Chimera
- Episode aired Apr 2, 2000
- TV-14
- 45m
Mulder and Scully are on a stakeout of a female serial-killer of prostitutes. Mulder gets called away from the stakeout by Skinner to investigate the disappearance of federal judge's daughte... Read allMulder and Scully are on a stakeout of a female serial-killer of prostitutes. Mulder gets called away from the stakeout by Skinner to investigate the disappearance of federal judge's daughter. The strange appearance of a raven shortly before she went missing leads Mulder to belie... Read allMulder and Scully are on a stakeout of a female serial-killer of prostitutes. Mulder gets called away from the stakeout by Skinner to investigate the disappearance of federal judge's daughter. The strange appearance of a raven shortly before she went missing leads Mulder to believe this case may have paranormal significance.
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This isn't a bad thriller though it's a tad predictable with a stereotypical theme. It's not really much more than a darker reworking of the season 6 episode "Arcadia" - which is a pity since the lighter tone of the previous episode suited the subject matter perfectly, IMHO! I wonder if that slotted closet door is the same one Scully was hiding behind in the earlier episode... Anyway, the red herrings in THIS episode are better distributed, making the plot crisper (IMHO). If only the theme had been more imaginative this would have been one of the greats! Hell hath no fury... yeah yeah yeah...
Very good episode, it's a plot that could have been made into a Disney film, albeit one with slightly toned down visuals.
It has felt like such a long time since we've had a witchcraft, or even a vibe of it. I liked the vibe of the episode, squeaky clean, respectable society, mixed up with lies, vice and terrifying figure.
It was nice to see Mulder having a solo case for a change, Scully was reasonably well sidelined, but she did provide a couple of laughs.
Super strong visuals once again, that figure was very well realised, a pretty terrifying sight. I do love a group of ravens, they're not always portrayed in the best possible way, super smart birds. Some great action sequences too, it is very well produced.
I was saddened to read that Gina Mastrogiacamo, who played the part (incredibly well) of Jenny, died just one year later, 39 years of age, very sad.
8/10.
The episode excels in its atmospheric tension and commentary on suburban life, where appearances often mask unsettling truths. David Duchovny delivers a solid performance as Mulder, bringing a blend of dry humor and sharp intuition to his investigation. His interactions with the seemingly idyllic but increasingly suspicious residents highlight the underlying theme of duality-the contrast between public facades and private realities. Although Gillian Anderson has limited screen time in this episode, her presence remains impactful, providing balance and reminding viewers of the series' central partnership.
Cliff Bole's direction is effective in crafting an eerie atmosphere. The visual contrast between the bright, orderly suburban streets and the shadowy, unsettling imagery of the creature stalking its victims emphasizes the duality explored in the narrative. The cinematography captures this dichotomy beautifully, with a sharp use of lighting to create an ominous ambiance. The editing maintains a steady pace, gradually building suspense without rushing key moments. However, some viewers may find the resolution of the case somewhat predictable, lacking the shocking twist that often defines the series' best episodes.
One of the episode's most memorable sequences occurs when Mulder confronts the supernatural manifestation in a tense scene filled with fear and uncertainty. The creature's design, while not particularly groundbreaking, effectively symbolizes the episode's exploration of hidden darkness. This confrontation underscores the episode's thematic focus on repression and the consequences of unresolved guilt and anger. Bole's direction ensures that these themes are conveyed with a mix of subtlety and intensity.
"Chimera" stands out as a well-crafted exploration of human psychology wrapped in a supernatural thriller. While it may not reach the iconic status of some of the series' most memorable episodes, it offers a compelling narrative that delves into themes of appearance versus reality and the darkness lurking beneath seemingly perfect lives. The episode's balance between mystery and social commentary makes it a worthwhile addition to The X-Files canon, demonstrating the show's enduring ability to blend suspense with meaningful storytelling.
Did you know
- TriviaGillian Anderson only spent one day on set for this episode as she was deep in pre-production on her writing-directing debut episode, All Things (2000).
- GoofsAlthough they're referred to as ravens, the birds featured in this episode are actually crows.
- Quotes
Ellen Adderly: Do you have a... a significant other?
Mulder: Um, not in the widely understood definition of that term.