Crockett flashes to his role during the Saigon evacuation as he and a war correspondent uncover heroin smuggled in body bags. Ten years later in Miami the H resurfaces and so does the report... Read allCrockett flashes to his role during the Saigon evacuation as he and a war correspondent uncover heroin smuggled in body bags. Ten years later in Miami the H resurfaces and so does the reporter looking for the CIA connection.Crockett flashes to his role during the Saigon evacuation as he and a war correspondent uncover heroin smuggled in body bags. Ten years later in Miami the H resurfaces and so does the reporter looking for the CIA connection.
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TV is already a time consuming business and just imagine what Don Johnson had to go through during the taping of this episode, as he was the director of this episode and he had to remember and act his lines that he was given for this episode. That's a lot of work, especially for a big TV star who had so much people and responsibilities tugging at him for his time back then.
"Back In The World" was about a man named Ira Stone (Bob Balaban) who was adamant about writing a story about dead Vietnam soldiers and the heroin that was smuggled with their bodies back to the states where they were to be buried or cremated. But in the midst of trying to write this story, it was found that he was a drug user himself, a liar, a bad husband, and a nutcase.
One of the best lines I've ever heard in my life was uttered in this episode by Johnson, "Selling out, it's the American dream Tubbs." People (Americans and immigrants) sell out in this country every day, for money, to fit in, for acceptance, for show business, the opposite sex, friends, and jobs.
G. Gordon Liddy, who was big in American history for his role in the Watergate Scandal, made a interesting villain in this episode. And Miss Patti D'Arbanville, always a welcome sight for me, was a trip as the angry wife of Stone.
I've seen this episode a million times and it always intrigues me to see D'Arbanville and Johnson in that hotel scene together (as she's packing up her stuff and leaving Miami after being wronged too many times by Stone), seeing as how those two were an item around the time this episode aired.
The last scene accompanied by The Doors' "My Eyes Have Seen You" was a classic event in this show's history. I loved it how Crockett and Tubbs were quietly and stealthily trying to eliminate or bring to justice Maynard and that Laotian goon of his. The camera close-ups of Crockett and Tubbs' eyes and the synchronization of that Doors song with their every movement was just beautiful for me. One of my favorite scenes in the show's 5 year run.
The soundtrack to this episode is wall-to-walls "The Doors", with "Break On Through", "I Can't See Your Face in My Mind" and "My Eyes Have Seen You" used to especially effective use.
It's Balaban who really stands out in this Don Johnson directed episode. He delivers a superbly rounded performance and is very believable in the role. G. Gordon Liddy, in his acting debut, is also great as the mysterious "Captain Real Estate". There is also an appearance by supermodel Iman as the striking Dakotah.
Splendidly entertaining, big-budget stuff as always, this episode scores 9 out of 10.
After the credits Crockett meets the reporter who showed him that body and he is claiming that the man responsible, known as "The Sergeant" is selling that heroin again, not only that but it is contaminated due to the way it was transported. Their investigation leads them to another ex-Vietnam associate, Capt. Maynard AKA Mr Real Estate, however he claims to know nothing about The Sergeant and believes he is probably just a myth. It is clear that they are on to something though as myths don't ambush people with a mortar.
Along with the great story and action there is music from The Doors and an hilarious scene where Switek is dressed in leather feeling rather uncomfortable when a man flirts with him in a bar.
But overall, part of my issue is this really took me back to being a young teen in the mid-80s and how intensely oppressive it felt having Boomers talk (what seemed like) endlessly about the 60s, Vietnam, hippies, the works. To teens, that was ancient history and we did not want any of it. Saw this story a zillion times. It wasn't even mentioned in school as part of history. But now, as an adult, I realize some of the events of this episode took place just 10 years earlier. Ten years is nothing! It blows me away now at how recent those events were. I totally get why the adults were still dealing with Vietnam and why stories like this could be powerful.
Maybe if the script or some other aspect of the show was different, I could feel now some of what the adults were feeling and get transported into their shoes. But I could only still watch this as an 80s kid who did not want anything to do with Vietnam.
I'm giving an extra star for Iman at her most iconic, plus Switek dressed as a leather daddy. 80s gay panic aside, I'm sure they thought they were being progressive and meant well.
Did you know
- TriviaThis is the first of four episodes to be directed by Don Johnson, also his directorial debut. He would direct one episode in each of the show's final four seasons. Although Johnson directed more episodes of the show of any other member of the principle cast, he was not the first to do so - Edward James Olmos previously directed Bushido (1985) from earlier in the second season.
- Quotes
Capt. Real Estate: You know of course that in most parts of the world, pain is a second language. People understand it better than words because you can get right to the point. But in this country, we don't really have very much pain. So the second language is money. Naturally you'd expect to receive money for what you know instead of pain. How ironic.
- SoundtracksStrange Days
(uncredited)
Written by John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison
Performed by The Doors
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