Price is good clean fun, and it's droll even for a Hitchcock show. Neither the dialogue nor the story suggest great talent at work. There's a familiar been there, done that tone throughout that implies that while there may be a lack of much original talent that went into this effort, what talent there was available was used wisely and well. Also, for all the doublecrossing and trickery on display in this episode, it feels benign, almost innocent more than a half-century after it was first shown.
In the middle of the night, a man hears someone prowling about the house. He goes to investigate and then something strange happens...he finds a burglar (Eddie Foy Jr.) and the two sit down and chat a while....very amiably. The burglar is friendly and they talk about all sorts of things...until ultimately the man asks the burglar how much he'd charge to murder his wife while he's at it! Surprisingly they haggle about this...which, in hindsight, is a BIG mistake!
This one strictly is for laughs...which isn't a bad thing. Don't expect great depth but it is clever and fun.
Did you know
- TriviaThe living room set is the same one later used for Living Doll (1963).
- GoofsWhile Mort is downstairs checking on the noise, he leaves the door to the home office ajar. As he walks away, someone or something moves beyond the open door. It isn't the burglar because he appears from a different direction a few moments later.
- Quotes
The Cat: No one knows better than me how stubborn a woman can be.
Mort Barnhardt: Do you?
The Cat: As a matter of fact, I can honestly say I never could understand a woman.
Mort Barnhardt: They can be puzzling.
- SoundtracksFuneral March of a Marionette
Written by Charles Gounod
Details
- Runtime
- 30m
- Color
- Aspect ratio
- 1.33 : 1