The Sign of Four

One of Conan Doyle's best Holmes stories is adapted to perfection in this, the first feature length Holmes adventure from Granada Television. Jeremy Brett and Edward Hardwicke are fantastic (as always) and the supporting cast are quite good, not to mention appropriately quirky (especially important in this adventure).

The adaptation itself is, as was typical with the Granada series (and at least the first two feature length outings), quite faithful to the original story. It's well crafted and beautifully directed, with all the twists and turns of the Conan Doyle original (one of his most remarkable tales).

In short, this version of The Sign of Four manages to outshine all previous adaptations, and hasn't been rivaled since. The 1983 television version with Ian Richardson was certainly passable, but doesn't come close to this. Once again, Granada prove that their Holmes is without equal.

This is an extremely faithful adaptation of the original Doyle novel, and for purists, it can hardly be objected to (although the novel does start and end with Holmes' drug usage -- but is clearly eliminated in this adaptation, apparently by Jeremy Brett who thoroughly objected to that aspect of Doyle's character). As for the uninitiated, or general viewer, it's a bit of a slog. Brett is snappish and somewhat rude at times, unlike the Holmes of the stories, but otherwise excellent, with a gritty baritone that is quite commanding. Ronald Lacey almost steals the show as the Sholto brothers (and it's sad that he would die only a few years later). The real problem with this film is the slack editing and low key direction. Many scenes provide opportunity for dramatic punch but are handled matter-of-factly, with no help from an equally low-key music score. Also, the series of requisite backstories presented in the novel is too much for the film, getting to a point where we're even given a flashback-within-a-flashback. And to top it off, the climax of the story is yet another backstory flashback. It IS Doyle and it IS faithful, so you can't complain that the filmmakers took liberties and fouled things up... but the weakness of the novel as film material is also exposed. Purists though, should be delighted.

Among the best of all the excellent Granada/Brett Holmes portrayals. Careful use of locations, bold casting and holding firm to the original Conan Doyle story all combine to make for an excellent production, along with Brett and Hardwicke's ever brilliant representations of Holmes and Watson respectively.The production and direction pace the tale superbly well as Conan Doyle intended. The only negative (no fault of the production team) is that in the riverside scenes, the gentrification of London's riverside and disappearance of the riverside historical locations is apparent. All in all, if you are new to Brett/Granada's Holmes shows, or indeed to the Holmes stories in general, you could do worse than to start here with this excellent production.

Ronald Lacey lets a sly, dry fart slip out at 19.03 too as he smokes his shisha and gives the back story to Holmes/Watson and Miss Morstan, just as an amusing asides....

ACD's novel of a mysterious treasure and the weird folk seeking it could not have a better retelling.

We can take the exquisite performances of Jeremy Brett and Edward Hardwicke for granted.

Ronald Lacy ("Raiders of the Lost Ark") perfectly captures the Sholto Brothers (yes, both) and his Thaddeus can't be beat.

Jenny Seagrove would not have been my first choice for Mary; but in retrospect she's a positive choice for what she became in the Holmes' canon. A flashier actress simply wouldn't have done. It's to my everlasting regret the producers didn't follow the novel's conclusion.

And I love seeing Gordon Gostelow in whatever he does. He's the perfect guardian of Toby.

Then there's John Thaw. He also played a fictional detective on TV but I can't recall which. My late father always liked the mysteries in modern dress while I preferred the historical ones (Holmes, Campion, Poirot, Marple, Wimsey, etc.)

This whole production reeks of class. It's what we knew the Brett/Holmes was capable of. It's too bad all the stories (especially in the last two series) couldn't have maintained this level of perfection. This is a high-water mark for the series.

Out of all feature films with the great Jeremy Brett as Sherlock Holmes this is by far the best. It has great elements in it such as Imperialist India, Missing Treasure, Baker Street Irregulars, and a Dog named Toby. What is not to like? The story is complex, colorful, and intricate and as it progresses in words of Watson "it grows darker than clearer" but the solution to the case is clever and quite powerful. It is faithful to the original story and it is beautifully crafted and realized. Like many Granada Adaptations it creates a marvelous atmosphere. Edward Hardwicke is superb as Dr. Watson with Ronald Lacey, Jenny Seagrove, and John Thaw (best known for playing Colin Dexter's grouchy and very cultured Inspector Morse) providing fine support as well. The production values, music, and photography are excellent. The only complaint is that it slogs a little bit towards the end but it is only a minor complaint. In my opinion, this two hour adaptation of the classic Sherlock Holmes novella is one of Granada's finest hours.