Wasps' Nest

One of my favourite Poirot episodes. Beautifully acted by all four leading actors. The venture into 1930s fashion was superb. I always enjoy Poirot for the careful detail and attention paid to period details - clothing (esp. Hats), automobiles, architecture, furniture, and, especially, scenery. Watching Poirot is like time travel. And to have one of my favourite actors, Peter Capaldi (Local Hero, 1982), was such a treat. He plays a fantastically eccentric character, and though the role is minimal, he plays it to perfection. The plot is a treat as well. Without giving anything away, suffice it to say it is unlike any other Poirot dramatization in this wonderful series.

Copying the plot summary from IMDb: "At a village fête, Poirot runs into an old friend, John Harrison and his fiancé Molly Deane, a fashion model. Harrison invites Poirot and Hastings to tea the following week where Poirot learns that Molly had once been engaged to a local artist, Claude Langton. Poirot is puzzled by a number of apparently unrelated incidents but concludes that someone is being untruthful and that a murder is being planned. Courtesy of Hastings' new hobby, photography, Poirot knows exactly what is going to occur."

Wasps' Nest has to be the most unusual episode of Poirot I've seen so far. It's a bit surprising how much I like this one considering there is no actual murder - something I've complained about endlessly in the past. In fact, there's no real crime at all. And the ending is something I really wasn't expecting. As the end credit rolled, I just sat there, unable to move, taking in everything I had just seen. "Sad" doesn't begin to describe the feeling the end left with me. It's the only episode I can think of where a tissue might have come in handy. Another great thing about the plot is that the mystery here works. Until the final scene, I had no idea who was trying to kill who. Very well done.

Beyond the plot, there's a lot more to enjoy. I'm amazed that in episode after episode the makers of Poirot find such interesting locations. And the attention to period detail is always amazing. In this one, period cars and fashion take center stage for me. The acting is great. The four regulars are as good as I've come to expect. Suchet is just brilliant. The supporting cast is just as strong with Martin Turner, Melanie Jessop, and Peter Capaldi all shining bright. I'll cut this short and say Wasps' Nest is a solid episode anyway you want to look at it.

This film was puzzling to say the least, and the ending made me want to cry, which is rare for Poirot films as the endings of the hour-long films usually comprise of Hastings doing something silly and Poirot and Japp laughing at him, which is warming for the audience to see after the mystery has unravelled itself. However, I found this film a little more sentimental than the others, because the ending is sad, although I wouldn't have guessed so from the rest of the film which is more typical of the Poirot films. This film is full of red herrings, as always with Agatha Christie- such as the mysterious doctor appearing here and there, etc. I was glad to see that Hastings appeared in this film because he is excluded from some of the films and he is a valuable character, both for humour's sake and the sake of the plot.

"This is the most difficult case in my career", says Poirot at one point. "I'm trying to solve a crime that does not exist".

When Poirot meets the son of an old friend of his, a writer who is engaged to a beautiful fashion model, he senses that something might be wrong. The model's previous boyfriend, a sculptor, still seems to be in love with her. A sinister-looking old man is constantly lurking about. And why does this nest of wasps at the writer's garden seem to be so difficult to exterminate?

Sometimes it's hard to explain why a film, or a TV episode in this case, works so well, you just have to experience it for yourself. The story itself is ingenious (this time, Poirot has to connect the pieces to prevent a future crime, not solve a past one), and the ending left me speechless. But what gives "Wasps' Nest" an extra layer is how unexpectedly moving and quiet its resolution is. Up to this point in the series (Season 3, Episode 5), this is a candidate for best episode. (***1/2)

Poirot runs into an old friend, author John Harrison. He is engaged to model Molly Deane but Poirot senses that something is amiss in their relationship. Deane was previously in a relationship with Harrison's best friend, artist Claude Langton. Poirot is fearful that a murder is being planned.

Reasonably interesting. There's no murder to be investigated here, but rather a murder to be prevented. Quite novel in that respect, though it does make the plot a bit conjectural, rather than based on clues and evidence.

Worth noting that the cast includes Peter Capaldi, of The Thick of It fame, as Claude Langton.