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The Outer Limits
S2.E5
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IMDbPro

Demon with a Glass Hand

  • Episode aired Oct 17, 1964
  • TV-14
  • 51m
IMDb RATING
8.6/10
1.2K
YOUR RATING
Robert Culp and Arlene Martel in The Outer Limits (1963)
DramaFantasyHorrorMysterySci-FiThriller

Continuance of the human race against alien invaders depends on a man with an incomplete glass computer hand and no memory of his past.Continuance of the human race against alien invaders depends on a man with an incomplete glass computer hand and no memory of his past.Continuance of the human race against alien invaders depends on a man with an incomplete glass computer hand and no memory of his past.

  • Director
    • Byron Haskin
  • Writers
    • Harlan Ellison
    • Leslie Stevens
  • Stars
    • Robert Culp
    • Arlene Martel
    • Abraham Sofaer
  • See production info at IMDbPro
  • IMDb RATING
    8.6/10
    1.2K
    YOUR RATING
    • Director
      • Byron Haskin
    • Writers
      • Harlan Ellison
      • Leslie Stevens
    • Stars
      • Robert Culp
      • Arlene Martel
      • Abraham Sofaer
    • 29User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos17

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    Top cast7

    Edit
    Robert Culp
    Robert Culp
    • Trent
    Arlene Martel
    Arlene Martel
    • Consuelo Biros
    • (as Arline Martel)
    Abraham Sofaer
    Abraham Sofaer
    • Arch
    Rex Holman
    Rex Holman
    • Battle
    Steve Harris
    • Breech
    Robert Fortier
    • Budge
    Vic Perrin
    Vic Perrin
    • Control Voice
    • (voice)
    • (uncredited)
    • Director
      • Byron Haskin
    • Writers
      • Harlan Ellison
      • Leslie Stevens
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews29

    8.61.2K
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    Featured reviews

    StuOz

    Repeat Viewings Help This One

    Robert Culp with an oddball hand is chased by oddball villains.

    Please don't "not useful" me for saying this, but for decades I hated this hour! The look of the guys in masks, the hand, some story elements, it just turned me off!!!!!!!!!! But now I love it!!

    I will never know why some Limits shows require added screenings before they really grow on you??

    Yes, I agree with the other posters, this is a knockout and one of the best episodes of the series. Too bad the writer was not totally pleased with the end product, but who cares, I love it, and so do most others. Perhaps the best thing Robert Culp ever did.
    10conono

    Talk to the Hand

    An astonishing episode. I've seen dozens of Outer Limits eps and really had no idea one could be as intriguing, profound, and even tragic as this. I've now watched it a second time and the plot was as gripping as the first, plus a lot of details stand in clearer relief now. It certainly doesn't lack for atmosphere either!

    No need to belabor the details of the narrative (others have completed that task) but in my view this ep redeems the entire series. It's made with the quality and care one normally associates with motion pictures, and the storyline and theme stand the test of time quite well, unlike so much sci-fi and fantasy-fi from the era.

    A pleasant surprise, highly recommended.

    PS: Don't read any spoilers!
    9rottresq-1

    Some Inside Info

    I'm the eldest son of the Assistant to the Producer of this episode of The Outer Limits. It is in my opinion one of the best episodes he was involved in (the last year of production). The show aired Saturday night on ABC. On the Monday morning following the show, the phone in the producer's office rang and my father answered it. The voice identified himself as Ray Bradbury and asked to speak to Ben Brady the producer. My father at first thought it was a joke. It wasn't. Ray Bradbury told Ben Brady that he had watched the show on Saturday night and wanted him to know how much he enjoyed it. Not a bad sci-fi recommend I would think. Harlon Ellison (writer) also called Ben Brady and demanded his name be removed from "that piece of S***!" My father said Ben calmed him down, a little.

    Please remember when you watch the original (B&W)Outer Limits that the budget was very limited $100k an episode I think. And that was for everything. So the aliens in this episode wore bathing caps and the "set" was the old Bradbury building in downtown LA. Shot the entire thing in one night. At least the run around the stairs, elevator scenes. For what it was and when it was done, it pretty good.

    People occasionally ask,"do you know where the glass hand is?" I do not. I doubt it exists today. Most props are made in multiples, I would imagine there was more than one, and based on the budget limitations of the time, probably returned to a pop rental company. One more piece of trivia - the 1964 season of Outer Limits was shot at what was then called The Executive Producers Studio on Sunset Blvd. That is the original location where Al Jolson's The Jazz Singer (the first talking motion picture)was shot, and they had preserved the original stage he used. The studio has gone through several changes of ownership/function, its now called Sunset Bronson Studios. I had many a good craft services meal there (Dad hated to cook.)
    8garysheski

    Ellison's take

    I met and talked with Harlan Ellison at an early '70s Star Trek Convention, and the conversation drifted to DEMON, and how he hated the way the writers butchered & disgraced his story. "Imagine", he said: "Creatures from a far-future century fist-fighting and shooting at each other with pistols! Gimme a break!" Its saving grace, apart from its being a terrific sci-fi story, was actress Arlene Martel, who later gained fame as Spck's wife in a Star Trek episode AMOK TIME. That's the one that truly made her famous, previous to that one, she was but a struggling young actress. Her role in DEMON I thought outstandingly underplayed.
    10ml2348

    Excellent - can't be improved

    This one I liked - from the very first time it was viewed. It has power - with powerful actors & actress. You "feel" the force of the episode - and brace for the surprise ending. When first viewed - it held me spellbound -all the way to the end. We just sat there & thought about it. It was awesome that people could's imaginations could bring this to the screen with such skill. It made me jealous - how they could dream this up & I couldn't. This episode endeared me to the "Outer Limits" forever. It's really incredible they could find just the "right people" in the right scenes with just the "right lines" - When VCR's came out - saw my chance to watch these episodes over & over again - and never tire of them. But - I still remember that night in the early 1960's - when we were held spellbound by this episode - a standard by which other episodes should be judged - absolutely loved it. Thank very much for the privilege of letting me comment.

    Michael ml2348@att.com

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      A portion of this episode was filmed in the Bradbury Building in Los Angeles, the same building used as J.F. Sebastian's home in Blade Runner (1982).
    • Goofs
      The glass hand tells Trent that the future Earth has been contaminated with a radioactive substance that has a 99-year half-life, and that the radiation will dissipate within 200 years. This is a complete misunderstanding of the nature of radioactive decay. Half of a radioactive substance will decay in the time period called a half-life. When another half-life passes, half of the remaining substance will decay, and so on. It would take many millennia for a substance with a 99-year half-life to decay to the point of being virtually radiation-free.
    • Quotes

      The Glass Hand: Stay alive. Above all, stay alive. Destiny is in your whole hand.

    • Connections
      Edited into Historias para no dormir: La Mano (1966)

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    FAQ3

    • Who is the voice for the glass hand?
    • What is this episode's connection to The Terminator (1984)?
    • Is this episode linked to any other episodes in the series?

    Details

    Edit
    • Release date
      • October 17, 1964 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Filming locations
      • Bradbury Building - 304 S. Broadway, Downtown, Los Angeles, California, USA
    • Production companies
      • Daystar Productions
      • Villa Di Stefano
      • United Artists Television
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 51m
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.33 : 1
      • 4:3

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