The Case of the Sausalito Sunrise
- Episode aired Feb 13, 1966
- 1h
A cop discovers an art dealer is selling the stolen painting "Sunrise in Sausalito." When the cop is found dead in the gallery, Perry defends the dealer and an employee. Paul poses as a truc... Read allA cop discovers an art dealer is selling the stolen painting "Sunrise in Sausalito." When the cop is found dead in the gallery, Perry defends the dealer and an employee. Paul poses as a truck driver to uncover the real fencing operation.A cop discovers an art dealer is selling the stolen painting "Sunrise in Sausalito." When the cop is found dead in the gallery, Perry defends the dealer and an employee. Paul poses as a truck driver to uncover the real fencing operation.
- Terrance Clay
- (credit only)
- Counterman
- (as William Erwin)
Featured reviews
As well, this is one of the most complex and exciting episodes of the entire series. There are art thefts, kidnap attempts, truck hijackings, a car chase, two murders (one a month before the start), two disappearing clients, and an openly angry Perry Mason.
An exceptional episode for the final season.
However the main purpose for doing this is to draw attention to the inclusion in the cast of Elisabeth Fraser and Allan Melvin. Both played main roles in the 'Bilko', as it was known over here. Sheer joy to see them again, as it would also be if the tv series re-appeared on our screens.
This episode involves William Hopper going undercover with the trucking company and nearly getting killed in a hijack attempt. In fact one of the hijackers is killed so there are three killings in this particular episode.
There is a trial or a preliminary hearing before a judge, I guess that is California's version of a Grand Jury. But the murderer is discovered by Burr and confesses in an entirely different place. And that individual is really the only possible suspect when you figure it out logically.
When I guess the murderer the Perry Mason episode rates less, but for the change of where the confession is obtained the episode gets marks for originality.
Again, the story is a winner, thanks to series writer Ernest Frankel, possibly taking a cue from 77 SUNSET STRIP. It has that feel. Paul goes undercover as a truck driver, joining a company that has been hit by a series of hijackings. Lots of action, centering around some major thefts, including a famous painting called "Sunrise in Sausalito."
The painting turns up in an art museum run by Francis Clune (Daniel Murphy). A cop on the case is killed and Clune is the likely suspect, including his assistant Bobbi Dane, played by lovely Francine York.
Adding more to the mystery, Bobbi disappears and it turns the case upside down. While Drake is pursuing the hi-jackers, Perry defends Clune, which leads to a terrific courtroom showdown. If you're a movie buff, Murphy was great in this role because he was a natural at playing suspicious-looking characters in the first place. Also nice to see Francine York, a staple in many tv shows, including DAYS OF OUR LIVES.
Great supporting cast, many familiar faces like heavy Peter Mamakos as Deering, Allan Melvin as Bert and Stanley Clements (from the BOWERY BOYS) as Floyd. Veteran actor Kenneth MacDonald returns as the judge, perhaps one of the best actors to fill the role, sounding and looking like a seasoned judge. Surprisingly, MacDonald gained fame chasing the Three Stooges in many of their comedies.
A labor of love by director Jesse Hibbs, working overtime with Drake's truck being chased by a car late at night. Look out for the cliff!
Best of SEASON 9, the final season. Remastered CBS dvd box set, Volumes 1 and 2.
Did you know
- TriviaThis is based on the same book as The Case of the Moth-Eaten Mink (1957).
- GoofsIn the San Francisco truck depot, the wall clock reads 12:28 even though the scene takes place early in the morning.
- Quotes
Perry Mason: Sometimes I wonder about this profession. Clients pay you for your advice, then stubbornly refuse to take it.
Paul Drake: Well, shouldn't you be grateful? After all, if everybody acted logically and sensibly, who'd ever need lawyers?
- ConnectionsEdited from Perry Mason: The Case of the Capricious Corpse (1962)
Details
- Runtime
- 1h(60 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1