9 reviews
Agent Reyes is arrested for shooting Doggett, only she claims the pair were enjoying a sandwich in her apartment.
This episode entertained some really interesting and imaginative concepts. If Sliding Doors were given The X Files treatment, this is potentially what it could have looked like.
Quite a lot going on here, it's inventive, it's creative, plus there are a few emotionally charged scenes. It looks great, it's very well produced.
It's interested that the solution is found, when what's called for, is a leap of faith. Doggett by name, very much dogged by nature. We learn the way that Agent Reyes feels for her colleague, personally I hope there's not romance ahead.
Erwin Timothy Lukesh was one creepy guy, and perhaps what makes him even better, is that he just looks like your Man in the street.
A few plot holes, but on the whole it's very good, 8/10.
This episode entertained some really interesting and imaginative concepts. If Sliding Doors were given The X Files treatment, this is potentially what it could have looked like.
Quite a lot going on here, it's inventive, it's creative, plus there are a few emotionally charged scenes. It looks great, it's very well produced.
It's interested that the solution is found, when what's called for, is a leap of faith. Doggett by name, very much dogged by nature. We learn the way that Agent Reyes feels for her colleague, personally I hope there's not romance ahead.
Erwin Timothy Lukesh was one creepy guy, and perhaps what makes him even better, is that he just looks like your Man in the street.
A few plot holes, but on the whole it's very good, 8/10.
- Sleepin_Dragon
- Oct 1, 2022
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- Muldernscully
- Nov 4, 2007
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- n-town-smash
- Jun 16, 2008
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- SyndicateFreeorDieHard
- Sep 23, 2007
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- classicsoncall
- Aug 24, 2017
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"4-D," the fourth episode of the ninth season of The X-Files, directed by Tony Wharmby and written by Steven Maeda, introduces a complex narrative that intertwines themes of parallel universes, identity, and the nature of evil. This episode stands out as a unique exploration of the consequences of choices made in alternate realities, providing both suspense and psychological depth as it delves into the characters' struggles with their identities and moral dilemmas.
The episode begins with Agent John Doggett (Robert Patrick) recovering in a hospital after being shot during a confrontation with Erwin Lukesh (James Remar), a suspected serial killer capable of crossing between parallel universes. As Doggett lies unconscious, his partner Monica Reyes (Annabeth Gish) grapples with the fallout from the incident. The investigation reveals that Lukesh is not only a murderer but also someone who manipulates reality itself, creating chaos in both his world and the alternate dimensions he traverses. Reyes must navigate the complexities of the case while defending herself against accusations of being involved in Doggett's shooting, which adds layers of tension to her character's journey.
Visually, "4-D" employs a dark and atmospheric aesthetic that enhances its themes of horror and existential dread. The cinematography effectively captures the eerie settings, particularly within the hospital and Lukesh's environment, using shadows and tight framing to evoke a sense of confinement and danger. Wharmby's direction maintains a brisk pace throughout the episode, balancing moments of action with quieter scenes that allow for character reflection. The special effects used to depict the transitions between dimensions are particularly striking, showcasing the show's ability to create compelling visual narratives even in its later seasons.
The performances in "4-D" are commendable, with Robert Patrick delivering a nuanced portrayal of Doggett as he confronts his own mortality and grapples with his identity in light of recent events. His character's vulnerability adds depth to the narrative, making his eventual confrontation with Lukesh all the more impactful. Annabeth Gish shines as Reyes, embodying both determination and emotional complexity as she navigates her role in the investigation while facing personal accusations. Remar's portrayal of Lukesh adds an unsettling layer to the narrative, showcasing a character who embodies both charm and menace.
Thematically, "4-D" explores significant issues such as identity, choice, and the consequences of one's actions across different realities. The episode critiques how individuals can become entangled in larger conspiracies while also addressing broader concerns about morality in a world filled with uncertainty. The notion that Lukesh can manipulate reality raises questions about free will and destiny, inviting viewers to ponder how choices shape not only individual lives but also alternate paths.
"4-D" stands out as an engaging installment in The X-Files series that successfully blends suspenseful storytelling with character exploration. While it may not fully capture the essence of earlier seasons due to its reliance on established mythology and pacing issues, it effectively engages viewers with its mix of horror and psychological depth. Ultimately, this episode invites audiences to reflect on their beliefs about identity and choice while setting up significant stakes for future narratives within the series.
The episode begins with Agent John Doggett (Robert Patrick) recovering in a hospital after being shot during a confrontation with Erwin Lukesh (James Remar), a suspected serial killer capable of crossing between parallel universes. As Doggett lies unconscious, his partner Monica Reyes (Annabeth Gish) grapples with the fallout from the incident. The investigation reveals that Lukesh is not only a murderer but also someone who manipulates reality itself, creating chaos in both his world and the alternate dimensions he traverses. Reyes must navigate the complexities of the case while defending herself against accusations of being involved in Doggett's shooting, which adds layers of tension to her character's journey.
Visually, "4-D" employs a dark and atmospheric aesthetic that enhances its themes of horror and existential dread. The cinematography effectively captures the eerie settings, particularly within the hospital and Lukesh's environment, using shadows and tight framing to evoke a sense of confinement and danger. Wharmby's direction maintains a brisk pace throughout the episode, balancing moments of action with quieter scenes that allow for character reflection. The special effects used to depict the transitions between dimensions are particularly striking, showcasing the show's ability to create compelling visual narratives even in its later seasons.
The performances in "4-D" are commendable, with Robert Patrick delivering a nuanced portrayal of Doggett as he confronts his own mortality and grapples with his identity in light of recent events. His character's vulnerability adds depth to the narrative, making his eventual confrontation with Lukesh all the more impactful. Annabeth Gish shines as Reyes, embodying both determination and emotional complexity as she navigates her role in the investigation while facing personal accusations. Remar's portrayal of Lukesh adds an unsettling layer to the narrative, showcasing a character who embodies both charm and menace.
Thematically, "4-D" explores significant issues such as identity, choice, and the consequences of one's actions across different realities. The episode critiques how individuals can become entangled in larger conspiracies while also addressing broader concerns about morality in a world filled with uncertainty. The notion that Lukesh can manipulate reality raises questions about free will and destiny, inviting viewers to ponder how choices shape not only individual lives but also alternate paths.
"4-D" stands out as an engaging installment in The X-Files series that successfully blends suspenseful storytelling with character exploration. While it may not fully capture the essence of earlier seasons due to its reliance on established mythology and pacing issues, it effectively engages viewers with its mix of horror and psychological depth. Ultimately, this episode invites audiences to reflect on their beliefs about identity and choice while setting up significant stakes for future narratives within the series.
- fernandoschiavi
- Feb 13, 2025
- Permalink