The Mice
- Episode aired Jan 6, 1964
- 51m
Dr. Thomas Kellander, Director of Neo-Kinematics, is in charge of a machine that will break down matter to electrical waves so it can be transmitted like radio and reassembled at the recepti... Read allDr. Thomas Kellander, Director of Neo-Kinematics, is in charge of a machine that will break down matter to electrical waves so it can be transmitted like radio and reassembled at the reception point.Dr. Thomas Kellander, Director of Neo-Kinematics, is in charge of a machine that will break down matter to electrical waves so it can be transmitted like radio and reassembled at the reception point.
- Dr. Robert Richardson
- (as Ronald Foster)
- Prison Warden
- (as Francis de Sales)
- Guard
- (uncredited)
- Chromo Transmission
- (voice)
- (uncredited)
- Control Voice
- (voice)
- (uncredited)
- Air Force Colonel
- (uncredited)
Featured reviews
Not really a favourite episode, in fact for several years I hated it, but a more recent screening went over a bit better as the acting and general story draw you in from beginning to end.
After 15 episodes of quality entertainment, I am sorry to say that the next two or three Limits shows leave one hell of a lot to be desired.
In fact, after watching The Mice I would even consider jumping two or three shows and going straight to the episode: The Invisibles (this one is a total knockout). From The Invisibles onwards the series continues to be very good.
Despite the potential of the storyline, "The Mice" is a poorly written and acted episode of "The Outer Limits". How can an alien come to Earth and circulate unmonitored in a state-of-art military facility? The attitudes of the sluggish security officers are ridiculous. Nobody comments the fate of the officer sent to Chromos. The way Dr. Julia Harrison reports her findings nearby the lake to Dr. Kellander is unthinkable. My vote is five.
Title (Brazil): "Os Camundongos" ("The Mice")
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 7.25
This isn't an episode I'd deem a classic, I wouldn't say it has anything particularly memorable, other than the obvious, a few years ago there was an advertising campaign for a blocked nose/sinuses relief product, it put me in mind of that.
Not a classic, but definitely still full of merits, I like the question of ethics, the value of a Prisoner's life, did he have any choice but to accept the mission, it was definitely an interesting concept.
The first half has an element of suspense, that opening sequence definitely added a degree of curiosity, I found the second half just bizarre, some of it perhaps didn't make a lot of sense. It is very well paced, I really did like the characters.
There are two terrific performances here, Henry Silva and Diana Sands were both terrific I thought, and despite the less than convincing looking subject from Chromo, they both managed to make their characters so sincere, they both bolstered the story hugely.
7/10.
Did you know
- TriviaThe wavy line SFX used for the teleportation device is the same SFX used in "The Borderland" device for opening up a dimensional wall between Earth and the hereafter.
- GoofsAround 24:44, Chino removes his left shoe and throws it through the window testing the force field. As he jumps on the bed to escape, he clearly wears a black sock. In the next scene of him running away, his sock is now white.
- Quotes
Dr. Thomas 'Kelly' Kellander: We need a man who will allow us to break him up into electrical particles and transmit him into space at a speed greater than that of light. That's it simply. It's called teleportation. When he gets to where he's going, he'll be reassembled. If he survives the experience, he comes back to Earth - the same way.
Goldsmith: He gets put back together again?
Dr. Thomas 'Kelly' Kellander: Yes.
Goldsmith: The same as he was before?
Dr. Thomas 'Kelly' Kellander: Well, it's worked with inanimate objects. And it's worked with mice.
Details
- Runtime
- 51m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
- 4:3