Clerk Ronald Grimes starts receiving letters from a mysterious Mr. Christiani that seemingly predict the future.Clerk Ronald Grimes starts receiving letters from a mysterious Mr. Christiani that seemingly predict the future.Clerk Ronald Grimes starts receiving letters from a mysterious Mr. Christiani that seemingly predict the future.
- Director
- Writers
- Stars
Don Ames
- Bar Patron
- (uncredited)
Ralph Brooks
- Office Worker
- (uncredited)
Rudy Germane
- Restaurant Patron
- (uncredited)
- Director
- Writers
- All cast & crew
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The best part of this episode is before the episode starts. Alfred Hitchcock stands at a desk behind a pile of ticker tape, looking out an open window. He announces that he had just teased his business partner that they had just lost most of the money they had invested. He also points out that the elevator man would be upset because he became confused when the people he brought up didn't ride the elevator down.
The story now focuses on two men, played by Jack Klugman and E. G. Marshall. They have worked for years in the same investment firm, sitting among a line of desks and bemoaning the fact that they may be trapped there for life. Marshall's character talks about finding a way out. Klugman is the classic naysayer who throws a wet blanket on everything. The "evil" boss brings a personal letter to Marshall and with a harumph drops it on his desk. It is from a mysterious man who says he can predict the future, but who cannot benefit from his predictions. While Klugman is warning his friend of the dangers of getting involved in this "scheme," Marshall begins to try out the tips, much to his great satisfaction. Finally, however, he reaches a fork in the road and that's what we are waiting for. I won't ruin the fun. It's a fun story and does a good job of carrying us on.
The story now focuses on two men, played by Jack Klugman and E. G. Marshall. They have worked for years in the same investment firm, sitting among a line of desks and bemoaning the fact that they may be trapped there for life. Marshall's character talks about finding a way out. Klugman is the classic naysayer who throws a wet blanket on everything. The "evil" boss brings a personal letter to Marshall and with a harumph drops it on his desk. It is from a mysterious man who says he can predict the future, but who cannot benefit from his predictions. While Klugman is warning his friend of the dangers of getting involved in this "scheme," Marshall begins to try out the tips, much to his great satisfaction. Finally, however, he reaches a fork in the road and that's what we are waiting for. I won't ruin the fun. It's a fun story and does a good job of carrying us on.
Other things I've reviewed such as Twilight Zone and Hammer House of Horror I was already familiar with. Only recently did I discover AHP, and with 268 episodes I'll be occupied for quite some time. I'm watching them in rating descending order, which risks boredom with later below par episodes, although my favourites are seldom the most popular.
At the time of writing I've chalked up thirty, and enjoyed this one the most, for two reasons. I'm hopeless as guessing whodunit or anticipating a Hitchcockian twist, but with a financial services background I did twig why the prophet's predictions turned a (ahem) profit. It was clever to cast against type. Lugubrious looking Jack Klugman is good at playing desperate losers so you expect him to be the one suckered into a scam. But it's E G Marshall, usually a hard-headed sobersides, who is taken in.
Also very memorable: HOOKED - man plots to get rid of older wife and marry young girlfriend, with a trademark twist. THE GLASS EYE - aging spinster falls for handsome ventriloquist, maybe a bit slow but a startling denouement. ARTHUR - some way down the ratings but I couldn't delay seeing the lovely Hazel Court playing a flighty foil to a superbly sardonic Laurence Harvey.
That's 30 episodes down, 238 to go, so watch this space...
At the time of writing I've chalked up thirty, and enjoyed this one the most, for two reasons. I'm hopeless as guessing whodunit or anticipating a Hitchcockian twist, but with a financial services background I did twig why the prophet's predictions turned a (ahem) profit. It was clever to cast against type. Lugubrious looking Jack Klugman is good at playing desperate losers so you expect him to be the one suckered into a scam. But it's E G Marshall, usually a hard-headed sobersides, who is taken in.
Also very memorable: HOOKED - man plots to get rid of older wife and marry young girlfriend, with a trademark twist. THE GLASS EYE - aging spinster falls for handsome ventriloquist, maybe a bit slow but a startling denouement. ARTHUR - some way down the ratings but I couldn't delay seeing the lovely Hazel Court playing a flighty foil to a superbly sardonic Laurence Harvey.
That's 30 episodes down, 238 to go, so watch this space...
...in every school in America.
This is one of my favorite episodes. We get to see a couple of disgruntled office workers, one of whom (E.G. Marshall) begins receiving "psychic" letters encouraging him to bet on events (election, title bout). Jack Klugman is a rationalist co-worker who tries to convince him it's a racket.
Could the mail order prophet be legit? It's hard not to wonder where this is going to lead. They even throw in office theft to up the ante. Not to give anything away, but I found the ending very satisfying. Plus, Klugman and Marshall are great to watch.
This is one of my favorite episodes. We get to see a couple of disgruntled office workers, one of whom (E.G. Marshall) begins receiving "psychic" letters encouraging him to bet on events (election, title bout). Jack Klugman is a rationalist co-worker who tries to convince him it's a racket.
Could the mail order prophet be legit? It's hard not to wonder where this is going to lead. They even throw in office theft to up the ante. Not to give anything away, but I found the ending very satisfying. Plus, Klugman and Marshall are great to watch.
This episode of ALFRED HITCHCOCK PRESENTS is a great example of how to make absorbing, compelling drama with minimal means. E. G. Marshall and Jack Klugman are two fine character actors who, earlier in the year this episode was broadcast (1957), appeared together in the classic jury room film 12 ANGRY MEN. In fact, in that film they sat side by side at the jury room table. I'd wager a bet that they were cast together in this episode based on their performace together in the movie. Marshall and Klugman couldn't be more different, yet they share a wonderful chemistry here as two cogs in a corporate machine who long to break out and find freedom. Klugman is wordly-wise, hard-nosed, cynical, yet has an almost tender regard for the welfare of his friend. Marshall is a mild-mannered milquetoast, just the type who would be taken in by the machinations of a con artist. The episode consists almost entirely of the interactions of these two friends as they discuss Marshall's increasing obsession with the money he can win from betting on he clairvoyant predictions of one "J. Christiani," a mysterious "mail-order prophet."
The names strike me as symbolic. Klugman plays "George Benedict" - Benedict meaning blessed, because he is the one who is wise enought to see through "Christiani's" ruse. Marshall is "Ronald Grimes" - he gets his hands dirty in the process of looking for an easy fortune. As for "J. Christiani," he is obviously a false Christ, a phoney prophet who will lead one astray.
If you are not familiar with the stock market and financial parlance (I'm not), then some of the dialog and plot twists toward the end might be confusing. But this is a small matter, since the upshot of the story still comes across. The twist ending is not what I expected, but still satisfying.
A classic of 1950s TV, typical of the thought-provoking entertainment that filled that era.
The names strike me as symbolic. Klugman plays "George Benedict" - Benedict meaning blessed, because he is the one who is wise enought to see through "Christiani's" ruse. Marshall is "Ronald Grimes" - he gets his hands dirty in the process of looking for an easy fortune. As for "J. Christiani," he is obviously a false Christ, a phoney prophet who will lead one astray.
If you are not familiar with the stock market and financial parlance (I'm not), then some of the dialog and plot twists toward the end might be confusing. But this is a small matter, since the upshot of the story still comes across. The twist ending is not what I expected, but still satisfying.
A classic of 1950s TV, typical of the thought-provoking entertainment that filled that era.
Ronald and George (E.G. Marshall and Jack Klugman) are clerks in some investment firm. The job apparently is thankless and dull and both men would love something else out of life. Then one day, a weird opportunity presents itself to Ronald when he receives a letter from a Mr. Christiani. Christiani claimes to be able to predict the future and in the letter he predicts the outcome of the mayoral race next week. When the letter turns out correct, Ronald is naturally NOT convinced. But when more letters arrive from Christiani and their predictions also come true, Ronald begins to gamble on the outcome listed in the letters....and he makes some money. But he wants a big payoff and Ronald is sure the next prediction in the letter will come true...so he decides to embezzle some bonds...assuming he'll be able to pay it off in a few days. But there is a catch...and George finds out the surprising solution to this Mr. Christiani.
This is a very good episode but I don't want to say much because it might spoil the suspense. It is an interesting story and although odd, it could work out just like it did in the story...but would it really in real life? Who knows...all I know is that the acting and writing are quite good.
This is a very good episode but I don't want to say much because it might spoil the suspense. It is an interesting story and although odd, it could work out just like it did in the story...but would it really in real life? Who knows...all I know is that the acting and writing are quite good.
Did you know
- TriviaGrimes receives a personal letter at his office from the "prophet". A closeup of the envelope reveals that Grimes' office is on Revue St. in New York City. Revue is the MCA/Universal division that released and distributed "Alfred Hitchcock Presents".
- GoofsAt the restaurant, when Benedict tells Grimes, "You're trapped, just like the rest of us." The camera perspective then changes from a wide shot to a closer shot, from slightly behind Benedict; his lips are no longer moving, although his dialogue continues.
- Quotes
[afterword]
Alfred Hitchcock: [Hitchcock is sitting back in his office chair] This concludes our entertainment. So until next time, when we shall bring you another story,
[gets up, takes his bowler hat and umbrella that are hanging on a coat rack, and walks to the open window]
Alfred Hitchcock: goodbye.
[bows, tosses both bowler hat and umbrella out the window, and walks off]
- ConnectionsSpoofed in Mathnet: The Case of the Swami Scam (1990)
- SoundtracksFuneral March of a Marionette
Written by Charles Gounod
Details
- Runtime
- 32m
- Color
- Aspect ratio
- 1.33 : 1
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