Jessica is spending her holidays with an old friend, Lloyd Marcus. His daughter is found murdered in her house and her husband Donald becomes the prime suspect.Jessica is spending her holidays with an old friend, Lloyd Marcus. His daughter is found murdered in her house and her husband Donald becomes the prime suspect.Jessica is spending her holidays with an old friend, Lloyd Marcus. His daughter is found murdered in her house and her husband Donald becomes the prime suspect.
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Featured reviews
Innovative!
This is was a fun episode with a variety of interesting characters, multiple crimes, and several viable suspects. It was fun trying to figure it out before JB Fletcher had her epiphany!
If the frame fits
Jessica is spending her holidays with an old friend, Lloyd Marcus, to review a manuscript. However, the murder of Lloyd's daughter Julia shatters the planned tranquil evening. At first all the clues point to a robbery gone wrong, then to matrimonial homicide ( Her husband Donald becomes the prime suspect.) then Lloyd gets arrested, which prompts Jessica to dig through the frames of the murder to find the real killer.
Interesting characters, which includes the droll foppy Binky Holborn, and a snaky diversion in suspects makes this one a fairly good watch. Stolen artwork, dead woman, a button found in her hand and a broken clock are some of the clues at hand, though Jessica soon clears that early as a frame-up job. But who really done away with the lady?
Interesting characters, which includes the droll foppy Binky Holborn, and a snaky diversion in suspects makes this one a fairly good watch. Stolen artwork, dead woman, a button found in her hand and a broken clock are some of the clues at hand, though Jessica soon clears that early as a frame-up job. But who really done away with the lady?
Art theft and murder
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.
"If the Frame Fits" turned out to be a pleasurable episode, with an engaging mystery that mostly seems obvious but things are not what it seems. It also serves as a fitting season finale, tonally being much more in keeping with the show's basic tone than the previous season's finale "The Funeral at Fifty Mile" which had a dark and sombre tone that was quite far removed to usual.
Not quite perfect by all means. Despite her wonderful hair and clothes, Anne Schedeen has a juicy bitchy role and didn't quite convince me in it, this is a role that she could have easily sunk her teeth into but Schedeen is a little lightweight. Personal opinion of course. The final solution is a good one, not too simple, not confusing, the how and why elements are not obvious and were believable but to me the killer wasn't that much of a surprise in a case with rather too few suspects.
Production values are high in quality as to be expected, with slick photography, nice locations and the hair and clothes are better-looking than some other episodes of the season. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.
The writing is tight, thought-provoking and typically amiable and the characters and chemistry are good fun. The story is very engaging and suitably twisty.
Can't say enough good about Angela Lansbury, she is always dependable and there is a reason as to why Jessica Fletcher is one of her best-remembered roles. Norman Lloyd is especially classy in support, while John de Lancie, Audrey Meadows, Gordon Jump, and Deborah Adair add to the fun.
In conclusion, pleasurable and well done season finale. 8/10 Bethany Cox
"If the Frame Fits" turned out to be a pleasurable episode, with an engaging mystery that mostly seems obvious but things are not what it seems. It also serves as a fitting season finale, tonally being much more in keeping with the show's basic tone than the previous season's finale "The Funeral at Fifty Mile" which had a dark and sombre tone that was quite far removed to usual.
Not quite perfect by all means. Despite her wonderful hair and clothes, Anne Schedeen has a juicy bitchy role and didn't quite convince me in it, this is a role that she could have easily sunk her teeth into but Schedeen is a little lightweight. Personal opinion of course. The final solution is a good one, not too simple, not confusing, the how and why elements are not obvious and were believable but to me the killer wasn't that much of a surprise in a case with rather too few suspects.
Production values are high in quality as to be expected, with slick photography, nice locations and the hair and clothes are better-looking than some other episodes of the season. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.
The writing is tight, thought-provoking and typically amiable and the characters and chemistry are good fun. The story is very engaging and suitably twisty.
Can't say enough good about Angela Lansbury, she is always dependable and there is a reason as to why Jessica Fletcher is one of her best-remembered roles. Norman Lloyd is especially classy in support, while John de Lancie, Audrey Meadows, Gordon Jump, and Deborah Adair add to the fun.
In conclusion, pleasurable and well done season finale. 8/10 Bethany Cox
If the Frame Fits
Jessica Fletcher goes to Connecticut to visit an old friend Lloyd Marcus (Norman Lloyd.)
The well heeled area of Cedar Heights and its country club is in turmoil at the moment. There has been a spate of art thefts.
During the next attempted theft, Lloyd's daughter Julia Granger is killed. Lloyd found the body and as he hates his son in law Donald Granger. He rearranged the crime scene to frame Donald, who he regards as only marrying his daughter for money.
Jessica figures out that Lloyd tried to frame his son in law. So the real killer is still out there. While Donald seems to be very close to his late wife's sister, Sabrina.
This was a campy episode, it was an era of Dallas and Dynasty. So the wealthy had lots of hidden secrets with many not working for a living.
In the end Jessica thinks that there had to be more than one culprit for the crimes.
The well heeled area of Cedar Heights and its country club is in turmoil at the moment. There has been a spate of art thefts.
During the next attempted theft, Lloyd's daughter Julia Granger is killed. Lloyd found the body and as he hates his son in law Donald Granger. He rearranged the crime scene to frame Donald, who he regards as only marrying his daughter for money.
Jessica figures out that Lloyd tried to frame his son in law. So the real killer is still out there. While Donald seems to be very close to his late wife's sister, Sabrina.
This was a campy episode, it was an era of Dallas and Dynasty. So the wealthy had lots of hidden secrets with many not working for a living.
In the end Jessica thinks that there had to be more than one culprit for the crimes.
The killer did confess...but only after quite a bit of evidence was presented to them.
Often in "Murder, She Wrote" killers confess their crimes when there really isn't much, if any, evidence to prove they did it. It's a major weakness of many episodes. Fortunately, when the killer does confess, it's only after the police and Jessica present them with irrefutable evidence...making it a good episode.
As for the killing, a series of valuable art thefts have occurred and the final theft appears to have been ill-timed. It's because it looks as if the thief was caught in the act and killed a woman to hide their identity. Of course, Jessica is on hand to help sort all this out and capture the real killer.
Aside from a decent plot, the episode has a few fun performances. Norman Lloyd plays a marvelous old curmudgeon, though John De Lancie REALLY shines as an effete and rather flamboyant rich guy. Well worth seeing.
As for the killing, a series of valuable art thefts have occurred and the final theft appears to have been ill-timed. It's because it looks as if the thief was caught in the act and killed a woman to hide their identity. Of course, Jessica is on hand to help sort all this out and capture the real killer.
Aside from a decent plot, the episode has a few fun performances. Norman Lloyd plays a marvelous old curmudgeon, though John De Lancie REALLY shines as an effete and rather flamboyant rich guy. Well worth seeing.
Did you know
- TriviaDeborah Adair and John de Lancie are both alumni of the daytime soap opera "Days of Our Lives": John portrayed Eugene Bradford from 1982-1990, while Deborah portrayed Kate Roberts from 1993-1995.
- GoofsWhen Jessica is sitting in the police station with her friend Lloyd Marcus, talking about Lloyd's daughter's death and how he framed someone for having murdered her, Lloyd stands up from his chair and walks around his chair and Jessica's chair. At one point he has his right hand up to his mouth as he speaks. The camera then cuts and immediately goes to a shot of him with his left hand up by his mouth and, this time, his right arm down.
- Quotes
[first lines]
Jessica Fletcher: [laughs] And do you remember "The Horror of Harrow House", with the lurid bloodstains on the doormat?
Lloyd Marcus: Don't knock it. It sold half a million copies in paperback. Schlock, pure and simple, but very effective.
- SoundtracksMurder She Wrote Theme
Written by John Addison
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