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Alfred Hitchcock Presents
S1.E16
All episodesAll
  • Cast & crew
  • User reviews
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IMDbPro

You Got to Have Luck

  • Episode aired Jan 15, 1956
  • TV-14
  • 30m
IMDb RATING
7.7/10
1.3K
YOUR RATING
John Cassavetes and Marisa Pavan in Alfred Hitchcock Presents (1955)
CrimeDramaMysteryThriller

During a massive manhunt for escaped convict Sam Cobbett, Cobbett invades a house where young housewife Mary Schaffner is home alone.During a massive manhunt for escaped convict Sam Cobbett, Cobbett invades a house where young housewife Mary Schaffner is home alone.During a massive manhunt for escaped convict Sam Cobbett, Cobbett invades a house where young housewife Mary Schaffner is home alone.

  • Director
    • Robert Stevens
  • Writers
    • Eustace Cockrell
    • Francis M. Cockrell
    • S.R. Ross
  • Stars
    • Alfred Hitchcock
    • John Cassavetes
    • Marisa Pavan
  • See production info at IMDbPro
  • IMDb RATING
    7.7/10
    1.3K
    YOUR RATING
    • Director
      • Robert Stevens
    • Writers
      • Eustace Cockrell
      • Francis M. Cockrell
      • S.R. Ross
    • Stars
      • Alfred Hitchcock
      • John Cassavetes
      • Marisa Pavan
    • 27User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos14

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    Top cast11

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    Alfred Hitchcock
    Alfred Hitchcock
    • Self - Host
    John Cassavetes
    John Cassavetes
    • Sam Cobbett
    Marisa Pavan
    Marisa Pavan
    • Mary Schaffner
    Lamont Johnson
    Lamont Johnson
    • David Schaffner
    Ray Teal
    Ray Teal
    • Warden Jacobs
    Vivi Janiss
    Vivi Janiss
    • Maude Martin
    Hal K. Dawson
    • Secretary
    Robert Patten
    Robert Patten
    • Willis the Co-Pilot
    • (as Bob Patten)
    Steven Clark
    • Pilot
    • (as Steve Clark)
    William Pullen
    • Prison Guard
    • (as Bill Pullen)
    Wendy Winkelman
    Wendy Winkelman
    • Susie Martin
    • (as Wendy Winkleman)
    • Director
      • Robert Stevens
    • Writers
      • Eustace Cockrell
      • Francis M. Cockrell
      • S.R. Ross
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews27

    7.71.3K
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    Featured reviews

    9TheLittleSongbird

    Hearing evil

    "You Got to Have Luck" signals the first of four Robert Stevens-directed episodes in a row. Stevens was the most frequent director on 'Alfred Hitchcock Presents' for very good reason and directed some truly fine episodes, a few from the first season. The series is a very interesting one and a must if a fan of Hitchcock, count me as one and have been since my late teens. Even the lesser entries are better than a lot of shows/series at their worst, speaking as someone that didn't like every episode.

    This is one of the episodes of 'Alfred Hitchcock Presents' to be in the "like it" category. No, make that love. Although it is not perfect and its main criticism of its lack of realism is valid, "You Got to Have Luck" to me is a great episode and can totally see why it is one of the highest rated episodes of Season 1. It is one of the best of that season and one of the best of those that Stevens directed. Not sure about it being one of my favourites of 'Alfred Hitchcock Presents', but as far as the first half of Season 1 goes and the season overall it compares favourably.

    Will agree that some of Cobett's decision making is rather rash and confused.

    And although the twist is extremely clever and completely unexpected, it will be unrealistic to those that have prior knowledge of what it revolves around.

    However, there is so much great here. John Cassavetes is the main reason as to why "You Got to Have Luck" works so well, it is an intensely sinister performance that does leave one unsettled. Marisa Pavan is alluring but not passive. Stevens' direction is tight and accomplished, his experience in regard to the series and the genre are evident. The script is thought provoking and lean, and Hitchcock certainly delivers on his dry drollness in the bookending.

    Despite not always being easy to swallow, the story is still very suspenseful and full of atmosphere, as well as moving at a lively pace. While the twist doesn't completely come off, its cleverness and "didn't see it coming" factor stop it from being a failure and make it interesting instead. The episode is slickly and atmospherically filmed and the main theme for the series is wonderfully devillish.

    Overall, great. 8.5/10.
    9Archbishop_Laud

    Cassevetes is great

    Robert Stevens directed a boatload of episodes in this series, but in this one he's only the third most noteworthy director. There's Hitchcock, of course, and there's John Cassevetes (The Killing of a Chinese Bookie), who is one of the two lead actors. This is one of my favorite episodes of Season 1.

    Cassevetes gives a very strong, modern performance as an escaped convict who invades a young woman's home. He's menacing, and there are about as many allusive sexual threats as they could show in those days.

    I'm not sure if all actions here make sense (if you're going to dote on this, then don't bother with the series), it's not ridiculously unrealistic. The ending makes me want to re-watch to see why I didn't see it coming.
    7born_naughty

    I like it's simplicity

    I like this episode as it is one of the few so far that actually nails the 25 minute cutoff. Most episodes struggle with that format. "You got to have luck" keeps it very simple. Doesn't try to tell a convoluted story but a straightforward simple one. It kinda stands or falls with how you feel about the ending. In my opinion it at least has an ending, instead of the completely open endings we've seen from other episodes that seemed to be deprived of time. This one wraps everything up neatly with it's final reveal. Though I liked it well enough I can certainly see some people who find in implausible and possibly flat. To me this one is kind of the blueprint of what I'm looking for in Alfred Hitchcock presents. Simple, easy to follow, with a simple ending that more or less gives all the closure I need.
    10tcchelsey

    HITCHCOCK ENDING YOU DON'T WANT TO MISS.

    Marisa Pavan, twin sister of Pier Angeli, had previously appeared as Anna Magnani's daughter (receiving an Oscar nomination) in THE ROSE TATTOO. She is equally convincing here, playing a young housewife who is left alone --until escaped killer John Cassavettes enters the picture.

    Exceptionally written, and classic early Hitchcock tv. Unless you have seen this before, you could never guess the ending.

    Both leads are terrific young actors who shine in their roles. Cassavettes seeks refuge at Pavan's countryside house while her husband is away. Basicially a two character study on steroids. Vivi Janiss plays the atypical chatty and easily insulted neighbor.

    One strange thing, if you notice. The camera focuses a lot on the pie Marisa is baking. That's one scene I always wondered about, and it seemed like Hitch (perhaps) wanted to have Marisa toss the RED HOT pie in pretty boy's face? That may have been the original intention, perhaps too gruesome. Rest assured, he gets his due.

    Pavan would next appear in THE MAN IN THE GRAY FLANNEL SUIT. This role may have lead to Cassavettes landing parts in EDGE OF THE CITY and CRIME IN THE STREETS.

    Best of SEASON 1. Universal remastered dvd box 3 dvds. Released 2008. 16 hrs 45 min running time.
    10sfbhattacharjee

    Wish it was a feature!

    I was awestruck as it progressed. The moment Cassavettes entered the frame I knew I was in for a ride. It was such a treat to watch the plot unfold, and the strong performance by Pavan just kept it altogether. This bestowed Cassavettes into one of America's finest filmmakers thereafter.

    Related interests

    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
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    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
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    Thriller

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      In 1956, this is the first of three guest appearances John Cassavetes made upon the Alfred Hitchcock suspense shows. Two other appearances were in 1964, once guest-starring with his wife Gena Rowlands on Murder Case (1964), and the last appearance on Water's Edge (1964).
    • Goofs
      The state troopers are flying a Hiller Model 360 when first shown searching for the escapee. In their next flying scene, they are flying a Bell 47.
    • Quotes

      [first lines]

      Himself - Host: Good evening. The, uh, hourglass is a wonderful invention. But I'm afraid it will never replace the sundial. Certainly not in my garden. This one doesn't even work. I sent it to a jeweler's to be cleaned and he removed all the sand.

      [puts a small hourglass on top of the big one]

      Himself - Host: Fortunately, the second hand still functions. Time is very important to the characters in tonight's story. One of them is doing it. For another, time seems to be running out. Time is also very important in television. We fill it. We must start on it. We must finish on it. And, appropriately enough, we occasionally kill it. I refer, of course, to my own fumbling efforts. Certainly not to the stellar entertainment which follows.

      [flips the smaller hourglass]

    • Connections
      Remade as Alfred Hitchcock Presents: Prisoners (1985)
    • Soundtracks
      Funeral March of a Marionette
      Written by Charles Gounod

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    Details

    Edit
    • Release date
      • January 15, 1956 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Filming locations
      • Republic Studios - 4024 Radford Avenue, North Hollywood, Los Angeles, California, USA
    • Production company
      • Shamley Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 30m
    • Color
      • Black and White
      • Black and White
    • Aspect ratio
      • 1.33 : 1

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