While on a flight to London, a wealthy woman's chauffeur dies suddenly, and when the priceless necklace he was carrying turns up missing, it becomes a case of murder.While on a flight to London, a wealthy woman's chauffeur dies suddenly, and when the priceless necklace he was carrying turns up missing, it becomes a case of murder.While on a flight to London, a wealthy woman's chauffeur dies suddenly, and when the priceless necklace he was carrying turns up missing, it becomes a case of murder.
- Gunnar Globle
- (as Pat Harrington)
- Otto Hardwick
- (as Robert Walker)
Featured reviews
And like a good mystery story, this script presents some neat twists and turns. The cast is sterling, as usual. Kate Mulgrew is especially fine. This should rank as one of the best of all the episodes.
Among the main characters in this sharp and excellent episode are a famous actress, a taciturn former police officer, and a furtive-looking tourist couple. It's a highly entertaining episode, has a novelty of being set on a plane and the mystery is kept in wraps till the end.
Also on the flight is celebrity and actress Sonny Greer (Kate Mulgrew) who boards the flight with an expensive necklace and she has with her, bodyguard and secret lover Leon Bigard. He is nervous as he dislikes flying.
Jessica also befriends Errol Pogson (David Hemmings) a detective from Scotland Yard who was in America on holiday.
During the flight Leon dies and the necklace is missing.
Errol and Jessica investigate over the Atlantic just who the killer can be and who stole the necklace.
It could be any one of the passengers or the flight crew.
There is certainly a whodunit element and more in this story. It certainly is inspired by the Rathbone/Bruce Sherlock Holmes movie and a few others were a valuable jewellery is likely to be stolen in transit.
The murder reveal felt weak to me and looked tagged on. The jewellery part was more enjoyable. I liked how Jessica twigged on how the jewellery could evade a customs check.
"The Corpse Flew First Class" is actually one of my favourite episodes of Season 3 and of 'Murder She Wrote' in general, refreshingly following up one of the season's lesser episodes "Night of the Headless Horseman". It has one of the show's most diverting, cleverest and at times suspenseful mysteries, where nothing feels over complicated or simplistic and nothing is as it seems. How everything is explained is ingenious, one of Season 3's best endings where everything about how and why the crimes were committed and who are very plausible.
Even with a confined and simple setting (a plane), the episode is slickly and stylishly shot and the fashions and hairstyles are fun to watch, not many hilariously bad ones here. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.
The script is thoughtful and suitably amiable and as said there is nothing to fault the story.
Angela Lansbury is great as always and she is matched by a perfectly cast and note-perfect Kate Mulgrew. David Hemmings is a strong, sturdy presence and Pat Harrington is a hoot.
Overall, wonderful and one of my favourites actually. 10/10 Bethany Cox
Did you know
- TriviaClips from the on-flight movie shown are from the 1980 John Landis movie The Blues Brothers. Oddly, "The End" is shown on the screen just after the Blues-mobile nearly goes off of the end of the freeway while being chased by the Illinois Nazis, well before the real end.
- GoofsAs the airplane is coming in to land at Heathrow, there is an establishing shot of the wheels down and in the background there are cars traveling on the British motorway system. Except the cars are driving on the wrong side of the road.
- Quotes
[last lines]
Jessica Fletcher: Mr. Globle... Here's your script. You know, I can't tell you how much I enjoyed the sophisticated imagery and the poetic wit. I see it as a cross between cinema verite...
Gunnar Globle: Imagery and cinema verite?
Jessica Fletcher: I think if you change the title, it might do very well in those quaint little, uh, art theaters.
Customs Man: Anything to declare, sir?
Gunnar Globle: Yes. This is a dud.
- ConnectionsFeatures The Blues Brothers (1980)
- SoundtracksMurder She Wrote Theme
Written by John Addison