The Stakeout
- Episode aired May 31, 1990
- TV-PG
- 23m
IMDb RATING
7.5/10
6.2K
YOUR RATING
Jerry and George stake out the lobby of an office building to find a woman Jerry met at a party but whose name and phone number he didn't get.Jerry and George stake out the lobby of an office building to find a woman Jerry met at a party but whose name and phone number he didn't get.Jerry and George stake out the lobby of an office building to find a woman Jerry met at a party but whose name and phone number he didn't get.
Philip Bruns
- Morty Seinfeld
- (as Phil Bruns)
Norman Brenner
- Man Walking Into Elevator
- (uncredited)
Featured reviews
Here it is. In the 2nd mind you, not the first, but the second episode. The whole gist, the very DNA...the beating heart of the series is revealed right here. Jerry tells Elaine as he is persuading her to go to a wedding with him: "there'll be a lot people to mock". Much more than the show about nothing, this is the very core of Seinfeld. Brilliant!
JERRY's monologue: There's something about a cheque that, to a man, is not masculine. I don't know exactly what it is... I think to a man, a cheque is like a note from your mother that says ''I don't have any money, but if you'll contact these people, I'm sure they'll stick up for me... If you just trust me this one time I don't have any money but I have these... I wrote on these; is this of any value at all?'' _______________________
JERRY: (To Vanessa) So, you're a lawyer... VANESSA: Sagman, Bennet, Robbins, Oppenheim and Taft. JERRY: (To himself, quickly) Sagman, Bennet, Robbins, Oppenheim and Taft. Sagman, Bennet, Robbins, Oppenheim and Taft...
_______________________
JERRY: "Quone"? No, I'm afraid that I'm going to have to challenge that. HELEN: ...32... KRAMER: No, you don't have to challenge that. That's a word. That's a *definite* word. JERRY: I am challenging... KRAMER: Quone: to quone something.
_______________________
ELAINE: Couldn't agree more. JERRY: Good. ELAINE: Good. JERRY: Good. ELAINE: Great! JERRY: Great? Where do you get "great"?
JERRY: (To Vanessa) So, you're a lawyer... VANESSA: Sagman, Bennet, Robbins, Oppenheim and Taft. JERRY: (To himself, quickly) Sagman, Bennet, Robbins, Oppenheim and Taft. Sagman, Bennet, Robbins, Oppenheim and Taft...
_______________________
JERRY: "Quone"? No, I'm afraid that I'm going to have to challenge that. HELEN: ...32... KRAMER: No, you don't have to challenge that. That's a word. That's a *definite* word. JERRY: I am challenging... KRAMER: Quone: to quone something.
_______________________
ELAINE: Couldn't agree more. JERRY: Good. ELAINE: Good. JERRY: Good. ELAINE: Great! JERRY: Great? Where do you get "great"?
Jerry shows that despite having a relatively level head on his shoulders, he can talk hiimself into some odd things. Interestingly, he seems to feel that George should be his go to guy for ideas. The funniest part of this episode is the discussion about names and professions as they try to have a reason for stalking that young woman.
The Stakeout can be considered the proper start of Seinfeld, as the pilot had no Elaine and the other characters, bar Jerry, weren't that well defined, and boy, does it deliver: while most shows, especially sitcoms, improve in later seasons (even cult phenomenon Happy Days had a few sub-par moments in its first year), the series "about nothing" started superbly and never lost its edge over the course of 175 episodes.
This is the episode where Elaine Benes (Julia Louis-Dreyfus) makes her first appearance, and in true Seinfeld fashion her debut doesn't go unnoticed: she and Jerry have a nice chat in a video store, discussing whether they should go to a dinner and telling a "dirty" joke that was pretty bold for 1991 (the stand-up comedian imagines a porn star's father referring to his son as a "public fornicator"). Subsequently, Jerry goes home to find his parents using his couch as a bed (priceless) and then attends the aforementioned dinner, where he meets a woman he is quite attracted to ("Do you date immature men?" "Almost exclusively"). Regrettably, he doesn't remember her name (Vanessa), nor did he ask for her phone number. All he remembers is the name of the law firm where she works (Sagman, Bennet, Robbins, Oppenheim and Taft - try forgetting THAT!), meaning he and George have to wait for her outside the building pretending they popped up by chance.
Taking everything that made The Seinfeld Chronicles excellent and fine-tuning it, Larry David and the protagonist define the formula that would make the series immortal: brilliant dialogue about rubbish topics (women using cheques), Jerry's monologues between one scene and the next, and one key moment for each cast member. In the case of this episode, the highlights are the bits featuring Kramer and George: the former shows up to play scrabble with Helen and Morty Seinfeld and invents the word "quone" (as in "to quone something"), while the latter, having to make up an excuse for him and Jerry being outside Vanessa's office, spawns one of the show's best recurring gags ("Art Vandelay. I'm an architect").
In short, The Stakeout is a quintessential Seinfeld episode: clever, well-written and, most of all, endlessly funny. A classic.
This is the episode where Elaine Benes (Julia Louis-Dreyfus) makes her first appearance, and in true Seinfeld fashion her debut doesn't go unnoticed: she and Jerry have a nice chat in a video store, discussing whether they should go to a dinner and telling a "dirty" joke that was pretty bold for 1991 (the stand-up comedian imagines a porn star's father referring to his son as a "public fornicator"). Subsequently, Jerry goes home to find his parents using his couch as a bed (priceless) and then attends the aforementioned dinner, where he meets a woman he is quite attracted to ("Do you date immature men?" "Almost exclusively"). Regrettably, he doesn't remember her name (Vanessa), nor did he ask for her phone number. All he remembers is the name of the law firm where she works (Sagman, Bennet, Robbins, Oppenheim and Taft - try forgetting THAT!), meaning he and George have to wait for her outside the building pretending they popped up by chance.
Taking everything that made The Seinfeld Chronicles excellent and fine-tuning it, Larry David and the protagonist define the formula that would make the series immortal: brilliant dialogue about rubbish topics (women using cheques), Jerry's monologues between one scene and the next, and one key moment for each cast member. In the case of this episode, the highlights are the bits featuring Kramer and George: the former shows up to play scrabble with Helen and Morty Seinfeld and invents the word "quone" (as in "to quone something"), while the latter, having to make up an excuse for him and Jerry being outside Vanessa's office, spawns one of the show's best recurring gags ("Art Vandelay. I'm an architect").
In short, The Stakeout is a quintessential Seinfeld episode: clever, well-written and, most of all, endlessly funny. A classic.
Elaine makes her debut and she wasn't bad in seasons 1 to 3ish. After that she became a Veep and an empowered strong female.
This review was completed on January 3rd 2023
About: Jerry attends a boring social gathering with Elaine and meets a female that he falls in love with. He can't remember her name or if the guy he's with is her boyfriend, also he tries to avoid friction with his Ex Elaine Benes.
George has a minor role as a wing man to Jerry.
Elaine is just Elaine less annoying than her future self. She's just there to make Jerry feel awkward.
Jerry's parents make their debut they are there to provide advice for Jerry. This is the last time you see Phillip Burns as Jerry's dad.
I wish they gave him more time to develop, I have no beef with his performance.
Highlight: Lobby with George and Jerry that dialgue was well written and well stated. Georgy and Jerome had great chemistry from the getgo.
Overall, a great start to a classic series.
Should you watch this? Yes. Its a great simple to the point episode without modern day annoying tropes. Everyone in this sounded intelligent and like they had dignity.
This review was completed on January 3rd 2023
About: Jerry attends a boring social gathering with Elaine and meets a female that he falls in love with. He can't remember her name or if the guy he's with is her boyfriend, also he tries to avoid friction with his Ex Elaine Benes.
George has a minor role as a wing man to Jerry.
Elaine is just Elaine less annoying than her future self. She's just there to make Jerry feel awkward.
Jerry's parents make their debut they are there to provide advice for Jerry. This is the last time you see Phillip Burns as Jerry's dad.
I wish they gave him more time to develop, I have no beef with his performance.
Highlight: Lobby with George and Jerry that dialgue was well written and well stated. Georgy and Jerome had great chemistry from the getgo.
Overall, a great start to a classic series.
Should you watch this? Yes. Its a great simple to the point episode without modern day annoying tropes. Everyone in this sounded intelligent and like they had dignity.
Did you know
- TriviaPhilip Sterling was originally cast as Jerry's father, Morty, but was replaced with Philip Bruns. Bruns was later replaced in the second season by Barney Martin because it was decided the character should be more cranky. When the show went into syndication, Larry David wanted to reshoot Bruns' scenes with Martin but decided against the idea because the differences in the cast's ages would be noticeable.
- GoofsIn the video store scene, the Adult videos were displayed with the other categories of videos. Video stores were required to have adult videos displayed in a private area away from the general public.
- Alternate versionsWhen the episode was first rerun on December 2, 1992, it included a special introductory segment with Seinfeld and Louis-Dreyfus and Seinfeld stating that this is the first episode that they did together. (Although "Male Unbonding" was actually the first episode filmed with Louis-Dreyfus.) This segment can be seen on the DVD release.
- ConnectionsFeatured in Seinfeld: The Highlights of a Hundred (1995)
- SoundtracksSeinfeld Theme Song
Written by Jonathan Wolff
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