The Sign of Four

This is an extremely faithful adaptation of the original Doyle novel, and for purists, it can hardly be objected to (although the novel does start and end with Holmes' drug usage -- but is clearly eliminated in this adaptation, apparently by Jeremy Brett who thoroughly objected to that aspect of Doyle's character). As for the uninitiated, or general viewer, it's a bit of a slog. Brett is snappish and somewhat rude at times, unlike the Holmes of the stories, but otherwise excellent, with a gritty baritone that is quite commanding. Ronald Lacey almost steals the show as the Sholto brothers (and it's sad that he would die only a few years later). The real problem with this film is the slack editing and low key direction. Many scenes provide opportunity for dramatic punch but are handled matter-of-factly, with no help from an equally low-key music score. Also, the series of requisite backstories presented in the novel is too much for the film, getting to a point where we're even given a flashback-within-a-flashback. And to top it off, the climax of the story is yet another backstory flashback. It IS Doyle and it IS faithful, so you can't complain that the filmmakers took liberties and fouled things up... but the weakness of the novel as film material is also exposed. Purists though, should be delighted.

ACD's novel of a mysterious treasure and the weird folk seeking it could not have a better retelling.

We can take the exquisite performances of Jeremy Brett and Edward Hardwicke for granted.

Ronald Lacy ("Raiders of the Lost Ark") perfectly captures the Sholto Brothers (yes, both) and his Thaddeus can't be beat.

Jenny Seagrove would not have been my first choice for Mary; but in retrospect she's a positive choice for what she became in the Holmes' canon. A flashier actress simply wouldn't have done. It's to my everlasting regret the producers didn't follow the novel's conclusion.

And I love seeing Gordon Gostelow in whatever he does. He's the perfect guardian of Toby.

Then there's John Thaw. He also played a fictional detective on TV but I can't recall which. My late father always liked the mysteries in modern dress while I preferred the historical ones (Holmes, Campion, Poirot, Marple, Wimsey, etc.)

This whole production reeks of class. It's what we knew the Brett/Holmes was capable of. It's too bad all the stories (especially in the last two series) couldn't have maintained this level of perfection. This is a high-water mark for the series.

Among the best of all the excellent Granada/Brett Holmes portrayals. Careful use of locations, bold casting and holding firm to the original Conan Doyle story all combine to make for an excellent production, along with Brett and Hardwicke's ever brilliant representations of Holmes and Watson respectively.The production and direction pace the tale superbly well as Conan Doyle intended. The only negative (no fault of the production team) is that in the riverside scenes, the gentrification of London's riverside and disappearance of the riverside historical locations is apparent. All in all, if you are new to Brett/Granada's Holmes shows, or indeed to the Holmes stories in general, you could do worse than to start here with this excellent production.

Ronald Lacey lets a sly, dry fart slip out at 19.03 too as he smokes his shisha and gives the back story to Holmes/Watson and Miss Morstan, just as an amusing asides....

This version of "The Sign of Four" is the closest anyone has come to transferring the spirit and letter of Doyle's stories to film. And it stars what might be the best Holmes and Watson to ever appear onscreen, Jeremy Brett and Edward Hardwicke. "The Sign of Four" is a very close adaptation of Conan Doyle's novel, but that would count for nothing if it wasn't stylishly directed, sumptuously produced, and perfectly acted.

It was also made at the right time, when the Granada Sherlock Holmes TV series had proven a success and received the go-ahead and financial backing to expand its format. "The Sign of Four" was filmed in 35mm with a lavish (for TV) budget and presents a convincing vision of Holmes's world, from the cluttered Victorian furnishings to a steam launch chase down the Thames. Jeremy Brett was at the peak of his powers, before manic depression and heart failure permanently wrecked his health. His mercurial Holmes lives only for detection--without a case he's twitchy and irritable; on the trail he suave and scintillating. Hardwicke's Watson is grizzled paragon of common sense and decency. The other players (Jenny Seagrove, John Thaw, Ronald Lacey) are a perfectly cast assortment of eccentrics.

Director Peter Hammond is over-fond of compositions involving mirrors, but he keeps the eye (and the actors) occupied. At its best the film is a catalogue of quintessential Sherlockiana: London fog, hidden treasure, the Baker Street Irregulars, and Holmes's outlandish disguises, violin playing, and elaborate deductions. The plot is classically Holmesian, involving Imperial misdeeds coming home to haunt their perpetrators. Some have criticized the film for the lengthy flashback near the end, but this is the emotional heart of the film, the why-done-it that comes after the criminal's apprehension and gives a tragic coloring to his crimes. It gives the literal Sign of Four an ethical resonance.

Like all of the Granada Holmes productions, "The Sign of Four" has been remastered and released on Blu-Ray. It looks great but whoever handled the color correction eliminated the day-for-night effects so many scenes are brighter then they should be.

JEREMY BRETT and EDWARD HARDWICKE head the cast of an excellent version of THE SIGN OF THE FOUR, given fine support by JENNY SEAGROVE, RONALD LACEY and JOHN THAW.

The intricate story begins with a young woman (Jenny Seagrove) coming to Holmes with a story involving the mysterious disappearance of her father. Several years after his death she began receiving yearly presents of priceless pearls, one by one each year. The story becomes more and more complex as more of the characters involved in her father's disappearance come to the fore. Among them, RONALD LACEY, who gives a quirky performance as twin brothers whose father wanted them to receive his inheritance. JENNY SEAGROVE and JOHN THAW are particularly interesting in well-defined supporting roles.

All the Victorian atmosphere is here along with elaborate settings and fine color photography. The two hours go by swiftly, since there's so much story to tell. Well worth watching with only a few scenes toward the end that seem to go on too long.