Middle Ground
- Episode aired Dec 12, 2004
- TV-MA
- 59m
The wire begins to yield information about the Barksdale organization. Stringer and Avon reminisce on how far they have come. McNulty finds the way to a key piece of the puzzle in an unlikel... Read allThe wire begins to yield information about the Barksdale organization. Stringer and Avon reminisce on how far they have come. McNulty finds the way to a key piece of the puzzle in an unlikely place. Awaiting his fate, Colvin works behind the scenes to shape the outcome of Amsterd... Read allThe wire begins to yield information about the Barksdale organization. Stringer and Avon reminisce on how far they have come. McNulty finds the way to a key piece of the puzzle in an unlikely place. Awaiting his fate, Colvin works behind the scenes to shape the outcome of Amsterdam, while protecting his men from possible repercussions.
- Detective William 'Bunk' Moreland
- (credit only)
- Detective Roland 'Prez' Pryzbylewski
- (credit only)
- Sergeant Ellis Carver
- (credit only)
- Detective Thomas 'Herc' Hauk
- (credit only)
- Preston 'Bodie' Broadus
- (as JD Williams)
- Omar Little
- (as Michael K. Williams)
Featured reviews
"Middle Ground", 11th episode of "The Wire" season 3 had a huge payoff, and i will leave it at that. I'm not sure if i can spoil a show that is almost 20 years old, but still it is best to be discovered by those who have not seen it.
This is amazing episode because of same things that carriers this amazing series - perfect writing, superb acting and incredible directing. But the writing is a star of "The Wire". And this episode has it all and beyond. Many plot lines starting to get into finish, and i can't wait to see the outcome in next episode which is going to close this incredible and unforgettable season.
This is a classic episode with some unforgettable character moments and great irony.
There is little about the plot I can say without spoiling, except that it contains some iconic moments of The Wire.
Various scenes that certain characters share together are brilliantly made. Some involve characters that are rarely on screen together, but when they are it is always electrifying. Another shows characters that are frequently together but this time it feels more poignant and reflective. One scene wonderfully presents two characters heavily linked to the main themes of season 3 that have never shared centre stage together. All of this builds towards a very powerful final scene that lingers in the memory.
The politics and fallout from the Hamsterdam situation are plausibly in sharp focus. This depicts some recognisable strategic manoeuvring from senior members of the command structure, plus a very effective scene involving one character taking in the sights and sounds of a free zone.
Once again the scenes involving Dennis are some of the most enjoyable and rewarding to watch. It is important that they receive this amount of screen time in a show so heavy with realism it might otherwise crush your spirit.
Visually it is incredibly good, with lots of cinematic shots of characters beautifully framed within atmospheric locations. My favourite involves a Western type stand-off between two almost mythical characters.
Performances as ever are top drawer, with Idris Elba, Michael K. Williams, Michael Potts, Wood Harris, Robert Wisdom, Chad Coleman, Frankie Faison and Dominic West all having standout moments.
I have to give it to the writer for being brave enough to do this, i was not expecting this for a player like that, but it's all in the game man, and the game is unpredictable. Heartbreaking stuff.
Did you know
- TriviaWhen Omar asks if Brother Mouzine killed Dante, Mouzone responds "He's resting." This is very similar to the exchange between Mouzone and Omar in Bad Dreams (2003) when Mouzone, after Omar has shot him, asked if Omar killed his man, Lamar. Omar responded with "Nah, he's just resting."
- GoofsWhen Stringer Bell is shot the camera angle behind the staircase shows that his body falls in such a manner that only his legs are showing from that angle. When his killers are leaving the said camera angle shows that his entire body can now be seen.
- Quotes
Stringer Bell: We ain't gotta dream no more, man. We got real shit. Real estate we can touch.
- ConnectionsFeatured in The 57th Annual Primetime Emmy Awards (2005)
Details
- Runtime
- 59m
- Color
- Sound mix
- Aspect ratio
- 4:3