All Things
- Episode aired Apr 9, 2000
- TV-14
- 45m
Scully is finishing up the autopsy of a person at a hospital. A file mix-up involving the autopsy folder and another patient's x-ray leads Scully to discover a former lover of hers has been ... Read allScully is finishing up the autopsy of a person at a hospital. A file mix-up involving the autopsy folder and another patient's x-ray leads Scully to discover a former lover of hers has been admitted at the hospital. Meeting with him again causes Scully to re-examine the decisions... Read allScully is finishing up the autopsy of a person at a hospital. A file mix-up involving the autopsy folder and another patient's x-ray leads Scully to discover a former lover of hers has been admitted at the hospital. Meeting with him again causes Scully to re-examine the decisions she has made in her life, leading to her where she is to today.
- Nurse #2
- (as Elayn Taylor)
- Hospital Visitor
- (uncredited)
Featured reviews
All Things deals with one of the most difficult objects to film: intangible emotions. Emotions that go beyond being sad, happy, or confused. Emotions that make you sit down and really think out: "What the hell was I just feeling?" I've read comments about this episode that complain that it isn't an X-File. In the tradition of Ray Bradbury's Martian Chronicles, I ask: Why explore other worlds when there is so much of ourselves left unexplored? How well do we really understand these vague, alien dynamics we feel towards ourselves and others? Gillian Anderson offers a depictions of these difficult emotions through original and deeply artistic direction, paired with masterful acting.
On top of that, All Things provides an new and interesting lens through which we can view Scully. She can seem utterly in control of her environments and competent as an individual, yet internally feel lost, confused, and perhaps helpless. Unfortunately, this is a concept that seasons eight and nine failed to follow through with. Instead, we are to settle with just one brief, beautiful glimpse into the potential of Scully's character. All in all, this isn't the slickest X-File, but it is certainly the most emotional for me. Submit to Gillian Anderson's artistic vision and she will show you the way.
Very different, I can imagine that this one divides fans, don't come here expecting intrigue, suspense or chills and thrills, this one is out and out melodrama, an affair of the heart, not even an X Files twist.
I have to be honest, I was a little disappointed, I was excited to see Mulder and Scully in England, I wanted to see if they'd be there for real, or if it would have been done in the style of Murder she wrote, with a London bus and taxi somewhere in the middle of L. A.
We get to learn that Scully has a penchant for the more mature gentleman, and I have to admit, I thought Anderson was awesome throughout.
The daughter did my head in, Maggy was the most irritating, stroppy character, she stormed out of the room in every scene, bar one.
Moby didn't half get some of his awesome music played on the show, I've heard his tunes a few times.
I wouldn't want episodes like this one to come along too often, but it wasn't a bad watch, 6/10.
Did you know
- TriviaAs of 2020, "All Things" remains Gillian Anderson's only writing credit of her entire career. It is also her only directorial credit beside the short film The Departure (2014).
- GoofsYou can see the string pulling the apothecary sign.
- Quotes
Scully: Time passes in moments... moments, which, rushing past, define the path of a life just as surely as they lead towards its end. How rarely do we stop to examine that path, to see the reasons why all things happen, to consider whether the path we take in life is our own making or simply one into which we drift with eyes closed. But what if we could stop, pause to take stock of each precious moment before it passes? Might we then see the endless forks in the road that have shaped a life and, seeing those choices, choose another path?
- ConnectionsFeatured in The X-Files: Trust No 1 (2002)