Triggers in Leash
- Episode aired Oct 16, 1955
- TV-14
- 30m
A cook tries everything she can think of to end a dispute between two gunmen who have sworn to kill each other.A cook tries everything she can think of to end a dispute between two gunmen who have sworn to kill each other.A cook tries everything she can think of to end a dispute between two gunmen who have sworn to kill each other.
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The plot is a little thin here, but I still enjoyed it. Maybe not the best of the shows, but I still had fun watching it.
Lots of Alfred Hitchcock episodes are on YouTube. Peacock has all episodes from Season One, Episode One of Alfred Hitchcock Presents to the last episode of The Alfred Hitchcock Hour. I've decided to start and the beginning and watch them all. I hope you enjoy the shows as much as I do.
Ellen Corby, Gene Barry, and Darren McGavin are the stars, with Casey McGregor playing the only other on-screen character. Corby's character runs an out-of-the-way lunch counter, in which the characters played by Barry and McGavin confront each other with deadly intentions. Corby's character tries everything she can think of to cool off the two hotheads, even getting them to eat something while keeping one hand ready to draw at all times.
Although Hitchcock neither wrote nor directed the episode personally, it's well worthy of him, with a memorable situation, some very good dramatic touches, plus some psychology added in. Director Don Medford did a fine job of building up the tension, and the cast members are all in very good form. It's all resolved in a clever way that also would be worthy of Hitchcock's dry sense of humor.
Practically all of the episodes in the series were at least interesting, and many of them were memorable in one way or another. This one, though, is a particularly good example of an ideal usage of the half-hour format, and among the early episodes, it is very possibly the most efficient and effective.
Also, since the men were supposed to draw when a cuckoo clock chimed, I was reminded of For A Few Dollars More, when a gunfight was supposed to start when a musical watch stopped its song.
Anyway, I can't know for sure, but I feel almost certain that the maestro must have caught this episode and liked it, and found things he wanted to use. Watch the climactic duel from The Good The Bad and the Ugly, and then watch this episode. I think you'll see what I mean.
I appreciate this episode for the young Darren McGavin, who looks remarkably different than he did in the 1970s. I understand 20 years will do that to a guy, but it makes me wonder what he was doing for most of that time. Was he a big name before "Kolchak"? I am not aware of it, but then I wasn't really alive at the time.
After the first two episodes, this one is a bit of a disappointment. Not great, not terrible, just a very simple story. Maybe if I was a bigger fan of westerns I would like it more, but it just seemed like it could have used a little something more.
Did you know
- TriviaIn an Italian magazine from the 1960s, director Sergio Leone admits to liking this episode so much that he borrowed many things from it and included them in his westerns.
- GoofsMaggie grabs the handles of hot items such as the skillet and coffee pot with no insulation to protect her from burns.
- Quotes
[first lines]
Himself - Host: [Alfred Hitchcock loads one bullet into a revolver and spins the cylinder. He aims the gun off stage left while holding it up to his ear and pulls the trigger - click. He spins the barrel again, and pulls the trigger - click. He shrugs] That's precisely why I don't care for Russian roulette. I never seem to win. There are two revolvers, such as this, which play a part in tonight's story. It is what you might call a Western, although there isn't a horse to be seen. We intended to get horses, but they couldn't remember the lines. So you'll be seeing people instead. The cast is a very small one and threatens to become smaller with every passing moment. You see, two of the characters have threatened to eliminate each other on sight. Now, I am sure there are some of you who don't want to see them do that. So, I suggest instead that you listen to our sponsor's message.
- SoundtracksFuneral March of a Marionette
Written by Charles Gounod
Details
- Runtime
- 30m
- Color
- Aspect ratio
- 1.33 : 1